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DYLAN: I can’t believe you came all this way to check up on me.

HELEN: Dylan, I am your mother. I care about what happens to you.

DYLAN: Mom, you have to trust me. I’m a big girl now. I can take care of myself.

HELEN: Okay. A change of subject then. (beat) Tell me about your job.

DYLAN: Well, um, I’m an assistant marketing associate.

HELEN: So, what are your responsibilities?

Helen pokes at her salad.

DYLAN: I have to review reports filed by consultants.

HELEN: Then what?

DYLAN (losing confidence): Then I have to write evaluations.

Helen stares disapprovingly.

DYLAN (CONT’D): Then we have meetings to discuss the reports and evaluations.

Helen annoyingly clicks her spoon on her wineglass.

DYLAN (CONT’D): Then we discuss clients… their needs and their accounts.

HELEN: Have you met any nice men?

DYLAN: Momma.

HELEN: There are so many beautiful men in this city. You haven’t met anyone you like?

DYLAN: There is someone.

Helen smiles.

DYLAN (CONT’D): But they want too much from me.

Helen, thinking of herself, turns up the motherly charm.

HELEN: My darling little Dylan, let’s not forget the number one lesson. When you find a man who’s in love with you, you have to be flexible. Give into their wishes every once in a while. It can’t all be always about you.

As Helen proceeds to dump improvised motherly advice on her, Dylan thinks she sees Claude/ia at the bar.

HELEN (CONT’D): Don’t throw love out the window.

INSERT – CLAUDE/IA AT THE BAR

They turn their face toward the camera and it’s someone else.

BACK TO SCENE

HELEN (looks to the bar): What are you looking at?

DYLAN: Nothing.

CUT TO:

SERIES OF SHOTS: A) Dylan reflective and on the verge of a breakdown in her apartment, kicks Teo and X out the door. She looks sad and disjointed; B) Helen reflective and on the verge while at a museum (sees older couples in love); C) Claudia alone at work, takes out her mustache. She stares at it then tosses it to the ground.

EXT. BERLIN STREET – NIGHT

Dylan huffs down the street in a leopard pants suit. She’s a hot mess. She stomps up to the door of the club and enters.

INT. SEX CLUB – NIGHT

Dylan looks around the room for Claudia and runs straight into Ocean.

OCEAN: Dylan.

DYLAN (defensive): Do I know you?

OCEAN: What matters is that I know you. I am the Master here. And your pleasure is at my bidding. So shut the fuck up.

DYLAN: Okay.

He leads her into the central room.

OCEAN: Spirits?

DYLAN: I don’t need a drink. What I need is a distraction. Where is the action at?

OCEAN: What are you looking for?

Dylan scans the room again.

DYLAN: Trouble.

OCEAN: I can’t hear you. Speak up girl. You want trouble?

DYLAN: Yeah.

Ocean leads Dylan to a doorway. Teo and X are having a rough scene. X is about to tie Teo up and Dylan pushes her way into the room. She looks X dead in the eyes and sticks her hands out.

INT. SEX ROOM AT THE BAR – MOMENTS LATER

Dylan and X play out a rough sex scene. Dylan is forced to give head and gags on dildo/cock, et cetera. Dylan tries to “top from the bottom” but never really gets the upper hand. Ball-gagged, she gets fucked with a dildo, really rough and heartlessly.

INT. SEX ROOM – LATER

Spent, Dylan is alone. She takes out her phone. Sends a text to Helen.

INSERT – DYLAN’S MOBILE

Mommy, I need to see you. Where are you? She deletes the word Mommy and types in Claudia. Hits SEND.

INT. HOTEL ROOM – EVENING

Helen lies next to Claude/ia. The two are fully dressed. Both stare at the ceiling.

HELEN: Let me touch you. You won’t let me touch you.

CLAUDE/IA: Not tonight. Lets just lie next to each other.

HELEN: This is not how I want to spend our last night together.

CLAUDE/IA (sitting up): You’re leaving?

HELEN: I need to work things out at home. My husband and I have to talk. And my daughter… well, I don’t know if she’s going to be all right but I have to let her go.

Claude/ia tenses up.

HELEN (CONT’D): But let’s forget all of my drama and get into a little of it here and now. (beat) I want to suck that sweet cock of yours then have you bring it deep inside me.

Helen kisses him long and softly. So soft that he melts a little.

CLAUDE/IA: Really?

HELEN (dreamy): Yeah.

Claude/ia pulls away.

Forgot the dildo.

CLAUDE/IA: How about I fuck first then drinking… I mean a drink first and then fucking.

HELEN (confused): What?

Claude/ia leaps out of bed.

CLAUDE/IA: Remember I’m a charmer. I’ll be right back with the champagne.

She runs out of the room.

SERIES OF SHOTS: A) Claude/ia runs past Jay at front desk. B) Claude/ia grabs bag with sex toys from back room.

CLAUDE/IA: (to self) Strap-on, lube, condom, all there.

C) Claude/ia searches through wine rack for a bottle of champagne.

EXT. CURBSIDE HOTEL PANORAMA – SAME

Cabby rolls up to the curb. Dylan and Teo are in back, Dylan has a faraway, pensive look on her face.

TEO: Now what’s wrong? Aren’t we going to Kate’s party? X will be there.

DYLAN: I’ll only be a second. Come on.

She hands over the fare and Dylan and Teo exit. Dylan’s wallet falls to the floor of the cab.

INT. LOBBY, HOTEL PANORAMA- CONTINUOUS

DYLAN: Five minutes.

Dylan walks off. Teo gives a pissed look and flops down in a chair in the hotel lobby. Teo takes out her mobile and starts to text. Jay walks through the hotel lobby. He notices Teo. What a beauty.

JAY: Hello.

Jay smiles at her and Teo smiles at Jay.

INT. ELEVATOR – HOTEL PANORAMA – CONTINUOUS

Claude/ia anxiously pushes at the buttons. Dylan approaches.

DYLAN: Claudia…? What are you done up like that for?

CLAUDE/IA: Ahhh… Jay. He’s taking me out to a…

DYLAN (disappointed): Sex club?

CLAUDE/IA: Right.

DYLAN: Forget Jay and the club, you look hot. Let’s go to a room and make love. You got my texts, right?

CLAUDE/IA: Of course. Of course.

INSERT – CLAUDIA’S MOBILE PHONE

On night table next to Helen.

INT. LOBBY – HOTEL PANORAMA – CONTINUOUS

JAY: Everything okay?

TEO: Just trying to solve all my problems at once.

JAY: Maybe I can help. What’s on your mind?

TEO (rapid): Like I really love being a sex worker but it is also kind of boring and depressing, but it’s okay and you know, good… sometimes. I mean what is love anyway? I mean I want to live with someone, but then I was thinking about having a baby, but I really want to be alone… you know? Like I really want to be an actress, but maybe I should go back to school but who wants to do that, right? Or maybe something else, right?

JAY: Absolutely.

TEO: I used to know what I want but lately I have no idea what I want anymore. I’m so confused, but that’s okay, isn’t it?

Jay’s in love. He turns to the CAMERA and smiles.

TEO (CONT’D): I can’t stand commitment but I want stability… (a beat)

They exchange looks of meaningful connection. Jay takes Teo’s hand and they kiss. Or INSERT a flash scene of them fucking.