Cormac McCarthy
Cities of the Plain
I
THEY STOOD in the doorway and stomped the rain from their boots and swung their hats and wiped the water from their faces. Out in the street the rain slashed through the standing water driving the gaudy red and green colors of the neon signs to wander and seethe and rain danced on the steel tops of the cars parked along the curb.
Damned if I aint half drowned, Billy said. He swung his drip?ping hat. Where's the allamerican cowboy at?
He's done inside.
Let's go. He'll have all them good fat ones picked out for hisself.
The whores in their shabby deshabille looked up from the shabby sofas where they sat. The place was all but empty. They stomped their boots again and crossed to the bar and stood and thumbed back their hats and propped their boots on the rail above the tiled drainway while the barman poured their whiskies. In the bloodred barlight and the drifting smoke they raised their glasses briefly and nodded as if to salute some fourth companion now lost to them and they tilted back the shots and set the empty glasses on the bar again and wiped their mouths with the backs of their hands. Troy jutted his chin at the barman and made a circling gesture with one finger at the empty glasses. The barman nodded.
John Grady you look like a goddamned wharf rat.
I feel like one.
The barman poured their whiskies.
I never seen it rain no harder. You want a beer back? Give us three beers.
You got one of them little darlins picked out?
The boy shook his head.
Which one you like, Troy?
I'm like you. I come down here for a fat woman and that's what I'm havin. I'm goin to tell you right now cousin, when the mood comes on you for a fat woman they just wont nothin else satisfy.
I know the feelin well. You better pick you one out, John Grady.
The boy turned and looked across the room at the whores.
How about that old bight in the green pajamas?
Dont be puffin him on my gal, said Troy. You'll be the cause of a fight breakin out here in a minute.
Go on. She's lookin over here.
They're all lookin over here.
Go on. I can tell she likes you.
She'd bounce John Grady off the ceilin.
Not the allamerican cowboy she wouldnt. The cowboy'd stick like a cocklebur. What about the one with the blue windercurtain wrapped around her?
Dont pay no attention to him, John Grady. She looks like her face caught fire and they beat it out with a rake. I'm goin to say that blond on the end is more your style.
Billy shook his head and reached for his whiskey. They aint no reasonin with the man. He just aint got no taste in women and that's a mathematical fact.
You stick with your old dad, said Troy. He'll get you onto somethin with some substance to it. Parham yonder actually claimed that a man ought not to date anything he couldnt lift. Said what if the house caught fire.
Or the barn.
Or the barn.
You remember the time we brought Clyde Stapp down here?
I do and he was a man of judgment. Picked him out a gal with some genuine heft to her.
JC and them slipped the old woman a couple of dollars to let em go back there and peek. They was goin to take his picture but they got to laughin and blew the deal.
We told Clyde he looked like a monkey fuckin a football. I thought we was goin to have him to whip. What about that one in the red yonder?
Dont listen to him, John Grady.
Value per pound on a dollar basis. He dont even want to consider a thing like that.
You all go on, said John Grady.
Pick you one out.
That's all right.
You see there Troy? All you done is got the boy confused.
JC told everbody that Clyde fell in love with the old gal and wanted to take her back with him but all they had was the pickup and they'd of had to send for the flatbed. By then Clyde had done sobered up and fell out of love and JC said he wasnt talon him to no more whorehouses. Said he hadnt acted in a manly and responsible fashion.
You all go on, said John Grady.
From the rear of the premises he could hear the rain rattling on a metal roof. He ordered another shot of whiskey and stood turning the glass slowly on the polished wood and watching the room behind him in the yellowing glass of the old Brunswick backbar. One of the whores crossed the room and took him by the arm and asked him to buy her a drink but he said he was only waiting for his friends. After a while Troy came back and sat on the barstool and ordered another whiskey. He sat with his hands folded on the bar before him like a man at church. He took a cigarette from his shirtpocket.
I dont know, John Grady.
What dont you know?
I dont know.
The barman poured his whiskey.
Pour him anothern.
The barman poured.
Another whore had come up to take John Grady's arm. The powder on her face had cracked like sizing.
Tell her you got the clap, said Troy.
John Grady was speaking to her in Spanish. She tugged at his arm.
Billy told that to one down here one time. She said that was all right she had it too.
He lit the cigarette with a Third Infantry Zippo lighter and laid the lighter on top of his cigarettes and blew smoke down along the polished wood and looked at John Grady. The whore had gone back to the sofa and John Grady was studying something in the backbar glass. Troy turned and followed his gaze. A young girl of no more than seventeen and perhaps younger was sitting on the arm of the sofa with her hands cupped in her lap and her eyes cast down. She fussed with the hem of her gaudy dress like a schoolgirl. She looked up and looked toward them. Her long black hair fell across her shoulder and she swept it slowly away with the back of her hand.
She's a goodlookin thing, aint she? Troy said.
John Grady nodded.
Go on and get her.
That's all right.
Hell; go on.
Here he comes.
Billy stepped up to the bar and adjusted his hat.
You want me to go get her? said Troy.
I can get her if I want her.
Otra vez, said Billy. He turned and looked across the room. Go on, said Troy. Hell, we'll wait on you.
That little girl the one you're lookin at? I bet she aint fifteen. I bet she aint either, said Troy.
Get that one I had. She's five gaited or I never rode.
The barman poured their whiskies.
She'll be back over there directly.
That's all right.
Billy looked at Troy. He turned and picked up his glass and contemplated the reddish liquor welling at the brim and raised and drank it and took his money from his shirtpocket and jerked his chin at the watching barkeep.
You all ready? he said.
Yeah.
Let's go get somethin to eat. I think it's fixin to quit rainin. I dont hear it no more.
They walked up Ignacio Mej'a to Ju++rez Avenue. The gutters ran with a grayish water and the lights of the bars and cafes and curioshops bled slowly in the wet black street. Shopowners called to them and streetvendors with jewelry and serapes sallied forth to attend them at either side. They crossed Ju++rez Avenue and went up Mej'a to the Napole-n and sat at a table by the front window. A liveried waiter came and swept the stained white tablecloth with a handbroom.
Caballeros, he said.
They ate steaks and drank coffee and listened to Troy's war stories and smoked and watched the ancient yellow taxicabs ford the water in the streets. They walked up Ju++rez Avenue to the bridge.
The trolleys had quit running and the streets were all but empty of trade and traffic. The tracks shining in the wet lamplight ran on toward the gateshack and beyond to where they lay embedded in the bridge like great surgical clamps binding those disparate and fragile worlds and the cloudcover had moved off down from the Franklins and south toward the dark shapes of the mountains of Mexico standing against the starlit sky. They crossed the bridge and pushed through the turnstile each in turn, their hats cocked slightly, slightly drunk, and walked up south El Paso Street.