MICAELA
(to SHEA)
Do you know José? He’s on the force. Is he with you? Sometimes they call him DJ.
ZUNIGA
(who has overheard MICAELA)
I know him. Sure. He’s not here yet. But he’ll be here soon. He’s bringing the warrant. You want to sit in the car with me? Get out of the hot sun?
He tries to put his arm around MICAELA, who slips easily away.
MICAELA
No, it’s all right.
ZUNIGA
Hey, don’t fly away so soon, little bird.
MICAELA
I’ll come back after a while. You sure he’s coming here?
ZUNIGA
Any minute. This is a rough neighborhood. Come with me, and I’ll protect you. What’s your name?
MICAELA
Micaela. I’m a friend of José’s. Tell him his friend-the teacher’s aide-was looking for him. He’ll know who I am.
She leaves, looking cautiously around the neighborhood as she does.
ZUNIGA watches MICAELA go and then turns back toward the old lady in the doorway.
ZUNIGA
(to the OFFICERS, pointing to TÍA SOFIA)
Keep an eye on that one!
TÍA SOFIA
(tossing the front of her dress up)
And don’t forget to read me my rights!
OFFICER LANE
Look-here’s José now.
ZUNIGA
Men! Fall in! Get ready!
The men get ready to enter the building as JOSÉ approaches. JOSÉ goes directly to ZUNIGA and whispers something in his ear that clearly disturbs the sergeant.
ZUNIGA
What do you mean, we have to go to the judge again? What happened to the warrant we had before? By the time we go through the whole process, they’ll have moved their operation to another building!
JOSÉ
What can I tell you?
ZUNIGA
I’ll call the captain. By the way, there was a girl looking for you. Okay-looking, not from around here, I think.
JOSÉ
Dark hair? Pretty?
ZUNIGA
Aren’t they all?
TÍA SOFIA
(calling from the doorway)
Who’s the captain? Tell him Sofia says hello.
ZUNIGA, on the side, gesticulates as he talks into the radio. We can’t hear his conversation but see that he is upset.
ZUNIGA
(angrily)
The operation is off! Get the men out of here! How are we going to shut down anything with this stupid paperwork?
A loud buzzing noise comes from the factory. Instantly the younger men in the area jump to their feet. One, MANNY, begins to brush off his jacket. Another, GATO, first pulls up his pants, then lowers them to just the right height to be cool.
ZUNIGA
What’s that? Their all-clear signal?
OFFICER LANE
Lunchtime at the factory!
The door of Delgado’s opens, and the factory girls come out, strutting and chatting. Many are on cell phones, and most are speaking a combination of English and Spanish. Among the girls is FRASQUITA, who has a fair complexion and light brown eyes. She is wearing a tight blouse and even tighter jeans.
As the girls strut, the boys hover around. Music begins and slowly the posturing changes into a formal dance. We see the boys, who were nondescript at first, slowly change into gentlemen, proud of their heritage and respectful of the women. Then we hear the music of “El Ritmo del Barrio.”
The cops watch, putting away their guns as the lights transform the dingy buildings into glowing neighborhood edifices. ZUNIGA leans against a pole, eyeing the girls.
As the dance ends…
ZUNIGA
Why don’t you young ladies come to the precinct with us? The afternoon is young, and we can dance. I have a few moves I can show you.
OFFICER SHEA
(to FRASQUITA)
Hey, beautiful, you married, or you waiting for me?
FRASQUITA
Married? You need two things to get married. Do you know what they are?
OFFICER SHEA
(proudly)
A wedding ring and a license!
FRASQUITA
No, white boy. A passport and a job. No passport and you can’t stay here. No job, and there’s no love. Not from this girl!
OFFICER LANE
(to SHEA)
These girls are nice, but I heard they’ve got somebody special here. They call her Carmen. I don’t know what she looks like, but they say she’s hot.
OFFICER SHEA
Ya seen one, ya seen them all.
Suddenly the door to Delgado’s opens again, and a stunning young woman commands the space of the doorway. It is CARMEN. She is dressed in a white blouse, a short bolero jacket, and a black skirt. Her mirrored sunglasses reflect the afternoon heat. A flower sticks out from under the jaunty cap she wears, but the most amazing thing about her is the smile she flashes ever so briefly.
OFFICER LANE
Wait-there she is! Oh, my God! Is she fine or what?
CARMEN descends the factory’s three front steps like the diva she is. The boys form an open circle in front of her, and she takes her rightful place in its center. Among the boys are MANNY, GATO, and ANGEL.
MANNY
Carmen, I’m yours forever!
GATO
Carmen, it’s me who is in love with you. I’ve always been in love with you.
ANGEL
(sinking to his knees)
You finally found me. Now tell these fools who you really love so they can die in peace.
CARMEN
Get off your knees, handsome. People will think you’re serious.
GATO
Serious enough to marry you this very moment, Carmen.
FRASQUITA
All they know is push-push, Carmen. They don’t know about real love.
CARMEN
They know about love, Frasquita. But they still think it’s for us, that love is going to come flying down this street. Love isn’t coming to this neighborhood.
FRASQUITA
Unless it finds its way to flicker across the television screens or in the movies.
CARMEN
What are all of these cops here for?
ANGEL
They were going to raid Tía Sofia’s place, but they forgot the warrant. She ain’t letting nobody in without a warrant.
CARMEN
(looking at JOSÉ)
Frasquita, I know that guy over there. The one with his hat off. We used to live on the same block when I was a kid.
FRASQUITA
He’s tall.
One of the factory girls, MERCEDES, thin and chesty and working her high heels, comes over.
MERCEDES
What’s going down?
FRASQUITA
There was supposed to be a raid, but the cops blew it. Now they’re standing around, trying to figure out what to do. Carmen used to date the guy leaning against the car.