I should like to be generous and I am willing to postulate that the primitive artists were unskilled and portrayed the figures in this rather crude way because it was the best they could do. But in that case why could the same primitive cave-dwellers depict animals and normal human beings to perfection? So it seems more credible to me to assume that the 'artists' were perfectly capable of drawing what they actually saw. In Inyo County (California) a geometrical figure in a cave drawing is recognisable—without overstraining the imagination—as a normal slide-rule in a double frame. The archaeological opinion is that the drawing shows figures of the gods.
An animal of unknown species with gigantic upright horns on its head appears on a pottery vessel found at Siyalk in Iran. Why not? But both horns display five spirals to left and right. If you imagine two rods with large porcelain insulators, that is roughly what this drawing looks like. What do the archaeologists say to that? Quite simply that they are symbols of a god. Gods are good value. People explain a great deal—certainly everything that is unexplained—by referring to their unknowableness and super-naturalness. In this world of the undemonstrable they can live in peace. Every figurine that is found, every artefact that is put together, every figure that can be restored from fragments—they are all instantly associated with some ancient religion or other. But if an object cannot be fitted into any of the existing religions, even forcibly, some new crackpot old cult is rapidly conjured up—like a rabbit out of a top hat) The sum works out once again.
But what if the frescoes, at Tassili or in the USA, or in France, actually reproduce what the primitive peoples saw? What should we say if the spirals on the rods really depicted antennae, just as the primitive peoples had seen them on the unfamiliar gods? Isn't it possible that things which ought not to exist do in fact exist? A 'savage', who nevertheless was skilful enough to execute wall paintings, cannot really have been so savage. The wall drawing of the White Lady of Brandberg (South Africa) could be a twentieth-century painting. She wears a short-sleeved pullover, closely-fitting breeches, and gloves, garters and slippers. The lady is not alone; behind her stands a thin man with a strange prickly rod in his hand and wearing a very complicated helmet with a kind of visor. This would be accepted as a modern painting without hesitation, but the snag is that we are dealing with a cave drawing.
All the gods who are depicted in cave drawings in Sweden and Norway have uniform undefinable heads. The archaeologists say that they are animal heads. Yet isn't there something rather absurd about worshipping a 'god' whom one also slaughters and eats? We often see ships with wings and even more frequently typical antennae.
Figures in bulky suits occur again in Val Camonica (Brescia, Italy) and, annoyingly enough, they also have horns on their heads. I am not going so far as to claim that the Italian cave-dwellers shuttled backwards and forwards between North America or Sweden, the Sahara and Spain (Ciudad Real) to transmit their illustrative talents and ideas. Yet the awkward question is left hanging in the air—why did the primitive peoples create figures in bulky suits with antennae on their heads independently of each other?
I should not waste a word on these unexplained oddities if they only existed in one place in the world. But they are found almost everywhere.
As soon as we look at the past with our present-day gaze and use the fantasy of our technological age to fill up the gaps in it, the veils that shroud the darkness begin to lift. In the next chapter a study of ancient holy books will help me to make my theory such a credible reality that in the long run the investigators of our past will no longer be able to evade the revolutionary questions.
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Chapter Four - Was God An Astronaut?
The Bible is full of secrets and contradictions.
Genesis, for example, begins with the creation of the earth, which is reported with absolute geological accuracy. But how did the chronicler know that minerals preceded plants and plants preceded animals?
'And God said, Let us make man in our image, after our likeness': we read in Genesis 1:26.
Why does God speak in the plural? Why does he say 'us' not 'me', why 'our' and not 'my'? One would think that the one and only God ought to address mankind in the singular, not in the plural.
'And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, That the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose.' (Genesis 6:1-2.)
Who can tell us what sons of God took the daughters of men to wife? Ancient Israel had a single sacrosanct God. Where do the 'sons of God' come from?
'There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown.' (Genesis 6:4.)
Once again we have the sons of God, who interbreed with human beings. Here, too, we have the first mention of giants. 'Giants' keep on cropping up in all parts of the globe: in the mythology of east and west, in the sagas of Tiahuanaco and the epics of the Eskimos. 'Giants' haunt the pages of almost all ancient books. So they must have existed. What sort of creatures were they, these 'giants'? Were they our forefathers, who built the gigantic buildings and effortlessly manhandled the monoliths, or were they technically skilled space travellers from another star? One thing is certain. The Bible speaks of 'giants' and describes them as 'sons of God', and these 'sons of God' breed with the daughters of men and multiply.
We are given a very exciting and detailed account of the catastrophe of Sodom and Gomorrha in Genesis 19:1-28.
Two angels came to Sodom in the evening when father Lot was sitting near the town gate. Obviously Lot was expecting these 'angels', who soon proved to be men, because he recognised them at once and hospitably invited them to spend the night in his house. The men of the town, says the Bible, wanted to 'know' the strangers. But the two strangers were able to dispel the local playboys' sexual lust with a single gesture. They smote the mischief-makers with blindness.
According to Genesis 19:12-14, the 'angels' told Lot to take his wife, sons and daughters, and sons-in-law and daughters-in-law, out of the town with all speed, for, they warned him, it would be destroyed very soon. The family were unwilling to believe this strange warning and took the whole thing for one of father Lot's bad jokes. And Genesis continues:
'And when the morning arose, then the angels hastened Lot, saying, Arise, take thy wife, and thy two daughters, which are here; lest thou be consumed in the iniquity of the city. And while he lingered, the men laid hold upon his hand, and upon the hand of his wife, and upon the hand of his two daughters; the Lord being merciful unto him: and they brought him forth, and set him without the city. And it came to pass, when they had brought them forth abroad, that he said, Escape for thy life; look not behind thee, neither stay thou in the plain; escape to the mountain, lest thou be consumed .... Haste thee, escape thither; for I cannot do anything till thou be come thither.'