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Marsha shook her head. “That was my husband on the phone. He needs some help. You’ll give me receipts for anything you take, including the computer, right?”

“Right,” Mel answered.

“Fine,” Marsha said. “No need for me to hang around then. I’d just be in the way.”

She left in what struck me as a big hurry. Yes, her husband was ill and yes, he maybe needed her, but there was a real urgency in the way Marsha almost sprinted back down the stairs.

Once she was gone, Mel handed me a pair of latex gloves and then pushed open the bedroom door. She stepped inside and I followed. The hallway outside the room had been totally impersonal. This was the opposite. Every inch of available wall space had been covered with drawings-both in pencil as well as in pen and ink-from a troubled kid who was suffering the agonies of the damned.

These were not pretty pictures. All of them unframed, they were stuck to the wall by tacks and Scotch tape that would no doubt damage the wall finish.

Mel and I studied the pictures in silence for some time, moving from one image to the next as though we were walking through an art gallery specializing in the art of the macabre. Several appeared to be devoted to various complicated implements that could have been instruments of torture used in the Spanish Inquisition. The instruments themselves were carefully rendered in every mechanical detail, but the faces of the suffering victims appeared to be chillingly modern. I suspected that if we examined Josh Deeson’s high school yearbook, some of those faces might be readily identifiable.

In the pictures there were people being savaged by medieval weapons-swords in some cases, or iron maces. Others were being mowed down in hails of bullets. In each of those, the spray of blood, created one dot at a time with pointillist precision, probably would have done a crime scene blood-spatter expert proud. There were gaping wounds. There was suffering. And for some odd reason, those bloody wounds were all the more chilling for having been artistically and painstakingly crafted in pen and ink.

Mel broke the long silence with a single word. “Whoa!” she said, reaching up to take down one of the drawings. “No wonder Marsha’s next call was to Ross Connors.”

I nodded in agreement and then added, “What do you want to bet that it’s been a long time since either the governor or the First Husband have set foot in this room?”

“Absolutely,” Mel agreed. “If they had, they might have blown the whistle on this budding Columbine kid a long time earlier than just today. First I’ll photograph and number these, then I’ll collect them,” she added. “You look at everything else.”

Mel carries a tiny digital camera in her purse for just this kind of occasion. She dredged it out of her purse, turned it on, and put it to use photographing all of Josh Deeson’s pictures in situ.

She had told me to handle everything else. At first glance, there didn’t appear to be a whole lot of “everything else.” There was a small flat-screen TV set on the dresser. When I switched it on, it came up on the Playboy Channel. That was pretty predictable. I switched it back off.

Lots of boys have mountains of sports stuff scattered around their rooms. Not this one. If Josh Deeson was interested in any wholesome sports, there was nothing here to prove it. A freestanding bookshelf stood next to the desk. It was mostly bare. There were no photos of any kind and no knickknacks, either. The second shelf down held only four books. One was a combination biography and collected works of Sylvia Plath. One was a history of the Spanish Inquisition, complete with a section of shiny pages that contained photographs of some of the equipment we had already seen depicted in Josh’s drawings on the wall. One was a biography of Kurt Cobain. One was a King James version of the Bible with the name “Elizabeth Desiree Willis” printed in gold on the leather-bound front cover.

I still have the Bible that was given to me in my early teens after I had gone through confirmation classes. It was imprinted with my name in gold leaf the same way this one was. Clearly the Bible had belonged to Josh Deeson’s mother, not that it had done her much good. It made me wonder if anyone had ever cared enough about Josh to point him in the direction of church attendance. If so, I doubted if anything he had learned there had taken root. Judging from the books he kept, Josh was twice as interested in suicide as he was in (a) the Spanish Inquisition or (b) his immortal soul; take your pick.

The room itself was neat and clean, spookily so. Emphatically so. I looked through all the dresser drawers, top to bottom. There were socks-carefully paired socks-in the sock drawer, folded briefs in another, folded undershirts in a third, and a selection of folded T-shirts in a fourth. I checked the bottoms of each drawer to see if anything was hidden there, but I found nothing.

For a teenager, Josh’s closet was atypical. All the clothing was carefully hung on hangers, with pants, slacks and even jeans at one end of the closet, while shirts, carefully divided into long sleeves and short sleeves, hung at the other end. There were several pairs of shoes-also neatly arranged-on the floor of the closet. There was a clothes hamper in one corner, half filled with dirty clothes. The only thing stored on the top shelf was an extra blanket.

As an adult, my son, Scott, gives every appearance of being neat and well organized, but I remember his stepfather, Dave Livingston, telling me how when Scott was fifteen his room was such a mess that Dave and Karen had found mushrooms growing in his closet. That was certainly not the case here. For a kid with very little parental involvement, I had the sense that the compulsive cleanliness of the room was Josh’s doing and nobody else’s.

It didn’t seem likely to me that a housekeeper working for the governor would have ventured all the way up here to the third floor to spend time in this unwanted child’s room doing cleaning. Any right-thinking housekeeper in the universe would have taken one look at the disturbing subject matter in those pictures and freaked. Most likely she would have gone straight downstairs and ratted out Josh Deeson either to the governor or to the First Husband.

The old-fashioned en-suite bath was also scrupulously clean. His medicine cabinet contained a carefully arranged collection of toothpaste, men’s cologne, and deodorant; nail clippers, comb, brush, and a bottle of styling gel. The only visible medication there was a nearly empty prescription tube containing what was evidently a topical treatment for acne. But there was no dust on the glass shelves. There was no grime, and no film of dead toothpaste in the sink. No garbage in the trash can. To top it all off, the toilet seat was definitely down. That was the capper on the jug. Even if I’d never seen the pictures on the wall, I would have said from studying the bedroom and its attached bath that Josh Deeson wasn’t normal-not at all.

When I came back out of the bathroom, Mel was finished with the photos and had started removing the artwork. Where they had once been I could see tracks of tape and tacks. Once Josh moved out of this room it would have to be spackled, sanded, and painted, floor to ceiling.

“Anything?” Mel asked.

“Nothing. The whole room is neat as a pin.”

“Scary, isn’t it,” Mel said. And I had to agree.

The rope ladder had been fastened to the bed frame and headboard, and the bed had then been pushed up against the window. I disconnected the rope ladder from the bed and dropped it into my evidence box. If we ever had an actual crime scene, distinctive fibers from that ladder or the one on the second-floor balcony might very well be important.

I put the rope in the Bankers Box I had brought up from the car to use in gathering evidence. Then I looked at the bed. It wasn’t made, but I guessed that was an unusual occurrence. What appeared to be a bedspread was neatly folded on the floor. I wanted to look under the bed, so I picked up the mattress and box spring and peered down at the floor through the bed frame. Nothing. Not even a respectable collection of dust bunnies on the hardwood floor underneath.