I looked back at the dead pile—that’s how I suddenly thought if it, and had no idea where the hell the phrase had come from—then decided, screw the light, made my turn, and headed toward the service station about a quarter-mile down the street. I didn’t know what the hell she was up to and I didn’t want to know. I’d gas up, take a piss (well, leave one, actually), get my directions, and mind my own business the rest of the way to Miss Driscoll’s home town.
Still, it angered me to think that, sitting in some sorority house somewhere, a bunch of smug sisters were giggling over this prank and not giving one thought to the additional grief it would bring to those whose heartbreak had compelled them to mark the place of their loved one’s death.
And that thought struck me as funny: Hey, Dianne, here’s a question: What is the sound made by a moral compass shifting?
I exhaled, shook my head, and turned down the radio as I pulled into the service station.
It was surprisingly modern for what appeared at first glance to be a very small town; automated pay-here pumps, a diesel docking area, an attached car wash, and one of those seemingly hermitically-sealed booths where the “attendant” sat behind inch-thick glass and you made purchases after midnight through a series of metal drawers.
I swiped my credit card (I was saving the cash for emergencies), waited for the pump to authorize my purchase, and looked over to see the attendant staring right at me and talking into the phone. He looked nervous, maybe even a little scared, and for a crazy moment I thought, He’s calling the cops.
(Help, dear God,, help me—I’ve got an actual customer! What’ll I do? I’m doomed! Doomed, I tell you!)
Then it occurred to me: I was driving a meat wagon, clearly marked CORONER. That’d freak out anyone at this time of night.
The authorization came through and I filled the tank, got my receipt, and decided to give the windshield a quick wash. I was wiping away the last of the cleaner when I asked myself: What would Dianne do if she were here?
Dianne could never, never see a wrong without at least trying to take some kind of action, even if all that action amounted to was pointing out to someone that the wrong was being committed. I made her believe that this annoyed the hell out of me, which in truth it did—not because it was another way of her proving how moral she was, but because I admired the courage it took to always do it, and in my admiration found that same conviction to be sadly lacking in myself, which irritated me, so more often than not I took it out on her in a series of little cruelties that ran the gamut from deliberately ignoring her to going out of my way to be a pain in the ass. I was a real prince of a hubby, me.
So the question: What would Dianne do?
She’d tell someone, that’s what.
I looked at the kid in the booth, then back at my car, then at my feet. Staring at my feet has been the source of many an epiphany over the years.
I was surprised to discover that I was genuinely pissed at what that girl was doing back there.
Next thing I know, I’m standing at the booth and waiting for the kid to look up from the issue of Guitar Player that he’s reading. Steve Morse was on the cover. I like Steve Morse’s music a lot. Perhaps I could use that as an ice-breaker if the little shit ever acknowledged my existence.
Finally I cleared my throat, and without looking up from the page he was reading, the kid reached out and pressed on the intercom button: “Yeah?”
“There’s a girl about a mile back who’s vandalizing some roadside memorials.”
“You don’t say?” He looked at me with the kind of unctuous, smarmy smirk that doesn’t try to mask the wearer’s amused apathy, and instantly makes you want to step on their face and grind your heel.
Keeping a civil tongue, I quickly explained to him what I’d seen, and where, and finished by suggesting that he call the police or sheriff.
That smirk still on his face, he nodded, flipped to a new page in the magazine, and said: “Anything else I can do for you?”
I tried, Dianne; give me that much. I tried.
“Yes,” I said. “Where are your restrooms?”
This got an audible sigh. He closed the magazine, stood up (which seemed to be a source of great physical strain), walked over to a cabinet on the wall, opened the door, and removed a key that was attached to a chain that was soldered to a piece of metal half the length of my forearm. Returning to his stool (I saw now that one of his legs was encased in a metal brace of some kind), he valiantly struggled back into position, tossed the key into a drawer, then shoved it out to me.
Removing the works from the drawer, I waited for him to say something. When he didn’t, I used the end of the key to tap on the glass. Hearing it, he paused in his reading, sighed even more loudly than before, and (still not looking up at me) said : “Yes?”
I couldn’t help but wonder how long he’d last in this job if it actually required him to step outside and work for his paycheck, metal leg brace or no. “This does me no good unless you tell me where the restrooms are.”
He pointed to his left. That’s all the more I was going to get from him as far as directions went; past left, I was on my own.
I nodded, turned away, muttered, “If I don’t return, let it be on your conscience,” and made my way around the left side of the building.
The restrooms, as it turned out, were at the back of the building, which meant I had to go left, walk the length of the place, then turn right. Night vision goggles would have helped me locate the door quicker, since the back of the place—despite the glaring lights from the pump islands—was mostly in shadow, but I’m pleased to say that I didn’t have to add a stop at an all-night department store for a new pair of pants to my travels.
I found the restroom, unlocked the door, and made it inside.
I have been in kitchens in peoples’ homes that weren’t as clean as this restroom. It not only smelled brand-new, it looked brand-new: the floor tile was shiny, the faucets sparkled, the mirrors were streak-free, someone had decorated the wood-paneled walls with framed photographs and old movie posters, there was none of that moist, old-urinal-cake stink that usually permeates service station bathrooms (the urinals and toilets looked as if they’d never been used), and there was no trash in the receptacles—not a paper towel, wad of chewing gum, empty soda can, nothing.
I almost felt like I was defiling the place when I finally stepped up to the urinal, but an aching bladder will diminish the sanctity of even the Sistine Chapel; yes, you may quote me on that.
Standing there, I looked around at the movie posters and photographs. I was expecting stuff like Gone with the Wind and pictures of New York at night—your standard, safe, pleasant, nothing-to-offend-anyone type of public restroom milieu—but instead what I got were posters for Two-Lane Blacktop, Vanishing Point, Dirty Mary and Crazy Larry, The Driver, and (the one that made me laugh out loud) Death Race 2000. Whoever decorated in here had a thing for racing and car-chase movies.
The photographs were of people standing beside heavily tricked-out or racing cars; a couple looked to have been taken in the winner’s circle at NASCAR or Formula One races (I don’t know the difference between the two, it’s all just roaring engines and squealing tires to me).
Then I turned my attention back to the business at hand and caught a glimpse of the framed photograph hanging over my urinal.