Zed looked up thoughtfully. He glanced at the window. It was pitch-dark outside, so all he saw was his own reflection: a redheaded giant with worry lines becoming incised on his forehead because his mother was attempting to marry him off to the first willing woman she was able to find and his boss was ready to deposit his well-written prose into the rubbish and he himself just wanted to write something marginally worthwhile. And so, what did he have in these notes? he asked himself. What? What?
Zed fished out one of his four sandwiches and began to devour it as he checked his paperwork. He was looking for a clue, for the way he could spin his story, or at least for a hint that further digging in one area or another might produce the sizzle that Rodney Aronson said was required. The cousins-as-brothers angle was possible. Reading, however, Zed found that his thoughts were dominated by Old Testament tales, which took him into the land of biblical allusion and metaphor, where he could ill afford to wander. But if the truth were told, it was difficult to read what he’d uncovered in his interviews with all the principal characters without thinking of Cain and Abel, my brother’s keeper, burnt offerings of the fruits of one’s labour, and being pleasing or not-so-pleasing to whoever was standing in place of God in the story, which would probably be Lord Fairclough, Baron of Ireleth. And if one truly wanted to be biblical about things, the Peer could be Isaac, faced with Esau and Jacob and their battling birthrights to contend with, although how anyone on earth could have mistaken the skin of a dead lamb— or whatever it had been— for hairy arms had always been way, way beyond Zed’s willingness to believe. The whole idea of birthrights, however, drove Zed deeper into his notes to see if he had any information about who actually stood to inherit what, should something untoward happen to Lord Fairclough, in addition to who stood to run Fairclough Industries should the baron meet an untimely end.
Now that would be a story, wouldn’t it? Bernard Fairclough mysteriously… what? Dies or disappears, let’s say. He falls down the stairs, becomes incapacitated, has a stroke, or whatever. A little digging turns over the fact that days before his untimely end or whatever it was, he’s met with his solicitor and… what? A new will is drawn up, his intentions as to the family business are made crystal clear, lifetime settlements are made, language is inserted into his will, his trust, his papers, as to— what would it be?— an indication of an inheritance, a declaration of someone’s disinheritance, a revelation of… what? The son is not his actual son. The nephew is not his actual nephew. There’s a second family in the Hebrides, there’s a mad and deformed elder sibling long hidden in the attic, the cellar, the boathouse. There’s something explosive. Something kapow. Something sexy.
Of course, the problem was that, if Zed wanted to admit the entire truth of the matter, the only remotely sexy thing about his story of Nicholas Fairclough’s ninth life was the man’s wife, and she was sexy in spades. He hadn’t wanted to make too much of that fact in his meeting with Rodney Aronson because he’d been fairly certain of Rodney’s reaction, which would have come from the photograph-her-tits school of thought. Zed had kept fairly mum on the topic of the wife because she’d wished to remain in the background, but now he wondered if there was something about her that he might explore. He went to that set of notes and saw that words like caramba and yikes had indicated his initial reaction upon laying his eyes on her. He’d even nonsensically written South American Siren by way of describing her, every inch of her a w-o-m-a-n demanding notice from an m-a-n. If Eve had looked remotely like Alatea Fairclough, Zedekiah had concluded at the end of their only interview, it was no wonder Adam took the apple. The only question was why he hadn’t eaten the whole damn crop and the tree as well. So… Was she the story? The sex? The sizzle? She was stunning in all the right ways, but how did one turn stunning into story? “She’s the reason I’m alive today,” says the husband, but so what? Run a picture of her and any bloke whose parts are in working order is going to know why Nicholas Fairclough took the cure. Besides, she had nothing to say beyond “What Nick’s done, he’s done himself. I’m his wife but I’m not important in his real story.”
Had that been a hint? Zed wondered. His real story. Was there more to uncover? He thought he’d dug, but perhaps he’d been too smitten with the subject of his piece. And perhaps he’d been too smitten with his subject because he wanted to believe such things were possible: redemption, salvation, turning one’s life around, finding true love…
Perhaps that was the line to follow: true love. Had Nicholas Fairclough really found it? And if he had, did someone envy it? One of his sisters, perhaps, because one of them was unmarried and the other divorced? And how did they feel anyway, now that the prodigal had returned?
Further rustling through his notes. Further reading. Another sandwich. A wander through the train to see if there was a buffet car— what a ludicrous thought in these days of marginal profits— because he was dying for a coffee. Then it was back to his seat, where he finally gave up the ghost altogether and then popped back up with the idea of ghosts because the family home was what had got him started in the first place on this piece, and what if the family home was haunted and the haunting had led to the drug addiction, which had led to the search for a cure, which had led to… He was back to the bloody wife again, the South American siren, and the only reason he was back to her was caramba and yikes, and he’d be better off crawling back home and forgetting this whole damn thing except home meant his mother and Yaffa Shaw and whoever was going to follow Yaffa Shaw in a never-ending procession of women he was meant to marry and get children on.
No. There was a story here somewhere, the kind of story that his editor wanted. If he had to dig further to find something juicy, he’d get out his shovel and aim for China. Anything else was unacceptable. Failure was not an option.
18 OCTOBER
BRYANBARROW
CUMBRIA
Ian Cresswell was setting the table for two when his partner arrived home. He himself had taken off early from work, a romantic evening in mind. He’d bought lamb, which was in the oven with a fragrant blanket of seasoned bread crumbs browning over the shoulder of it, and he’d prepared fresh vegetables and a salad. In the fire house, he’d uncorked wine, polished glasses, and moved before the fireplace two chairs and the old oak game table from one corner of the room. It wasn’t quite cold enough for a coal fire although the ancient manor house was always rather chilly, so he lit a bank of candles and fixed them to the cast iron grate, then he lit two more and placed them on the table. As he did so, he heard the kitchen door open, followed by the sound of Kav’s keys being tossed into the chipped chamber pot on the window seat. A moment later Kav’s footsteps crossed the kitchen flagstones, and the squeak of the old range’s door caused Ian to smile. It was Kav’s night to cook, not his, and Kav had just discovered the first surprise.