I said I was not going to have anything to do with that play, and I got another girl to work on Makeup in my place, but of course I went to it after all, and sat down in front with my girl friend Joyce, who pressed my hand when I was overcome with pain and delight at the sight of Mr. Darcy in white breeches, silk waistcoast, and sideburns. It was surely seeing Martin as Darcy that did for me; every girl is in love with Darcy anyway, and the part gave Martin an arrogance and male splendour in my eyes which made it impossible to remember that he was simply a high-school senior, passably good-looking and of medium intelligence (and with a reputation slightly tainted, at that, by such preferences as the Drama Club and the Cadet Band) who happened to be the first boy, the first really presentable boy, to take an interest in me. In the last act they gave him a chance to embrace Elizabeth (Mary Bishop, with a sallow complexion and no figure, but big vivacious eyes) and during this realistic encounter I dug my nails bitterly into Joyce’s sympathetic palm.
That night was the beginning of months of real, if more or less self-inflicted, misery for me. Why is it a temptation to refer to this sort of thing lightly, with irony, with amazement even, at finding oneself involved with such preposterous emotions in the unaccountable past? That is what we are apt to do, speaking of love; with adolescent love, of course, it’s practically obligatory; you would think we sat around, dull afternoons, amusing ourselves with these tidbit recollections of pain. But it really doesn’t make me feel very gay—worse still, it doesn’t really surprise me—to remember all the stupid, sad, half-ashamed things I did, that people in love always do. I hung around the places where he might be seen, and then pretended not to see him; I made absurdly roundabout approaches, in conversation, to the bitter pleasure of casually mentioning his name. I daydreamed endlessly; in fact if you want to put it mathematically, I spent perhaps ten times as many hours thinking about Martin Collingwood—yes, pining and weeping for him—as I ever spent with him; the idea of him dominated my mind relentlessly and, after a while, against my will. For if at first I had dramatized my feelings, the time came when I would have been glad to escape them; my well-worn daydreams had become depressing and not even temporarily consoling. As I worked my math problems I would torture myself, quite mechanically and helplessly, with an exact recollection of Martin kissing my throat. I had an exact recollection of everything. One night I had an impulse to swallow all the aspirins in the bathroom cabinet, but stopped after I had taken six.
My mother noticed that something was wrong and got me some iron pills. She said, “Are you sure everything is going all right at school?” School! When I told her that Martin and I had broken up all she said was, “Well so much the better for that. I never saw a boy so stuck on himself.” “Martin has enough conceit to sink a battleship,” I said morosely and went upstairs and cried.
The night I went to the Berrymans was a Saturday night. I baby-sat for them quite often on Saturday nights because they liked to drive over to Baileyville, a much bigger, livelier town about twenty miles away, and perhaps have supper and go to a show. They had been living in our town only two or three years—Mr. Berryman had been brought in as plant manager of the new door-factory—and they remained, I suppose by choice, on the fringes of its society; most of their friends were youngish couples like themselves, born in other places, who lived in new ranch-style houses on a hill outside town where we used to go tobogganing. This Saturday night they had two other couples in for drinks before they all drove over to Baileyville for the opening of a new supper-club; they were all rather festive. I sat in the kitchen and pretended to do Latin. Last night had been the Spring Dance at the High School. I had not gone, since the only boy who had asked me was Millerd Crompton, who asked so many girls that he was suspected of working his way through the whole class alphabetically. But the dance was held in the Armouries, which was only half a block away from our house; I had been able to see the boys in dark suits, the girls in long pale formals under their coats, passing gravely under the street-lights, stepping around the last patches of snow. I could even hear the music and I have not forgotten to this day that they played “Ballerina,” and—oh, song of my aching heart—“Slow Boat to China.” Joyce had phoned me up this morning and told me in her hushed way (we might have been discussing an incurable disease I had) that yes, M.C. had been there with M.B., and she had on a formal that must have been made out of somebody’s old lace tablecloth, it just hung.
When the Berrymans and their friends had gone I went into the living room and read a magazine. I was mortally depressed. The big softly lit room, with its green and leaf-brown colours, made an uncluttered setting for the development of the emotions, such as you would get on a stage. At home the life of the emotions went on all right, but it always seemed to get buried under the piles of mending to be done, the ironing, the children’s jigsaw puzzles and rock collections. It was the sort of house where people were always colliding with one another on the stairs and listening to hockey games and Superman on the radio.
I got up and found the Berrymans’ “Danse Macabre” and put it on the record player and turned out the living-room lights. The curtains were only partly drawn. A street light shone obliquely on the windowpane, making a rectangle of thin dusty gold, in which the shadows of bare branches moved, caught in the huge sweet winds of spring. It was a mild black night when the last snow was melting. A year ago all this—the music, the wind and darkness, the shadows of the branches—would have given me tremendous happiness; when they did not do so now, but only called up tediously familiar, somehow humiliatingly personal thoughts, I gave up my soul for dead and walked into the kitchen and decided to get drunk.
No, it was not like that. I walked into the kitchen to look for a coke or something in the refrigerator, and there on the front of the counter were three tall beautiful bottles, all about half full of gold. But even after I had looked at them and lifted them to feel their weight I had not decided to get drunk; I had decided to have a drink.
Now here is where my ignorance, my disastrous innocence, comes in. It is true that I had seen the Berrymans and their friends drinking their highballs as casually as I would drink a coke, but I did not apply this attitude to myself. No; I thought of hard liquor as something to be taken in extremities, and relied upon for extravagant results, one way or another. My approach could not have been less casual if I had been the Little Mermaid drinking the witch’s crystal potion. Gravely, with a glance at my set face in the black window above the sink, I poured a little whisky from each of the bottles (I think now there were two brands of rye and an expensive Scotch) until I had my glass full. For I had never in my life seen anyone pour a drink and I had no idea that people frequently diluted their liquor with water, soda, et cetera, and I had seen that the glasses the Berrymans’ guests were holding when I came through the living room were nearly full.