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    She must not wake her husband.

    Lifting the kitchen telephone from its cradle, Joan crept back to the living room, praying for courage. On the television, a graceful arc of fireworks rose above the obelisk.

TWO

President Kerry Francis Kilcannon and his fiancée, Lara Costello, watched as a red flare rose above the Mall, bursting into a galaxy of falling stars which framed the Washington Monument.

    For this rarity, an evening alone, they had left the annual party for staffers and retreated to the porch on the second floor of the White House. Spread across their table was a white linen cloth, a picnic of cheese and fruit, and a bottle of light chardonnay which cooled in a silver cylinder, a gift from the President of France. Lara took Kerry's hand.

    "When I was six," she told him, "our father took us to the fireworks at Crissy Field. I remember holding his hand, watching all those explosions above the Golden Gate Bridge. That's my last memory of being with him."

    Turning from the fireworks, Kerry studied the sculpted face—intense dark eyes, high cheekbones, pale skin framed by jet-black hair—which, to her bemusement, had helped Lara rise from a semianonymous political reporter for the New York Times to celebrity as a television journalist. Like many women, Kerry supposed, her self-concept had been fixed in adolescence: then she had not thought of herself as beautiful—though she surely was—but as the perfect student, the dutiful oldest daughter who must help her mother and sisters. It was the dutiful daughter who had achieved success, driven to make Inez Costello proud, to free her younger sisters from the struggle caused by their father's desertion. Even at thirty-two, Kerry knew, her family still defined her.

    "What I was hoping you'd remember," he said, "is the scene from To Catch a Thief. Cary Grant and Grace Kelly in Monaco, watching fireworks from her hotel room."

    Lara faced him with an amused, appraising look. "I remember that they lay down on the couch, and then the camera panned away. The fireworks were a metaphor."

    "Uh-huh. Very 1950s."

    Leaning forward, Lara kissed him, a lingering touch of the lips, then rested her cheek against his shoulder. "This is the twenty-first century," she told him. "No metaphors required."

• • •

    Afterward, they lay in his canopied bed listening to the last, faint whistling of fireworks. One table lamp still glowed—making love, and after, both needed to see the other's face.

    Smiling, she lightly mussed his hair. "You're not too bad," she told him. "At least as Presidents go."

    As she intended, this elicited the boyish grin which lit his face and crinkled the corners of his eyes. There had been too little lightness in Kerry's life. Even his first success in politics, election to the Senate at age thirty, had been as surrogate for his brother, Senator James Kilcannon, assassinated in San Francisco while running for President. Lara had been nineteen then; she remembered watching the telecast of James's funeral, the haunted look on Kerry's face as he attended to his widowed mother. So that when, as a reporter for the New York Times, she had met him seven years later, the first thing she noticed was not his fine-featured face, incongruously youthful for a potential President, nor his thatch of chestnut hair, nor even the scar at the corner of one eye. It was the startling contradiction presented by the eyes themselves: their green-flecked blue irises, larger than most, gave Lara the sense—rare in a white male politician—of someone who had seen more sadness than most. Then, she had thought this an illusion, abetted by her memory of the funeral; only later, when Kerry shared the private history he had entrusted to almost no one, did she understand how true it was.

    "If so," he answered, "you're free to take it personally. Tongue-tied Catholic boys from Newark don't usually get much practice. Lord knows that Meg and I weren't much good to each other, in any way."

    If only, Lara thought, Meg could be dismissed so simply. But her existence affected them still—publicly, because Kerry's lack of an annulment had forestalled them from marrying in the Church; privately, because their love affair had begun while Kerry was married. Its secrecy had saved Kerry's chances of becoming President: only after his divorce and the California primary, when Kerry himself had been wounded by a would-be assassin, had they come together in public.

    Now she touched the scar the bullet had left, a red welt near his heart. "We've been good to each other," she said. "And very lucky."

    To Lara, he seemed to sense the sadness beneath her words, the lingering regrets which shadowed their new life. "Just lucky?" he answered softly. "In public life, we're a miracle. Rather like my career."

    This aspect of his worldview—that good fortune was an accident— was, in Lara's mind, fortified by his certainty that gunfire had made him President: first by killing James, the deserving brother; then by wounding Kerry, causing the wave of sympathy which, last November, had helped elect him by the narrowest of margins, with California tipping the balance. But this had also given him a mission, repeated in speech after speech: "to eradicate gun violence as surely as we ended polio."

    "Speaking of miracles," she asked, "is your meeting with the gun companies still a go?"

    "A handful of companies," Kerry amended. "The few brave souls willing to help keep four-year-olds from killing themselves with that new handgun Dad bought for their protection. If you listen to the SSA, tomorrow will be the death knell of gun rights in America." Suddenly, he smiled. "Though in preparing for the meeting, I discovered that it's you who's hell-bent on disarming us."

    "Me?"

    "You, and your entire profession." Turning, Kerry removed a magazine from the briefing book on his nightstand; as he flipped its pages, Lara saw that it was the monthly publication of the Sons of the Second Amendment, perhaps Washington's most powerful lobby, and that its cover featured a venomous cartoon of Kerry as Adolf Hitler.

    " 'Surveys,' " Kerry read, " 'have shown that most reporters for the major media live in upper-class homes, head and shoulders above most of us in fly-over country. Many took their education at Ivy League universities where they protested the Vietnam conflict, smoked dope, loved freely, and ingested every ultraliberal cause their professors threw at them.' " Pausing, he said wryly, "Truth to tell, they're onto something. What was wrong with you?"

    Lara propped her head up with one hand. "My mother cleaned houses. So I was afraid to lose my scholarship. Besides, I missed the war by twenty years."

    "It hardly matters—you caught up soon enough. Listen to this: 'Once they graduated, they faced the prospect of going to work. What better way to earn a fat paycheck and change the world than become a reporter for ABC, or CBS or NBC or CNN or write for the New York Times?'

    "That's you," Kerry added, fixing her with a mock-accusatory gaze, and then continued. " 'Having become gainfully employed, these men and women from Yale and Harvard and Brown and Princeton brought their own biases with them. Many do not know anyone who owns guns. Their only exposure to firearms comes when they report on the carnage left by a deranged shooter going "postal" . . .' "