Albert took me by the elbow and led me to one of the small tables well away from the dancer. I guess he didn’t want me putting money on the stage. A young waitress, clad in a short skirt and a low-cut top, instantly appeared. She eyed me as Albert shouted an order at her; I stared calmly back at her. She made her way through the tangle of tables, changing direction like a frightened rabbit, but returned quickly, carrying two glasses of beer on a tray. Albert gave her several bills. I couldn’t hear her thank-you because of the din.
The song ended and the dancer bowed to weak applause-the room was sparsely populated-and a few cheers masquerading as catcalls. She picked up the bills from the floor, held them up in acknowledgment and disappeared behind a red curtain at the back of the stage.
The noise level was greatly reduced with the music gone, for which I was profoundly grateful. I looked around at the other patrons. They were all men-I was apparently the only woman customer-but I had expected that. Their ages ranged from college-age to grizzled, with most in between. I realized that I had too small a sample to draw inferences from, but I suspected that most of the college boys came on Friday and Saturday nights.
Some men sat alone and stared into their beer glasses; others sat in groups of two or more. I felt sudden pity for the loners. Was this their idea of a social life? Were they living in a fantasy world because the real world was too-sad? Judging from some of the expressions on their faces, the fantasy worlds couldn’t be much better.
All the men were well behaved, almost docile. Even when the dancer had been on stage I hadn’t seen anything approaching rowdy behavior. It wouldn’t do me any good to watch Albert’s reaction; he wouldn’t lift an eyebrow with me there. The place must get a lot livelier later on. But between the brass rail on the stage and the doorman, who probably doubled as a bouncer, I suspected management was prepared to handle anybody who misbehaved.
I happened to see the dancer reenter the room through a doorway on one side of the stage. In addition to her G-string she now wore a skimpy top. She swaggered directly over to one of the tables, took a middle-aged man by the hand and led him back through the same doorway. I quickly nudged Albert to get him to look in her direction and said, “Where is she taking him?”
Albert looked over in time to see them together, thought about what to tell me for a bit, then said, “She’s probably going to do a private lap-dance for him.”
“Is that what it sounds like?”
“Yes, but there are specific rules. The dancer can touch the customer, but the customer can’t touch the dancer.”
“Or he’ll get his arm broken.”
“At least he’ll get kicked out.”
“So it’s completely under her control.”
“Yes.”
Just as men were becoming more and more under the control of women in all phases of life. As exemplified by the sexual harassment policy at Crescent Heights College.
The ticket-taker picked up a microphone and announced the next dancer. As dissonant music reverberated around the room a clone of the first dancer popped out through the curtain and started to gyrate. Her blond wig wasn’t as blond, but if anything, her breasts were larger. Did the customers become bored watching different versions of the same girl?
As eight o’clock approached more customers arrived. The tables around us filled up. I began to wonder what I could learn by watching the girl called the Shooting Star. If I had dragged Albert all the way here for no reason, he would be upset. He was upset about having to bring me here, anyway, although I had a hunch he secretly enjoyed the dancers.
The clock over the bar showed two minutes after eight when the ticket-taker picked up the microphone and announced in a loud voice, “And now, what you’ve all been waiting for. Club Cavalier proudly presents the Shooting Star.”
I guess I was expecting another big blond Barbie-doll, but the girl who came through the curtain was petite, with bright-red hair-and she wore a mask. My next surprise was that she was dancing to a song I recognized: an old Perry Como tune from the fifties called “Don’t Let the Stars Get in Your Eyes.”
Even though the laid-back barber sang it in an upbeat tempo, it was as out of place here after the music of the other dancers as a hotrod would have been in the parking lot, but she made it work. She glided effortlessly around the stage, barefoot, and then did a series of gymnastic maneuvers, ending in an aerial back-flip. I noticed that when she unhooked her bra, shrugged it off and tossed it back toward the curtain, all eyes were on her, including Albert’s.
Her breasts were smaller than those of the other girls. They were obviously her own. They were the breasts of the girl next door, but these days the girl next door had probably eaten too many Big Macs to have the body definition she had. She reminded me of when I had been in school and almost all the girls were thin.
The Shooting Star got on the pole, twisting around it like a snake while flashing colored lights painted her body. At one point she did an upside-down split while hanging onto the pole, completely off the stage. Then she did the same thing facing the other way. She mesmerized the audience. These moves revealed most of the mysteries of being a woman, in spite of her scanty G-string.
I studied her red hair, which was probably the only false thing about her, and wondered how it stayed on. Then I looked at her mask, which covered not only her eyes but also her forehead and the upper part of her cheeks. Was that just for show, to add to the intrigue, or was she really trying to hide her identity?
She finished her act with another gymnastic run and another back-flip. I held my breath, fearing that she would either hit the pole or catapult herself into the audience, but she had complete control of her movements. She received the loudest applause and most cheers of any of the dancers. There were so many bills on the stage that it took her a while to collect them all. While she did several men yelled, “Take off the mask.”
Her brightly lipsticked mouth smiled, she waved to the audience, money and bra in hand, and the curtains swallowed her. I looked at Albert. He stared after her, his mouth slightly open. She had affected him so much that he had forgotten to hide it.
“I’m going to the restroom,” I said, and stood up before he recovered enough to respond. I made my way to the doorway with signs indicating that men’s and women’s rooms (thank goodness) existed in that direction. It was the same doorway I had seen several of the dancers take men through for lap dances.
I used the women’s restroom-the beer was getting to me-and as I came out I noticed another door, leading to…where? The lap-dance area and the dressing rooms? I opened the door and entered a dimly lit hallway with music blaring from hidden speakers.
I closed the door behind me and glanced to the right. I saw what looked like openings to several cubicles. The head and bare back of one of the girls suddenly appeared out of the first one, her hair flying, her body gyrating. She disappeared and then reappeared and bent over backwards until her hair touched the floor. Her naked body was toned with muscle, but still feminine, and I had to admit that she exuded an animal eroticism. I hoped her victim-or customer-was enjoying her attentions.
I turned the other way and saw brightness. I went around a corner and found myself at the entrance to the dressing room. I looked inside; the walls were hung with the traditional mirrors, surrounded with naked light bulbs. Several of the girls sat in front of mirrors, in various stages of undress, working on their faces. I looked around for the Shooting Star, but none of them had her body type, with or without a mask.
One of the blond dolls spotted me in the mirror, turned around and said, “Well, howdy, Grandma. Are you the new dancer?”
The others guffawed and I smiled, saying, “I’m looking for the Shooting Star.”