The girl nodded mute acquiesence and moved forward toward the flight deck. Bolan wondered who the hell was Gil Martin, but his attention was immediately diverted to the window. The plane was moving slowly along a taxiway, running parallel to the terminal building. Considerable activity beyond the fence had commanded Bolan's attention as he noted cars with flashing beacons on their roofs and uniformed men moving energetically about the terminal area. He sighed inwardly and tried to relax into the seat, but the rather plain young woman seated next to him softly exclaimed, "Oh God!"
"Is something wrong?" Bolan inquired, turning to inspect her for the first time.
"Did you see all that out there?"
Bolan smiled. "The police? Are you on the lam?"
The question both amused and embarassed her. "No," she replied, "but doesn't it give you a little tingle to wonder what they're doing? Maybe there's a bomb aboard this plane... or a hijacker."
Bolan tried to reassure her. "More than likely it's only super security for a visiting dignitary."
The woman said, "Oh," but was obviously not wholly satisfied with such an un-tingling explanation.
Bolan dismissed her from his mind and tried to force the tensions out also. They would not go. He would not be breathing easy, he knew, until he was off and clear of that aircraft. If the police were as thorough as he knew they could be, a surprise party might be awaiting his arrival in Paris — or, as bad, a Mafia reception — those guys could be thorough, too.
A domestic flight would have been greatly preferable. But this had been the only flight immediately leaving Dulles and it had seemed his best move. Now he was having doubts. He would have to clear through the French customs and perhaps go through other formalities. The only problem with that, in Bolan's view, was his passport. How good was it? He had barely glanced at it, as part of the portfolio urged upon him by Harold Brognola in Miami; he had never seriously entertained any ideas of leaving the country. Could that passport be gimmicked as some weird sort of trap to identify the Executioner the moment he stepped onto foreign soil? No — that would not make sense. Bolan did not wish to go off the deep end of groundless fears — he had enough of the flesh-and-blood variety to occupy his attention.
He glanced at the woman seated next to him and tried to draw a mental equivalent of her fears and his. Wasn't he being just as silly? Was this Mafia war finally getting to his inner chambers, rattling them, raising phantasms of fear much more terrible than the physical reality? Was Bolan the Bold going to cop out to combat fatigue?
He was thusly talking himself out of an impulse to drag the briefcase into his lap and inspect that passport.
They were standing just off the runway now, and the engines were revving up. The door to the flight cabin opened and the stewardess for Bolan's section reappeared. A man in uniform showed himself momentarily in the open doorway, glanced at the passenger identified as Gil Martin and smiled, then closed the door. The stewardess was buckling herself into a seat. She, too, turned and sent a smile toward Martin. If the subject of the curious interest took notice, he did not respond.
Bolan again fell to wondering about the man, then he subconsciously resolved the passport conflict by suddenly opening his briefcase and transferring the passport to the breast pocket of his coat, where it belonged anyway.
Then they were on the takeoff run. Dulles was becoming a blur beyond the window, the nose lifted, and Bolan was being gently pressed into the seat cushions.
For a few hours, okay, he could relax now. The police had allowed the plane to depart. Bolan wondered how much he owed that to the last-minute arrival of Gil Martin, an obvious celebrity who would fit rather well the general Bolan description. He could visualize the exchange between tower and pilot: the police were looking for a tall man, about thirty, dark, clean-shaven, a hard looking bastard with cold brown eyes. He might have boarded the Paris flight at the last moment. Yes, we got a guy like that but, ha ha, it's just old Gil Martin, you know, the celebrity.
The tensions were leaving. Bolan was grateful for the false facial hair which so altered his appearance; doubly grateful that young men's fashions had gone to hair — there was nothing unusual or even notable about face hair these days. The muttonchop sideburns and sweeping moustache gave Bolan an almost soft anonymity. So okay, relax now and conserve the energy, replenish the brain, cool down the vital juices, take it easy. In Paris, he would very likely need everything he could get going, false hair notwithstanding.
Out of his fog of introspection he became aware again of the girl beside him. She was talking compulsively to the passenger in the window seat, apparently fighting takeoff anxieties. "... and they say the Right Bank has become so commercial, so brassy, I'd love to find a little hotel on the Left Bank, perhaps in the Sorbonne district. Don't you think that would be charming? And inexpensive, too. They say it's so colorful and interesting, the artists and students and all live there, on the Left Bank I mean, but then on second thought I don't know, I mean it might not be safe for..."
Bolan grinned, closed his eyes, and let it all go. He would take care of Paris when Paris presented itself. But only for a little while. A war at home awaited him, commanded him. Maybe he could work in a brief R&R in gay Paris before returning to the front.
The Executioner would soon discover, however, that the entire world was his front. There was to be no R&R for Mack Bolan in gay Paris.
Quick Tony Lavagni sat at a desk in the rear of a shop in Washington's ghetto, counting the day's bag from the most lucrative numbers operation south of Harlem. Wilson Brown, an immense black man and Lavagni's central controller, stood nonchalantly at Quick Tony's elbow, chewing on a dead cigar and watching the count with miss-nothing eyes. Brown was in his early thirties, and the mark of many personal wars, mostly lost ones, was ground into his dusky features; only the eyes showed an aliveness, a quick awareness and responsiveness, perhaps an intelligent wariness mixed with an acceptance of a black man's destiny. Lavagni was in his forties, not appreciably lighter in color than his controller, an emotional man of quick temper, violent tendencies, and a reputation with a knife. It was this latter consideration that had given him the label of "Quick Tony."
Near the front door lolled two of Brown's runners, talking in bored whispers and shooting occasional dark looks toward the men at the desk. Another white man sat in a chair tilted against the wall, trying to read a racing form in the dim light reaching him from the desk lamp.
Lavagni completed the count, consulted the bank sheet, and drawled, "You're fifty short, Wils."
"Naw," the black man replied, bending low over Lavagni's shoulder to peer at the figures. "It's there in the side money."
"Oh yeah, I see. You laid off to Georgetown. How come so much lay off, Wils?"
"I told you, we could get flattened if..." Brown's explanation was interrupted by a muted ringing of the telephone. He scooped it up and grunted into the mouthpiece, chewed the cigar furiously for a moment as he listened to the message, then said, "Okay, then you better try to spread another fifty across the worst numbers. You know what, okay?"
"Another fifty?" Lavagni fumed as the black man hung up the phone.
"You'll be glad tomorrow," Brown assured him. "It's just one of those days, Tony. It's heavy on all the possibles. We're even having trouble placing lay-offs."