When I turned away from all those people that I had used to see, they went on and did not come back. Only a few were left, and I was lonely.
I liked to be with my father, Olive of the Yellow Adobe, a man who talked little and was cautious and gentle in mind and hand. He repaired and reinstalled solar panels and collectors and batteries and lines and fixtures in houses and outbuildings; all his work was with the Miller's Art. He did not mind if I eame along if I was quiet, and so I went with him to be away from our noisy, busy household. When he saw that I liked his art, he began to teach it to me. My mothers were not enthusiastic about that. My Serpentine grandmother did not like having a Miller for son-in-law, and my mother wanted me to learn medicine. "If she has the third eye, she ought to put it to good use," they said, and they sent me to the Doctors Lodge on White Sulfur Creek to learn. Although I learned a good deal there and liked the teachers, I did not like the work and was impatient with the illnesses and accidents of mortality, preferring the dangerous, dancing energies my father worked with. I could often see the electrical current, and there were excitements of feeling, tones of a kind of sweet music barely to be heard, and tones also of voices speaking and singing, distant and hard to understand, that came when I worked with the batteries and wires. I did not speak of this to my father. If he felt and heard any of these things, he preferred to leave them unspoken, outside the house of words.
My childhood was like everybody's, except that with going to the Doctors Lodge and working with my father and liking to be alone, perhaps I played less with other children than many children do, after I was seven or eight years old. Also, though I went all over Telina with my father and knew all the ways and houses, we never went out of town. My family had no summer house and never even visited the hills. "Why leave Telina?" my grandmother would say. "Everything is here!" And in summer the town was pleasant, even when it was hot; so many people were away that there was never a crowd at the wash house, and houses standing empty were entirely different from houses full of people, and the ways and gardens and common places were lonesome and lazy and quiet. It was always in summer, often in the great heat of the afternoon, that I would see the people passing through Telina-na, coming upriver. They are hard to describe, and I have no idea who they were. They were rather short and walked quietly, alone, or three or four - one after the other; their limbs were smooth and their faces round, often with some lines or marks drawn on the lips or chin; their eyes were narrow, and sometimes looked swollen and sore as if from smoke or weeping. They would go quietly through the town, not looking at it and never speaking, going upriver. When I saw them I would always say the four heyas. The way they went, silently, gripped at my heart. They were far from me, walking in sorrow.
When I was nearly twelve years old, my cousin came of age, and the family gave a very big passage party far her, giving away all kinds of things I didn't even know we had. The following year I came of age, and we had another big party, though without such lavishness, as we didn't have so much left to give. I had entered the Blood Lodge just before the Moon, and the party for me was during the Summer Dance. At the end of the party, there were horse games and races, for the Summer people had come down from Chukulmas.
I had never been on horseback. The boys and girls who rode in the games and races for Telina brought a steady mare for me to ride and boosted me up to her back and put the rein in my hand, and off we went. I felt like the wild swan. That was pure joy. And I could share it with the other young people; we were all joined by the good feeling of the party and the excitement of the games and races and the beauty and passion of the horses, who thought it was all their festival. The mare taught me how to ride that day, and I was on horseback all night dreaming, and the next day, rode again; and on the third day I rode in a race, on a roan colt from a household in Chukulmas. The colt ran second in the big race when I rode him and ran first in the match race when the boy who had raised him rode him. In all that glory of festival and riding and racing and friendship, I left my childhood most joyously, but also I went out of my House, and got lost from too much being given me at once. I gave my heart to the red colt I rode and to the boy who rode him, a brother of the Serpentine of Chukulmas.
It was a long time ago and not his fault or doing; he did not know it. The word I write is my word; to myself let it be brought back.
So the Summer games were over in our town and the horse riders went off downriver to Madidinou and Ounmalin; and there I was, a thirteen-year-old woman and afoot.
I wore the undyed clothing I had been making all the year before, and I went often to the Blood Lodge, learning the songs and mysteries. Young people who had been friendly to me at the games remained friends, and when they found I longed to ride, they shared the horses of their households with me. I learned to play vetulou and helped with caring for the horses, who were stabled and pastured then northwest of Moon Creek in Halfhoof Pasture and on Butt Hill. I said at the Doctors Lodge that I wanted to learn horse doctoring, and so they sent me to learn that art by working with an old man, Striffen, who was a great doctor of horses and cattle, I would listen to him. He used different kinds of noises, words like the matrix words of songs, and different kinds of silences and breathing; and so did the animals. But I never could understand what they were saying.
Once when I came to the Obsidian heyimas for a Blood Lodge singing, a woman, I thought her old then, named Milk, met me in the passage. She looked at me with eyes as sharp and blind as a snake's eyes and said, "What are you here for?"
I answered her, "For the singing," and hurried by, but I knew that was not what she had asked.
In the summer I went with the dancers and riders of Telina to Chukulmas. There I met that boy, that young man. We talked about the roan horse and about the little moonhorse I was riding in the vetulou games. When he stroked the roan horse's flank, I did so too, and the side of my hand touched the side of his hand once.
Then there was another year until the Summer games returned. That was how it was to me: There was nothing I cared for or was mindful of but the Summer and the games.
The old horse doctor died on the first night of the Grass. I had gone to the Lodge Rejoining and learned the songs; I sang them for him. After he was burned I gave up learning his art. I could not talk with the animals or with any other people. I saw nothing clearly and listened to no one, I went back to working with my father, and I rode in the games in Summer. My cousin had a group of friends, girls who talked and played soulbone and dice, gambling for candy and almonds, sometimes for rings and earrings, and I hung around with them every evening, There were no real people in the world I saw at that time. All rooms were empty. Nobody was in the common places and gardens of Telina. Nobody walked upriver grieving.
When the sun turned south, the dancers and riders came again from Chukulmas to Telina, and I rode in the games and races, spending all day and night at the fields. People said, "That girl is in love with the roan stallion from Chukulmas," and teased me about it but not shamefully; everybody knows how adolescents fall in love with horses, and songs have been made about that love. But the horse knew what was wrong: He would no longer let me handle him.