I slipped into a phone booth on the corner and tried not to pay attention to the way it smelled. I called Peter Alan Martin’s office and hung up when the machine answered. If you do that within seven seconds or so you get your dime back. I must have taken eight seconds because Ma Bell kept my money.
When the traffic light changed I trotted across the street. The attendant looked up without interest as I made my way through the revolving doors. I gave him my Number 3 smile, warm but impersonal, and let my eyes have a quick peek at the building directory on the wall while my feet carried me over to his desk. He moved a hand to indicate the ledger and the yellow pencil stub I was to use to sign my name in it. I wrote T. J. Powell under Name, Hubbell Corp. under Firm, 441 under Room, and 9:25 under Time In. I could have written the Preamble to the Constitution for all the attention the old man gave it, and why not? He was an autograph collector and not a hell of a lot more, a deterrent for people who deterred easily. He’d been posted in the lobby of a fifth-rate office building where the tenants probably had an annual turnover rate of thirty percent. Industrial espionage was hardly likely to occur here, and if the old man kept the junkies from carting off typewriters, then he was earning the pittance they paid him.
The elevator had been inexpertly converted to self-service some years back. It was a rickety old cage and it took its time getting up to the fourth floor, which was where I left it. Martin’s office was on six, and I didn’t really think my friend in the lobby would abandon his tabloid long enough to see if I went to the floor I’d signed in for, but when you’re a professional you tend to do things the right way whether you have to or not. I took the fire stairs up two flights-and they were unusually steep flights at that-and found the agent’s office at the far end of the corridor. There were lights burning in only two of the offices I passed, one belonging to a CPA, the other to a firm called Notions Unlimited. No sound came from the accountant’s office, but a radio in Notions Unlimited was tuned to a classical music station, and over what was probably a Vivaldi chamber work a girl with an Haute Bronx accent was saying, “…told him he had a lot to learn, and do you know what he said to that? You’re not going to believe this…”
The door to Peter Alan Martin’s office was of blond maple with a large pane of frosted glass set into it. The glass had all three of his names on it in black capitals, and Talent Representative underneath them. The lettering had been done some time ago and needed freshening up, but then the whole building needed that sort of touch-up work and you knew it wasn’t ever going to get it. I could tell without opening the door that Martin wasn’t much of an agent and Brill couldn’t have much of a career these days. On the outside the building still retained an air of faded grandeur, but in here all of the grandeur had faded away.
The door’s single lock had both a snap lock and a deadbolt, and Martin had taken the trouble to turn his key in the lock and put the deadbolt to work. It was hard to figure out why, because locking a door like that is like fencing a cornfield to keep the crows out. Any idiot could simply break the glass and reach inside, and I had adhesive tape that would enable me to break the glass without raising the dead; a few strips crisscrossed on the pane would keep the clatter and tinkle to a minimum.
A broken pane of glass is a calling card, though, especially if they find it with tape on it. Since I didn’t expect to steal anything, I had the opportunity to get in and out without anyone ever knowing I’d existed. So I took the time to pick the lock, and there was precious little time involved. I knocked off the deadbolt easily, and loiding the snap lock was more than easy. There was a good quarter-inch of air between the wooden door and its wooden jamb, and a child with a butter spreader could have let himself in.
“What’s it like, Bernie?”
Well, there was a little excitement in turning the knob and easing the door open, then slipping inside and closing the door and locking up. I had my pencil light with me but I left it in my pocket and switched on the overhead fluorescents right away. A little flashlight winking around in that office might have looked strange from outside, but this way it was just another office with the lights on and I was just another poor bastard working late.
I moved around quickly, taking the most perfunctory sort of inventory. An old wooden desk, a gray steel steno desk with typewriter, a long table, a couple of chairs. I got the feel of the layout while establishing that there were no corpses tucked in odd places, then went over to the window and looked out. I could see Riker’s but couldn’t look inside. I wondered if Ruth was at a front table and if she might be looking up at my very window. But I didn’t wonder about this for very long.
I checked my watch. Nine thirty-six.
Martin’s office was shabby and cluttered. One entire wall was covered with dark brown cork tiles, which had been inexpertly cemented to it. Thumbtacks and pushpins held glossy photographs in place. The greater portion of these photos showed women, who in turn showed the greater portion of themselves. Most of them showed their legs, many showed their breasts, and every one of them flashed a savage mechanical smile. I thought of Peter Alan Martin sitting at his cluttered desk and gazing up at all those teeth and I felt a little sorry for him.
There were a few head and shoulders shots in among the sea of tits and legs, a couple of male faces in the crowd. But I didn’t see the face I was looking for.
Next to the white touchtone phone on the desk stood a Rolodex wheel of phone numbers and addresses. I flipped through it and found Wesley Brill’s card. This didn’t really come as a surprise, but all the same I felt a little thrill when I actually located what I was looking for. I tried a couple of Martin’s Flair pens, finally found one that worked, and copied down Wesley Brill, Hotel Cumberland, 326 West 58th, 541-7255. (I don’t know why I wrote down his name. I don’t know why I wrote down anything, come to think of it, because all I had to do was remember the name of the hotel and the rest would be in the phone book. Listen, nobody’s perfect.)
I put my rubber gloves on at about this point and wiped the surfaces I remembered touching, not that any of them seemed likely to take a print and not that anyone would be looking for prints in the first place. I checked the Rolodex for Flaxford, not really expecting to find his name, and was not vastly surprised when it wasn’t there.
There were three old green metal filing cabinets on the opposite side of the window from the cork wall. I gave them a quick look-through and found Brill’s file. All it held was a sheaf of several dozen 8 by 10 glossies. If Martin had any correspondence with or about Brill he either threw it out or kept it elsewhere.
But it was the pictures that interested me. Only when I saw them did I know for certain that Wesley Brill was the man who had set me up for a murder rap. Until then there was still some room for doubt. All those long-distance phone calls had had us operating in something of a vacuum, but here was Brill in living black and white and there was no doubt about it. I flipped through the pictures and picked out a composite shot, half a dozen head-and-shoulders pics arranged to show various facial expressions and attitudes. I knew it wouldn’t be missed-mostly likely the whole file wouldn’t have been missed, and possibly the entire filing cabinet that contained it-and I folded it twice and put it in a pocket.