About Maddy and her ten-year’s vigil they say very little; perhaps they want to spare my feelings, remembering that I was the one who went away and here are my two children to show for it, while Maddy is alone and has nothing but that discouraging house. But I don’t think so; in Jubilee the feelings are not spared this way. And they ask me point-blank why I did not come home for the funeral; I am glad I have the excuse of the blizzard that halted air travel that week, for I do not know if I would have come anyway, after Maddy had written so vehemently urging me to stay away. I felt strongly that she had a right to be left alone with it, if she wanted to be, after all this time.
After all this time. Maddy was the one who stayed. First, she went away to college, then I went. You give me four years, I’ll give you four years, she said. But I got married. She was not surprised; she was exasperated at me for my wretched useless feelings of guilt. She said that she had always meant to stay. She said that Mother no longer “bothered” her. “Our Gothic Mother,” she said, “I play it out now, I let her be. I don’t keep trying to make her human any more. You know.” It would simplify things so much to say that Maddy was religious, that she felt the joys of self-sacrifice, the strong, mystical appeal of total rejection. But about Maddy who could say that? When we were in our teens, and our old aunts, Aunt Annie and Auntie Lou, spoke to us of some dutiful son or daughter who had given up everything for an ailing parent, Maddy would quote impiously the opinions of modern psychiatry. Yet she stayed. All I can think about that, all I have ever been able to think, to comfort me, is that she may have been able and may even have chosen to live without time and in perfect imaginary freedom as children do, the future untampered with, all choices always possible.
To change the subject, people ask me what it is like to be back in Jubilee. But I don’t know, I am still waiting for something to tell me, to make me understand that I am back. The day I drove up from Toronto with my children in the back seat of the car I was very tired, on the last lap of a twenty-five-hundred-mile trip. I had to follow a complicated system of highways and sideroads, for there is no easy way to get to Jubilee from anywhere on earth. Then about two o’clock in the afternoon I saw ahead of me, so familiar and unexpected, the gaudy, peeling cupola of the town hall, which is no relation to any of the rest of the town’s squarely-built, dingy grey-and-red-brick architecture. (Underneath it hangs a great bell, to be rung in the event of some mythical disaster.) I drove up the main street—a new service station, new stucco front on the Queen’s Hotel—and turned into the quiet, decaying side streets where old maids live, and have birdbaths and blue delphiniums in their gardens. The big brick houses that I knew, with their wooden verandahs and gaping, dark-screened windows, seemed to me plausible but unreal. (Anyone to whom I have mentioned the dreaming, sunken feeling of these streets wants to take me out to the north side of town where there is a new soft-drink bottling plant, some new ranch-style houses and a Tastee-Freez.) Then I parked my car in a little splash of shade in front of the house where I used to live. My little girl, whose name is Margaret, said neutrally yet with some disbelief, “Mother, is that your house?”
And I felt that my daughter’s voice expressed a complex disappointment—to which, characteristically, she seemed resigned, or even resigned in advance; it contained the whole flatness and strangeness of the moment in which is revealed the source of legends, the unsatisfactory, apologetic and persistent reality. The red brick of which the house is built looked harsh and hot in the sun and was marked in two or three places by long grimacing cracks; the verandah, which always had the air of an insubstantial decoration, was visibly falling away. There was—there is—a little blind window of coloured glass beside the front door. I sat staring at it with a puzzled lack of emotional recognition. I sat and looked at the house and the window shades did not move, the door did not fly open, no one came out on the verandah; there was no one at home. This was as I had expected, since Maddy works now in the office of the town clerk, yet I was surprised to see the house take on such a closed, bare, impoverished look, merely by being left empty. And it was brought home to me, as I walked across the front yard to the steps, that after all these summers on the Coast I had forgotten the immense inland heat, which makes you feel as if you have to carry the whole burning sky on your head.
A sign pinned to the front door announced, in Maddy’s rather sloppy and flamboyant hand: VISITORS WELCOME, CHILDREN FREE, RATES TO BE ARRANGED LATER (YOU’LL BE SORRY) WALK IN. On the hall table was a bouquet of pink phlox whose velvety scent filled the hot air of a closed house on a summer afternoon. “Upstairs!” I said to the children, and I took the hand of the little girl and her smaller brother, who had slept in the car and who rubbed against me, whimpering, as he walked. Then I paused, one foot on the bottom step, and turned to greet, matter-of-factly, the reflection of a thin, tanned, habitually watchful woman, recognizably a Young Mother, whose hair, pulled into a knot on top of her head, exposed a jawline no longer softly fleshed, a brown neck rising with a look of tension from the little sharp knobs of the collarbone—this in the hall mirror that had shown me, last time I looked, a commonplace pretty girl, with a face as smooth and insensitive as an apple, no matter what panic and disorder lay behind it.
But this was not what I had turned for; I realized that I must have been waiting for my mother to call, from her couch in the dining-room, where she lay with the blinds down in the summer heat, drinking cups of tea which she never finished, eating—she had dispensed altogether with mealtimes, like a sickly child—little bowls of preserved fruit and crumblings of cake. It seemed to me that I could not close the door behind me without hearing my mother’s ruined voice call out to me, and feeling myself go heavy all over as I prepared to answer it. Calling, Who’s there?
I led my children to the big bedroom at the back of the house, where Maddy and I used to sleep. It has thin, almost worn-out white curtains at the windows and a square of linoleum on the floor; there is a double bed, a washstand which Maddy and I used as a desk when we were in high school, and a cardboard wardrobe with little mirrors on the inside of the doors. As I talked to my children I was thinking—but carefully, not in a rush—of my mother’s state of mind when she called out Who’s there? I was allowing myself to hear—as if I had not dared before—the cry for help—undisguised, oh, shamefully undisguised and raw and supplicating—that sounded in her voice. A cry repeated so often, and, things being as they were, so uselessly, that Maddy and I recognized it only as one of those household sounds which must be dealt with, so that worse may not follow. You go and deal with Mother, we would say to each other, or I’ll be out in a minute, I have to deal with Mother.
It might be that we had to perform some of the trivial and unpleasant services endlessly required, or that we had to supply five minutes’ expediently cheerful conversation, so remorselessly casual that never for a moment was there a recognition of the real state of affairs, never a glint of pity to open the way for one of her long debilitating sieges of tears. But the pity denied, the tears might come anyway; so that we were defeated, we were forced—to stop that noise—into parodies of love. But we grew cunning, unfailing in cold solicitude; we took away from her our anger and impatience and disgust, took all emotion away from our dealings with her, as you might take away meat from a prisoner to weaken him, till he died.