In the silence of this comfortable London room, with its very English mementoes, Ireland seemed like the other side of the world. Kate was dead, so was Sean. Narraway had won and their planned uprising had failed without bloodshed on either side. There had been nothing spectacular, just a quiet fading, cold as a winter dusk. That was Narraway’s victory; nobody even knew it had happened.
Even Charles Stewart Parnell was dead now too, just three and a half years ago, October 1891, of a heart attack. But it was his wild, disastrous affair with Mrs O’Shea that had brought about his fall.
And Home Rule for Ireland was still only a dream, and the anger remained.
Narraway shivered here in his warm, familiar sitting room with the last of the embers still glowing, the pictures of trees on the wall, and the gaslamp shedding a golden light around him. The chill was inside, beyond the reach of any physical ease, perhaps of any words either, any thoughts or regrets now.
Was Cormac O’Neil still alive? There was no reason why he should not be. He would barely be sixty, perhaps less. If he were, he could be the one behind this. God knew, after the failed uprising, and Sean and Kate’s deaths, he had cause enough to hate Narraway, more than any other man on earth.
But why wait twenty years to do it? Narraway could have died of accident or natural causes any time between then and now, and robbed Cormac of his revenge.
Could something have prevented him in the meantime? A debilitating illness? Not twenty years long. Time in prison? Surely Narraway would have heard of anything serious enough for a term so long. And even from prison there was communication.
Perhaps this case had nothing to do with the past. Or could it be that Cormac really understood that Narraway was only fighting for his own country, his own beliefs, as they all were, and this vengeance was not personal so much as against England? Perhaps this was the time when Special Branch would be most vulnerable if Narraway were taken from it and his work discredited? The present stakes for Cormac might be incidental, only an exquisite touch that added to the flavour. Perhaps it had to do with the socialist revolution planned by the European anarchist reformers who would sweep away the old order, with its corruption and inequality, the only way they believed would work, with violence.
He closed the papers and put them back in the envelope Stoker had brought, then sat quietly in the dark and thought about it.
The old memories returned easily to his mind. He was walking again with Kate in the autumn stillness, fallen leaves, red and yellow, frozen and crunching under their feet. She had no gloves and he had lent her his. He could feel his hands ache with the cold at the memory. She had laughed at him for it, smiling, eyes bright, all the while making bitter jokes about warming the hands of Ireland with English wool.
When they had returned to the tavern Sean and Cormac had been there, and they had drunk rye whiskey by the fire. He could recall the smell of the peat, and Kate saying it was a good thing he didn’t want vodka because potatoes were too scarce to waste on making it. He had not replied. Even thirty years on, the ruin of the famine still scarred the land. Nothing he could say would heal it, or excuse it.
There were other memories as well, all sharp with emotion, torn loyalties, and regret. Wasn’t it Wellington who had said that there was nothing worse than a battle won — except a battle lost? Or something like that.
Was the record accurate, as far as he had told anyone? Sanitised, of course, robbed of its passion and its humanity, but the elements that mattered to Special Branch were correct and sufficient.
Then something occurred to him, maybe an anomaly. He stood up, turned the gaslight higher again, and took the papers back out of the envelope. He reread them from beginning to end, including the marginal notes from Buckleigh, his superior then. He had not studied them the first time he read it because he knew exactly what they said, and had no desire to be reminded. His own lies had been believed too easily, even if they were largely lies of omission. But then the operation had been on Buckleigh’s orders, so he had to accept it. Morally he was also to blame.
Narraway found what he feared. Something had been added. It was only a word or two, and to anyone who did not know Buckleigh’s turn of phrase, his pedantic grammar, it would be undetectable. The hand looked exactly the same. But the new words added altered the meaning, only slightly, but enough to cast doubt on Buckleigh’s acceptance of Narraway’s account. Once it was only the addition of a question mark that had not been there originally, another time it was a few words that were not grammatically exact, a phrase ending with a preposition; Buckleigh would have included it into the main sentence.
Who had done that, and when? The why was not obscure to him at alclass="underline" it was to raise the question of his role in this again, to cause the old ghosts to be awakened. Perhaps this was the deciding factor that had forced Croxdale to remove him from office. Doubts were enough, if they were sufficiently serious. One did not wait for proof that might never come.
He read through the papers one more time, just to be certain, then replaced them in the envelope and went upstairs to waken Stoker so he could leave well before dawn.
Narraway knocked on the spare-room door and heard Stoker’s voice answer him. By the time he had opened the door Stoker was standing beside the bed. In the light from the landing it was clear that the quilt was barely ruffled. One swift movement of the hand and it was as if he had never been there.
Stoker looked at Narraway questioningly.
‘Thank you,’ Narraway said quietly, the emotion in his voice more naked than he had meant it to be.
‘It told you something,’ Stoker observed.
‘Several things,’ Narraway admitted. ‘Someone else has been judiciously editing the account since Buckleigh wrote his marginal notes, altering the meaning very slightly, but enough to make a difference.’
Stoker came out of the room and Narraway handed him the envelope. Stoker put it under his jacket where it could not be seen, but he did not fold it, or tuck it into his belt so the edges could be damaged. It was a reminder of the risk he was taking in having it at all. He looked very directly at Narraway.
‘Austwick has taken your place, sir.’
‘Already?’
‘Yes, sir. Mr Pitt’s over the Channel, you’ve no friends at Lisson Grove any more. At least not who’ll risk anything for you. It’s every man for himself,’ Stoker said grimly. ‘I’m afraid there’s no one for sure who’ll help Mr Pitt either, if he gets cut off, or in any kind of trouble.’
‘I know that,’ Narraway said with deep unhappiness over the fact that he could no longer protect Pitt also from the envy or distrust of those who were part of the Establishment before Narraway took him on.
Stoker hesitated as if he would say something else, then changed his mind. He nodded silently, and went down the stairs to the sitting room. He felt his way across the floor without lighting the gaslamps. He opened the french doors and slipped out into the wind and the darkness.
Narraway locked the door behind him and went back upstairs. He undressed and went to bed, but lay awake, staring up at the ceiling. He had left the curtains open and gradually the faintest softening of the spring night made a break in the shadows across the ceiling. The glimmer was almost invisible, just enough to tell him there was movement, light beyond.
Only a matter of hours had passed since Austwick had come into Narraway’s office. Narraway had thought little enough of it: a nuisance, no more. Then Croxdale had sent for him, and everything had changed. It was like going down a steep flight of stairs, and finding the last step was not there. You were plunged into a void, arms flailing, and there was nothing at all to catch on to.