“So something happened there?”
“Yes. Certainly.”
“What about his mobile?”
“One of those tiny models you can just flip open and shut. Probably couldn’t find it among all the stuff if he kept it in his bag, so he carried it in his pocket. Anyway, it hasn’t been found yet.”
“Has it been used?”
“Not since the ransom call. Hasn’t even been switched on. I checked again with the company.”
“Anything valuable in the bag?”
“Stefan’s going through it. From what I saw, though, I don’t think so. I mean, the laptop was worth a bob or two, but I don’t think theft was the motive here. That is…”
“Yes, Annie?”
“Well, there was nothing valuable to you or me, nothing of any real material value, but I got the impression that Liz, at least, is ambitious, and there’s a chance they could ride a lot farther and a lot faster on Luke Armitage’s coattails – or rather Neil Byrd’s coattails.”
“I think I must be a bit of an old fogey,” said Gristhorpe, scratching the side of his hooked nose, “but I can’t say I’ve ever heard of Neil Byrd. I know who he was to Luke and what happened to him, of course, but that’s about as far as it goes.”
“Alan – DCI Banks – knows a lot more about it than I do, sir, but Byrd was quite famous in his time. The record company is still bringing out CDs of previously unreleased stuff, greatest hits and live concerts, so there’s still a thriving Neil Byrd industry out there, a dozen years after his death. Luke inherited some of his father’s talent, and if Liz and Ryan wanted to milk the connection, I’m sure there are plenty of song ideas and fragments on the laptop and in his notebooks.”
“But he was only a kid, Annie. Surely he can’t have had that much to say?”
“It’s not what you say, sir, it’s how you say it. Teenage angst, mostly, from what I’ve heard. But it’s the name that’s the point. And, not to be too ghoulish about it, the circumstances. Dead son of famous rock suicide. With a promotion like that, the songs wouldn’t need to be that good. It’d get Liz’s band known, get them a name, and that’s more than half the battle in the music business.”
“But legally all Luke’s stuff belongs to his family now. Wouldn’t they sue if these people got as far as making a record of Luke’s songs?”
“Maybe, but it’d be too late then, wouldn’t it? And you know what they say: no publicity’s bad publicity. A lawsuit would only further Liz’s and Ryan’s career. It’s just a thought, sir.”
Gristhorpe finished his last chip and pushed his plate aside, taking a sip of shandy. “So what you’re saying is that, whether the two of them killed Luke or not, they somehow found themselves with a gold mine of material, and they thought they might as well hang on to it until they could use it?”
“As I said, sir, it’s only an idea. If they’d been a bit more cautious, they’d have got rid of the bag and we’d be none the wiser.”
“But they never thought we’d search their flat.”
“Why would they? They didn’t even know that anyone had seen Luke with Liz.”
“What about the vicar at that church where they practiced?”
Annie rolled her eyes. “Winsome talked to him. Said he’s so otherworldly he hadn’t a clue who Luke Armitage was or that he’d disappeared.”
“Would Liz and Ryan have killed Luke for his stuff?” he asked.
“I don’t think so, sir. That’s the problem. Whichever way you look at it, they’d be far better off with Luke alive. He would have been the real draw. Without him, well… they’re simply doing the best they can.”
“So they had nothing to gain by killing him?”
“No. Not unless he was intending to walk out on them, for example, and take all his works with him. One of them could have lost it with him then. Or, as I suggested earlier, unless there was some sort of romantic relationship and Ryan found out.”
“A crime passionnel? I suppose so. Wouldn’t be the first time. We can’t discount anything yet. Let’s just give them a bit of time, hope forensics turn up something, and have at them again in the morning.”
“Good idea, sir.” Annie finished her pint.
“Annie, before you go…?”
“Sir?”
“I don’t mean to pry, but you and Alan…?”
“Just colleagues, sir. And friends.”
Gristhorpe seemed pleased with her answer. “Aye,” he said. “Good. Good. Get some sleep, lass. I’ll see you bright and early in the morning.”
The pub was closer to the riverside than the city center, though even that wasn’t very far. Banks parked by the Rivergate Centre and walked the rest of the way. It was a pleasant evening, not a leaf stirring in the warm air. The sunset painted the sky bright orange and crimson. Banks could see Venus low on the horizon, and the constellations were slowly taking shape overhead. He wished he could recognize them all, but he could only make out Hercules. That made him think of those dreadful historical spectacles he used to love in the early sixties, with cheap special effects, Steve Reeves, and a scantily clad Sylva Koscina.
Michelle was five minutes late, and Banks had already settled at a small corner table with a pint of bitter. The lounge was small and smoky, but most of the people stood at the bar, and the video machines were mercifully silent. Piped music played softly, some sort of modern pop stuff Banks didn’t recognize. Michelle was wearing tight black trousers and a green blouse tucked in at the waist. She carried a tan suede jacket slung over her shoulder. Banks had never seen her dressed so casually before. Hadn’t seen her looking as good, either. She’d had her hair done, he noticed; nothing drastic, just tidied up a bit, the fringe trimmed, highlights renewed. And she wore a little makeup, just enough to accentuate her green eyes and high cheekbones.
She seemed self-conscious about her appearance because she wouldn’t meet his eyes at first. Only when he had offered a drink and she asked for a dry white wine did she favor him with a look and a shy smile.
“Thanks for coming,” Michelle said, when Banks placed the drink in front of her and sat down.
“My pleasure,” said Banks. “I’d have come tomorrow for the service, anyway, so another evening doesn’t make much difference.”
“I know you’re busy.”
“I’m covered. Besides, we had a lucky break just before I set off.” Banks told her about finding Luke Armitage’s bag at Liz Palmer’s flat.
“Poor kid,” said Michelle. “He wasn’t much older than Graham Marshall, was he?”
“A year or so.”
“Why would anyone want to kill a boy that age? What could he possibly have done?”
“I don’t know. I suppose that’s why we assume it’s a pedophile when the victim’s so young. We can easily imagine older people being killed for other motives, for greed or to cover up something, but it’s hard with kids. Anyway, it looked like a kidnapping, but I have my doubts. What about you? Any more news?”
Michelle gave him the gist of her conversation with retired DI Robert Lancaster in London, especially his remarks about Graham seeming streetwise beyond his years.
“So your ex-copper thought Graham had a future in crime, did he?” Banks said. “Interesting, that.”
“Why? Have you remembered something?”
“Nothing, really. Just that Graham never seemed short of money, and I’d no idea where he got it from.”
“There’s something else,” Michelle said. She seemed hesitant, Banks thought, unwilling to meet his eyes.
“Yes?”
“Someone was in my flat on Saturday, while I was down in London.”
“Anything taken?”
“Not as far as I can tell, just a few things out of place. But whoever it was had also been having a good look at my computer files.”
Banks got the impression that she wasn’t telling him everything, but he didn’t pursue it. If there was something she was omitting, it was probably for a good reason, such as personal embarrassment. She’d hardly want to tell him if someone had been going through her undies, would she? “Anything there?”