Baby Datlow in 1950. The so-called Gerber baby portrait was common at the time.
Datlow’s high school graduation photo, taken in 1967.
Datlow at home, wearing a vintage dress for a science fiction function in 1981. She says that she favors 1940s-era clothing.
Datlow sitting at her desk in the OMNI offices in 1981, roughly a year after she began working there. On her desk is a Kaypro computer and the Selectric typewriter she kept for addressing envelopes. On her bulletin board she pinned, among other things, a photo of King Kong climbing the Empire State Building.
Datlow in 1989, on the roof of the building where John Clute, renowned science fiction and fantasy critic, and his artist wife, Judith, live. The Clutes are based in Camden Town, London, and have graciously hosted many writers and editors over the past few decades. (Datlow usually stays with them on her annual visit to London.) Datlow is on the left, John Clute is in the center, and Datlow’s good friend Pat Cadigan, an award-winning science fiction writer, is on the right.
A manipulated photo of Datlow taken in 1990 by art photographer and illustrator J. K. Potter, giving her cat eyes. It first appeared on the original back flap of Alien Sex.
Datlow in front of an advertisement for OMNI magazine in New York City in 1991. That winter day, Datlow wandered Manhattan with her camera and her friends, the married writers Steven Gould and Laura J. Mixon. They happened upon the advertisement just north of Datlow’s West Village home.
Datlow with fellow editor Terri Windling in 1994. Datlow and Windling have collaborated on anthologies for more than twenty years, yet rarely see each other. This photo is from one of those rare yet cherished meetings.
Datlow modeled for J. K. Potter’s cover of the illustrated edition of The Island of Dr. Moreau by H. G. Wells, published in 1990. Potter gave Datlow a print of the image, which hangs on her living room wall.
A Biography of Terri Windling
Terri Windling is an award-winning writer and editor offantasy, an essayist on the mythic arts, and a visual artist. She is the author or editor of bestselling books such as The Wood Wife,The Armless Maiden, theSnow White, Blood Red series, and the Bordertown series. She also contributed to The Oxford Companion to Fairy Tales and other nonfiction works on folklore and fantasy literature.
Windling was raised in New Jersey and Pennyslvania, and moved to New York City after attending Antioch College in Ohio. She got a job as an editorial assistant at Ace Books at a time, she found, when the field of fantasy was a wide-open, upstart genre. Windling worked as an editor in New York throughout the 1980s, while also establishing the Endicott Studio for Mythic Arts in Boston in 1986. In 1990, she began to divide her time between a winter home in Tucson, Arizona, and a summer home in Devon, England. It was at this point that she began to focus on her own writing and painting, while continuing to edit part-time. She has written or edited over forty books, including adult and young adult fiction, anthologies, essays, and children’s books. She has frequently co-editedanthologies with renowned editor Ellen Datlow, including the Year’s Best Fantasy and Horror series, in whichshepublished such important writers as Gabriel GarcíaMárquez, Haruki Murakami, Stephen King, A. S. Byatt, Emma Bull, Charles de Lint, Louise Erdrich, Neil Gaiman, and Ursula K. Le Guin, among many others. She serves as an editorial consultant for Tor Books and works widely with other major book publishers. Windling is also founder and was the co-editor of the Journal of Mythic Arts from 1997 to 2008.
Windling has received multiple awards in the field of fantasyliterature, including the Science Fiction Writers of America’s Solstice Award for outstanding contributions to the speculative fiction field, nine World Fantasy awards, the Mythopoeic Award, and the Bram Stoker Award. She was nominated for the Shirley Jackson Award and made the short list for the James Tiptree, Jr. Award, among others.
Windling is also a visual artist whose mythically themed work has been exhibited in museums and galleries in the United States, Great Britain, and France.
Windling currently residesin a small village on the edge of Dartmoor in Devon, England, with her husband, Howard Gayton, and their daughter, Victoria Windling-Gayton.
Terri Windling was born in December 1958 to a young single mother. To escape her often volatile home life, Windling found solace in fairy tales and fantasy. This picture was taken in Pitman, New Jersey.
Windling was in her early twenties when she began working as an editor and anthologist. Here she attends the World Fantasy Convention in 1982, when she won her first of nine World Fantasy awards. (Photograph courtesy of Beth Gwinn.)
Windling at the Fourth Street Fantasy Convention in Minneapolis in 1987, where she was the Editor Guest of Honor. (Photograph courtesy of Beth Gwinn.)
From 1990 to 2008, Windling divided her time between a winter home in Tucson, Arizona, and a summer home in Devon, England. Here, she is photographed with Ellen Datlow at the World Fantasy Convention in Tucson in 1991. (Photograph courtesy of Beth Gwinn.)
In Tuscon, Windling lived surrounded by the Rincon Mountains. Here, she is pictured on a desert path in the foothills, in autumn 1996. This was the setting for her novel The Wood Wife, published that same year, which won the Mythopoeic Award. (Photograph courtesy of Carol Amos.)
Windling’s summer home was a 400-year-old cottage in a small village on Dartmoor in Devon, England. (Photograph courtesy of Alan Lee.)
In 2008, Windling married the English dramatist Howard Gayton and settled in Devon, England, fulltime. (Photograph courtesy of Ellen Kushner.)
Windling’s husband is a theater director, performer, and founder of Ophaboom Theatre, specializing in Commedia dell’Arte. The couple is pictured here in Devon. (Photograph courtesy of K. Marchant.)
Windling and Howard Gayton celebrate their wedding anniversary by following the old Devon marriage custom of “jumping the broom.” This picture of Terri, with their beloved dog, Tilly, was taken in their garden in Devon in September 2011. (Photograph courtesy of Howard Gayton.)
Windling’s paintings are inspired by myth, folklore, and fairy tales from around the world. This painting is based on “Little Red Riding Hood.”
A portrait of Windling and her dog, Tilly, created by her friend and neighbor, the book illustrator David Wyatt.