Выбрать главу

With a small sharp explosion a section of the Imperator fell away to reveal a neat concavity. ‘Long ago I equipped myself for this task. Fit the distorter into this space. Jack into me the output leads from your archival computers. Quickly, there is little time! I will re-create all the original conditions, the starting point from which the empire will burgeon! All will be foreordained! The war with Humlu must continue eternally!’

Inpriss Sorce gave a little cry. ‘Must I go through it all again?’ she quavered.

‘There may be variations,’ the resonant voice said in a near-whisper. ‘Perhaps next time you will live in peace. Perhaps, too, some other officer of the Time Service, not Captain Mond Aton, will become familiar with the strat and be called upon to fight the Minion. Only one thing is certain; if the empire falls and cannot be reformed, then mankind falls to Hulmu, and monsters crawl out of the deeps of potential time to claim the Earth.’

While the machine spoke, the archivists were busy doing its bidding; the Imperator’s word was law.

And when at last the time-distorter was triggered and mighty energies began issuing from its mouth, and when at the same time they all began to fade out of existence, Aton, holding Inpriss’s hand, felt in the depths of his being that this was not the end, that he would be called on, once more, to be a servant of the empire, and that the war, truly, was eternal.

ELEVEN

‘These pi-mesons certainly are tricky fellers,’ said Dwight Rilke.

‘Tricky as hell,’ agreed Humbart.

Rilke threw down his pencil and leaned back. Vague thoughts and ideas drifted through his mind, all related to the main problem: how to isolate pi-mesons in a stable state, for long enough and in sufficient quantity to do something with them.

His gaze fell on the computer across the room. Its unusual bulk was due to the fact that it incorporated its own compact nuclear power unit as insurance against the erratic electricity supply. The civil disturbances were becoming more pronounced of late and the computer did most of the administrative work for the branch.

Rilke had decided on a nickname for the machine, because of the imperious way it delivered data.

He would call it Imperator.

The door opened. One of the staff girls came in with a sheaf of reports.

‘Thank you, Miss Sorce,’ Absol Humbart said.

Also by Barrington J. Bayley

Age of Adventure

Annihilation Factor

Collision with Chronos

Empire of Two Worlds

Sinners of Erspia

Star Winds

The Fall of Chronopolis

The Forest of Peldain

The Garments of Caean

The Grand Wheel

The Great Hydration

The Pillars of Eternity

The Rod of Light

The Soul of the Robot

The Star Virus

The Zen Gun

The Knights of the Limits

The Seed of Evil

About the Author

Barrington J. Bayley (1937–2008)

Barrington J. Bayley was born in Birmingham and began writing science fiction in his early teens. After serving in the RAF, he took up freelance writing on features, serials and picture strips, mostly in the juvenile field, before returning to straight SF. He was a regular contributor to the influential New Worlds magazine and an early voice in the New Wave movement.

Gateway Introduction

Enter the SF Gateway…

In the last years of the twentieth century (as Wells might have put it), Gollancz, Britain’s oldest and most distinguished science fiction imprint, created the SF and Fantasy Masterworks series. Dedicated to re-publishing the English language’s finest works of SF and Fantasy, most of which were languishing out of print at the time, they were – and remain – landmark lists, consummately fulfilling the original mission statement:

‘SF MASTERWORKS is a library of the greatest SF ever written, chosen with the help of today’s leading SF writers and editors. These books show that genuinely innovative SF is as exciting today as when it was first written.’

Now, as we move inexorably into the twenty-first century, we are delighted to be widening our remit even more. The realities of commercial publishing are such that vast troves of classic SF & Fantasy are almost certainly destined never again to see print. Until very recently, this meant that anyone interested in reading any of these books would have been confined to scouring second-hand bookshops. The advent of digital publishing has changed that paradigm for ever.

The technology now exists to enable us to make available, for the first time, the entire backlists of an incredibly wide range of classic and modern SF and fantasy authors. Our plan is, at its simplest, to use this technology to build on the success of the SF and Fantasy Masterworks series and to go even further.

Welcome to the new home of Science Fiction & Fantasy. Welcome to the most comprehensive electronic library of classic SFF titles ever assembled.

Welcome to the SF Gateway.

SF Gateway Website

If you’ve enjoyed this book and would like to read more great SF, you’ll find literally thousands of classic Science Fiction & Fantasy titles through the SF Gateway.

For the new home of Science Fiction & Fantasy…

For the most comprehensive collection of classic SF on the internet…

Visit the SF Gateway.

Copyright

A Gollancz eBook

Copyright © Barrington J. Bayley 2014

The Soul of the Robot copyright © Barrington J. Bayley 1974

The Knights of the Limits copyright © Barrington J. Bayley 1979

The Fall of Chronopolis copyright © Barrington J. Bayley 1974

Introduction copyright © SFE Ltd 2014

All rights reserved.

The right of Barrington J. Bayley to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

First published in Great Britain in 2014 by

Gollancz

The Orion Publishing Group Ltd

Orion House

5 Upper Saint Martin’s Lane

London, WC2H 9EA

An Hachette UK Company

This eBook first published in 2014 by Gollancz.

A CIP catalogue record for this book is available from the British Library.

ISBN 978 1 473 20194 1

All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.