He heard himself say it.
“I love you.”
He still loved her. He could not deny it. Could not. It was a love that might last a minute or a day, an hour or a month, but for the moment, in his need, it seemed as permanent as the moon and the stars, and as cold.
It did not matter that she was in pieces, that she was not real, for he could see now that she was his salvation. Had he not been in love with what he saw in the third story window, and had what he had seen through that window changed in its essential nature? Wasn’t she better suited to him than if she had been real, with all the avarices and hungers and needs and awkwardnesses that create disappointment? He had invented an entire history for this woman and now his expectations of her would never change and she would never age, never criticize him, never tell him he was too fat or too sloppy or too neat, and he would never have to raise his voice to her.
It struck Dradin as he basked in the glow of such feelings, as he watched the porcelain lines of the head while shouts grew louder and the gallows jerked and swung merrily all across the city. It struck him that he could not betray this woman. There would be no decaying, severed hand. No flowers sprayed red with blood. No crucial misunderstandings. The thought blossomed bright and blinding in his head. He could not betray her. Even if he set her head upon the mantel and took a lover there, in front of her, as his father might once have done to his mother, those eyes would not register the sin. This seemed to him, in that moment, to be a form of wisdom beyond even Cadimon, a wisdom akin to the vision that had struck him as he stood in the backyard of the old house in Morrow.
Dradin embraced the pieces of his lover, luxuriating in the smooth and shiny feel of her, the precision of her skin. He rose to a knee, cradling his beloved’s head in his shaking arms. Was he moaning now? Was he screaming now? Who could tell?
With careful deliberateness, Dradin took his lover’s head and walked into the antechamber, and then out the door. The third floor landing was dark and quiet. He began to walk down the stairs, descending slowly at first, taking pains to slap his feet against each step. But when he reached the second floor landing, he became more frantic, as if to escape what lay behind him, until by the time he reached the first floor and burst out from the shattered front door, he was running hard, knapsack bobbing against his back.
Down the boulevard, seen through the folds of the squid float, a mob approached, holding candles and torches and lanterns. Stores flared and burned behind them…
Dradin spared them not a glance, but continued to run — past the girl and her phonograph, still playing Voss Bender, and past Borges Bookstore, in the shadow of which prowled the black panther from the parade, and then beyond, into the unknown. Sidestepping mushroom dwellers at their dark harvest, their hands full of mushrooms from which spores broke off like dandelion tufts, and the last of the revelers of the Festival of the Freshwater Squid, their trajectories those of pendulums and their tongues blue if not black, arms slack at their sides. Through viscera and the limbs of babies stacked in neat piles. Amongst the heehaws and gimgobs, the drunken dead and the lolly lashers with their dark whips. Weeping now, tears without end. Mumbling and whispering endearments to his beloved, running strong under the mad, mad light of the moon — headed forever and always for the docks and the muscular waters of the River Moth, which would take him and his lover as far as he might wish, though perhaps not far enough.