It had been obvious to Joel that Denny, undoubtedly the leader of the gang or what was left of it, was under enormous pressure to unload them and flee the country. “I want a million dollars,” he’d said.
“I can’t find that much,” Joel had replied. “I have one and only one contact who will even talk about these books. All the boys in my business are extremely spooked right now. The Feds are everywhere. My best, no, my only, deal is half a million.”
Denny had cursed and stomped around the room, pausing occasionally to peek through the curtains and glance at the parking lot. Joel got tired of the theatrics and said he was leaving. Denny finally caved and they completed the details. Joel left with nothing but his briefcase. After dark, Denny left with the manuscripts and instructions to drive to Providence and wait. Rooker, an old Army pal who had also turned to crime, met him there. Three days later, and with the assistance of another intermediary, the transfer had been completed.
Now Denny was back in Georgetown, with Rooker, and looking for his treasure. Ribikoff had given him a good screwing the first time around. It would not happen again. As the gallery was closing at 7:00 p.m. on Wednesday, May 25, Denny walked in its front door while Rooker pried open a window to Joel’s office. When all doors were locked and all lights were off, they carried Joel to his apartment on the third floor, bound and gagged him, and began the ugly business of extracting information.
Chapter four
The Beachcomber
1.
With Tessa, the day began with the sunrise. She would drag Mercer out of bed and hurry to the deck, where they sipped coffee and waited with great anticipation for the first glimpse of the orange glow rising on the horizon. Once the sun was up, they would hustle down the boardwalk and check out the beach. Later in the morning, as Tessa worked in the flower beds on the west side of the cottage, Mercer would often ease back into bed for a long nap.
With Tessa’s consent, Mercer had had her first cup of coffee around the age of ten, and her first martini at fifteen. “Everything in moderation” was one of her grandmother’s favorite sayings.
But Tessa was gone now, and Mercer had seen enough sunrises. She slept until after nine and reluctantly got out of bed. As the coffee brewed, she roamed around the cottage in search of the perfect writing space and didn’t find one. She felt no pressure and was determined to write only if she had something to say. Her novel was three years past due anyway. If they could wait for three years in New York, then they could certainly handle four. Her agent checked in occasionally, but with less frequency. Their conversations were brief. During her long drives from Chapel Hill to Memphis to Florida, she had loafed and dreamed and plotted and at times felt as though her novel was finding its voice. She planned to toss the scraps that she’d already written and start over, but this time with a serious new beginning. Now that she was no longer in debt, and no longer worried about the next job, her mind was wonderfully uncluttered with the nagging irritations of everyday life. Once she was settled and rested, she would plunge into her work and average at least a thousand words a day.
But for her current job, the one for which she was being handsomely paid, she had no idea what she was doing, and no idea how long it might take to do whatever she was supposed to do, so she decided there was no benefit in wasting a day. She went online and checked her e-mails. Not surprisingly, ever-efficient Elaine had dropped a note during the night with some useful addresses.
Mercer typed an e-mail to the Queen Bee: “Dear Myra Beckwith. I’m Mercer Mann, a novelist house-sitting on the beach for a few months while I work on a book. I know virtually no one here and so I’m taking a chance by saying hello and suggesting we — you, Ms. Trane, me — get together for a drink. I’ll bring a bottle of wine.”
At ten on the dot, the doorbell rang. When Mercer opened the front door an unmarked box was on the porch but there was no delivery guy in sight. She took it to the kitchen table, where she opened and unpacked it. As promised, there were the four large picture books by Noelle Bonnet, three novels by Serena Roach, the rather slim literary edition by Leigh Trane, and half a dozen romance novels with artwork that fairly sizzled. All manner of skin was being groped by gorgeous young maidens and their handsome lovers with impossibly flat stomachs. Each was by a different author, though all were written by Myra Beckwith. She would save those for later.
Nothing she saw inspired her to pursue her own novel.
She ate some granola as she flipped through Noelle’s book about the Marchbanks House.
At 10:37 her cell phone buzzed, caller unknown. She barely said “Hello” before a frantic, high-pitched voice declared, “We don’t drink wine. I do beer and Leigh prefers rum, and the cabinet’s stocked full so you don’t have to bring your own bottle. Welcome to the island. This is Myra.”
Mercer was almost chuckling. “A pleasure, Myra. I didn’t expect to hear from you so soon.”
“Well, we’re bored and always looking for somebody new. Can you hold off till six this afternoon? We never start drinking before six.”
“I’ll try. See you then.”
“And you know where we are?”
“On Ash Street.”
“See you.”
Mercer put the phone down and tried to place the accent. Definitely southern, maybe East Texas. She selected one of the paperbacks, one supposedly written by a Runyon O’Shaughnessy, and began reading. The “savagely handsome” hero was loose in a castle where he was not welcome, and by page 4 he had bedded two chambermaids and was stalking a third. By the end of the first chapter, everyone was exhausted, including Mercer. She stopped when she realized her pulse was up a notch. She did not have the stamina to blitz through five hundred pages.
She took Leigh Trane’s novel to the deck and found a rocker under an umbrella. It was after eleven, and the midday Florida sun was beating down. Everything left unshaded was hot to the touch. Ms. Trane’s novel dealt with a young, unmarried woman who woke up pregnant one day and wasn’t sure who the father was. She had been drinking too much during the past year, had been rather promiscuous, and her memory was not that sharp. With a calendar, she tried to retrace her steps, and finally made a list of the three likeliest suspects. She vowed to secretly investigate each one with the plan to one day, after her child arrived, spring a paternity suit on the real daddy and collect support. It was a nice setup, but the writing was so convoluted and pretentious that any reader would have difficulty plowing through. No scene was clear, so that the reader was never certain what was going on. Ms. Trane obviously had a pen in one hand and a thesaurus in the other because Mercer saw long words for the first time. And, just as frustrating, the dialogue was not identified with quotation marks, and often it was not clear who said what.
After twenty minutes of hard work, she was exhausted and fell into a nap.
She woke up sweating, and bored, and boredom was not acceptable. She had always lived alone and had learned to stay busy. The cottage needed a good cleaning but that could wait. Tessa might have been a fastidious housekeeper but Mercer did not inherit that trait. Living alone, why should she care if the place wasn’t spotless? She changed into a bathing suit, noted in the mirror her rather pale skin and vowed to work on the tan, and went to the beach. It was Friday, and the weekend renters were arriving, though her stretch of the beach was almost deserted. She took a long swim and short walk, then returned to the cottage and showered and decided to find lunch in town. She put on a light sundress and no makeup, except for lipstick.