"Oh? Those small crimes are beneath you? So, then, what's with the worried scowl?"
Joe looked at him blankly and nipped off a bite of Brie.
Clyde reached across the table and nudged him. "What's going on? What's with you?"
"Nothing," Joe said coldly. "Is there some law that I have to tell you all my business?"
Clyde raised an eyebrow.
"So there's a new cat in the village. It's nothing to worry you, nothing for you to fret over."
Clyde was silent a moment, watching him. "I take it this is a tomcat. What did he do, come onto Dulcie?"
Joe glared.
Clyde grinned. "What else would make you so surly?" He mopped up egg with his toast. "I imagine you can handle the beast. I don't suppose this cat has anything to do with last night's burglary?"
Joe widened his eyes and laughed. "In what way? What would a cat have to do with a burglary? It's too early in the morning for dumb questions."
Clyde looked at him deeply, then rose and fetched the coffeepot, poured a fresh cup.
"You get the Sheetrock all torn out?"
"We did, and hauled it to the dump. No more Sheetrock dust, you and Dulcie can hunt mice to your little hearts' content without sneezing-until we start hanging new Sheetrock, of course."
The five-apartment unit that Clyde had bought was a venture Joe considered incredibly foolhardy. No way Clyde Damen was going to turn that neglected dump into a sound rental investment. The fact that Clyde was working on the project himself turned Joe weak with amusement.
The only sensible thing Clyde had done on the venture was to hire his girlfriend, Charlie Getz, who operated Charlie's Fix-It, Clean-It. Charlie's business was relatively new. She had only a small crew-just two women-but she did good work. Her cleaning lady was sixty-year-old Mavity Flowers, who was a tiny, skinny creature but a surprisingly hard worker. The other employee, Pearl Ann Jamison, was a real find. Pearl Ann not only cleaned for Charlie, she was handy at light carpentry and could turn out professional Sheetrock work, from installation of the heavy wallboard to mudding and taping. The rest of the work on the building, the wiring and plumbing, Charlie and Clyde were farming out to subcontractors.
Joe finished his breakfast, nosed his plate out of the way, and began to wash, thinking about the burglary. He supposed the antique shop had been the first, as he'd seen nothing in the papers about any other similar thefts. He didn't let himself dwell on the nature of the black torn or where he came from but kept his mind on the immediate problem, wondering what other small village businesses the man and cat planned to hit.
But maybe this had been a one-time deal. Maybe the pair was just passing through, heading up the coast-maybe they'd simply needed some walking-around money. Maybe they were already gone, had hauled out of Molena Point for parts unknown.
Sure. The village should be so lucky.
No, this burglary hadn't been impromptu. The planning was too precise, the team's moves too deliberate and assured, as if they had done their research. As if they knew very well that the quiet village was a sitting duck, and they knew just how to pluck it.
He hated to think that that cat might have been prowling the shops for days-maybe weeks-and he and Dulcie hadn't known about it, hadn't scented the beast or seen him. He imagined the cat and the old man idling in Mrs. Medder's antique shop getting friendly with her, the old man making small talk as he cased the place looking for a safe or a burglar alarm, the black torn wandering innocently rubbing around the old woman's ankles, purring and perhaps accepting little tidbits of her lunch while he, too, checked the layout, leaped up to stare into the drawer of the open cash register, and searched the shadows for an alarm system.
He didn't like that scenario. It was bad enough for a human to steal from the village shops. A cat had no business doing this stuff.
Leaping from the table to the sink, pacing restlessly across the counter and glaring out the window, Joe wished he'd followed those two last night. He wouldn't make that mistake again. Dulcie could find excuses to avoid confronting the black tomcat if she chose, but he was going to nail that little team. Licking egg from his whiskers as he watched the rising sun lift above the Molena Point hills, Joe Grey's lust for justice flamed at least as bright as that solar orb-burned with a commitment as powerful and predatory as any human cop.
4
CHARLIE GETZ had no reason to suspect, when she woke early Saturday morning, that she was about to be evicted from her cozy new apartment, that by the time most of the village sat down to breakfast she'd be shoving cardboard boxes and canvas duffels into her decrepit Chevy van, dumping all her worldly possessions back into her aunt's garage-from which she had so recently removed them. Thrown out, given the boot, on the most special day of her life, on a day that she had wanted to be perfect.
She'd already spent three months sponging off Aunt Wilma, had moved in with Wilma jobless and nearly broke and with no prospects, had lived rent-free in Wilma's guest room after abandoning her failed career.
During that time she'd launched her new venture, put what little cash she had into running ads, buying the old van and used cleaning and carpentry equipment, hiring the best help she could find on short notice. She was twenty-eight years old. Starting Charlie's Fix-It, Clean-It and renting her own apartment, taking responsibility for her own life after wasting six years in San Francisco had been one big strike for independence. A huge step toward joining-belatedly-the adult world.
Now here she was back to square one, homeless again.
She had loved being with Wilma, loved coming home to a cozy house, to a blazing fire and a nice hot meal, loved being pampered, but she valued, more, being her own provider.
Now, waking at dawn before she had any notion that an eviction notice was tucked beside her front door, she snuggled down into the covers, looking around her little studio with deep satisfaction. The one room pleased her immensely, though the furnishings weren't much, just her easel, her single cot, her secondhand breakfast table, and two mismatched wooden chairs. Open cardboard boxes stacked on their sides like shelves held her neatly folded clothes. But through her open windows a cool breeze blew in, smelling pleasantly of the sea, and above the village rooftops the sunrise, this morning, was a wonder of watercolor tints, from pink to pale orange streaked among islands of dark clouds.
The coastal foothills would be brightening now as the sun rose behind them, casting its light down on the small village, onto the narrow, wandering lanes and dark, leathery oak trees and the maze of slanted, angled rooftops, and reflecting from the windows of the little restaurants and shops-the morning sun sending its light into the windows of the Aronson Gallery onto her own drawings, picking out her work with fingers of light.
What a strange sensation, to think that she belonged to a gallery, that her work was to be part of a real exhibit. She still couldn't believe her luck, not only to be included with six well-known artists but to see her drawings occupying more than half the gallery's front window-a real vote of confidence for a newcomer. The exhibit had been a bonus out of nowhere, unforeseen and amazing.
Four years of art school and two years trying to find her way as a commercial artist, a dozen trial-and-error, entry-level advertising jobs that she knew weren't right for her, nor she for them, had led at last to the realization that she would never make a living in the art world. Her failure had left her feeling totally defeated-a misfit not only in her chosen field but in life. Only now, after she had abandoned all idea of supporting herself in the arts, had anyone been interested in her drawings.