Lucy Karp caught sight of her father and, as usual, shrieked, "Daddy, Daddy, Daddy," flung herself into his arms, and otherwise behaved as if he had just returned safely from four years on the Western Front. Karp did not mind this one bit.
He hugged her and inhaled that ineffable smell that rises from the skin of well-tended young children: eau de kid, the world's most expensive fragrance. He put the three-year-old down, found the lunch box and the drawing to show Mommy, said good-bye to Lillie-Dillie, and they headed off, hand in hand, north on Broadway. As usual, they stopped as Dave's for a couple of chocolate egg creams, which they sipped at the marble outside counter.
"So, how was your day?" asked Karp.
"Okay. Jimmy Murphy threw up."
"That was the high point, huh?"
"And… and… Patrick Allessandro hit me with a big block, right here." She indicated a patch of flawless skin beneath a lock of black hair. "I hate Patrick Allessandro."
"It looks all right. Does it need a kiss?"
"No. Lillie-Dillie already kissed it. Daddy! Why does that lady have purple hair?"
Karp looked over at where Lucy was pointing.
"That's actually a man with purple hair, baby. And I guess he thinks it looks pretty." Karp did not admonish his daughter that it was impolite to point, and that loudly noting the personal peculiarities of passersby in New York was a good way to get yourself killed. Time enough for that.
They finished their drinks and walked a few more blocks to the industrial loft building where they lived. Since he had started to drop off and pick up Lucy twice a week, Karp had gained a better appreciation of what a miracle it was to have superb day care halfway between where he worked and where he lived, all of it within convenient walking distance.
The downside was the five-flight climb to the loft itself. Karp had an artificial left knee, the result of a basketball accident in his sophomore year at Cal Berkeley, the agony of which he had nobly ignored for years, until it finally crapped out. He would never have chosen to live in a walk-up, and had not chosen this one either, but rather its owner, who flatly refused to live anywhere else.
The two of them clumped up the dusty stairs together, singing "A Hundred Bottles of Beer," a ritual which required also that Karp become confused about how many bottles of beer were left on the wall, with Lucy correcting him, and then arguing about it, and giggling, until Karp started tickling her on the last flight of stairs, and then, snatching her up and throwing her over his shoulder, running up the last flight, to arrive breathless and laughing at their red door.
Marlene, the wife, was not home. Karp and family lived in a single room, thirty-three feet wide and a hundred long, a former electroplating factory loft. It was divided like a movie set by plasterboard walls into suitable areas: master bedroom (a sleeping loft) with closet space beneath, a bathroom, a kitchen-and-dining area, a living room, a nursery, a gymnasium, and a study, all facing on to a long corridor that ran end to end. Karp went to the closets under the sleeping loft and changed into chinos and a black T-shirt. Lucy ran to watch "Sesame Street" on the TV in the living "room."
Karp efficiently set the table for three, opened the freezer and removed one of the many Tupperware containers waiting there, and ran hot water over it for ten minutes. A large wet reddish brick, loosened by the heat, dropped out into the pot Karp had prepared, and he placed this on a low heat. He didn't know what it was, but it would probably be good. Marlene staged a giant cookfest once a week, on Saturday, making some huge treat from scratch-lasagna, chicken cacciatore, spaghetti and meatballs, ravioli, beef stew with wine. They feasted on it fresh and then she froze the rest in boxes, and they ate from these the rest of the week-that or takeout. Karp couldn't cook and Marlene wouldn't, during the workweek.
Karp sat with his daughter, learning letters and numbers, while the loft filled with the odor of dinner. It was spaghetti and meatballs, a winner. After dinner, Karp cleared up and chivied Lucy into the bath. Marlene had saved one of the thousand-gallon black rubber electroplating tanks from the former factory, scrubbing it out and adding a heater and a filter to make a huge hot tub.
Lucy cavorted in the warm water with a variety of floating toys. Her mother had drown-proofed her at eight months, and she swam like a little eel. Karp knelt on the concrete tank stand and washed his child's hair, to some men, Karp included, life's most sensuous delight not connected to actual sex.
After that, into the yellow nightie printed with rosebuds, and some sitcom TV. At eight, Goodnight Moon was read and the duck-shaped night-light switched on. Karp sat by her bedside for half an hour, watching her fall asleep.
He fell asleep himself shortly thereafter, stretched out on the tatty red velour sofa, reading cases. He was awakened by the slam of the front door. He looked at his watch: ten-thirty, nearly.
He heard the sound of a heavy briefcase hitting the floor, then the toilet door slamming, then peeing, then a flush, then a cupboard being opened, then the cork going out of a bottle, and the clink and splashing he knew to be wine pouring out into a glass, then some mixed kitchen noises-opening and shutting of refrigerator door, dish rattling, and so on-and then his wife appeared around the hall of the living zone, with a sloppy meatball sandwich on a plate and a large tumbler full of cheap red wine.
Marlene fell into a sling chair across from the couch and kicked her shoes off, sighing.
"Don't ask," she said and took a deep swallow of wine.
Karp took a long, fond look at his wife. Even flustered and worn from a long day working one of the city's more trying jobs, she was good to see, and he always had to suppress, as he had from earliest times of their acquaintance, a spasm of disbelief that she had chosen him, of all people.
Then and now a remarkable-looking woman. Classic features? A phrase used loosely enough, but Marlene actually had them the way they liked them in fifth-century Athens: the heart-shaped face, the straight nose, the rose-petal mouth, the broad cheekbones. Her skin was a dusky bisque, on which she typically wore no makeup, nor did she need any. The sculptor who lived downstairs from them said she looked exactly like the statue of Saint Teresa by Bernini. Marlene had lived a rougher life than the saint. She had a glass eye and was missing two fingers on her left hand.
"Morgan again?" asked Karp.
"Needless to say. With his fucking wife, actually."
Morgan and his fucking wife had taken care of a series of foster children in their large Inwood home, model citizens, until a school nurse had become suspicious. What she thought was a bladder infection in the Morgans' seven-year-old turned out to be gonorrhea. All six of the Morgans' fosterlings had it as well; the youngest, age seventeen months, had the oral version.
Marlene chomped away at her sandwich, leaning over her plate, dripping fragments and talking around mouthfuls. She had been hunting Morgan for weeks now, having the kids examined by psychologists, making sure the evidence they generated was genuine and that the enraged social workers did not encourage them to stretch the truth in any way. Marlene was in charge of a small unit at the DA's specializing in sex offenders, and Morgan was the current hot case.
Morgan would admit nothing and he had a good lawyer. His wife was the key to the case.
"I hit her with recordings of the oldest kid's testimony, right. Timeesha, nine years old. The shitbag has been fucking her since she was six. No response. Din see nothin'. He's a good man. Wait'll I nail her as an accessory. Then we'll see."