Since they were "on" the minute they stepped out of the door, they walked hand in hand with a light, almost prancing walk, until they'd reached the center of a huge open area. The dome stretched upward for three stories, Rue estimated. She'd been to the museum before—when the new wing had been under construction, in fact—and she loved the wide expanse of marble floor. Wouldn't their music get lost in the huge space?
Sean and Rue reached the center of the floor, Rue trying not to stare at the glass cases of masks that lined the wall. The dancers stood there, smiling, arms extended, waiting for all the milling patrons to become aware of their presence and to clear the area for their performance.
"Aren't they lovely!" exclaimed a white-haired woman with sapphire earrings who wasn't standing quite far enough away. A scowling face seemed to disagree. Rue dimly recognized the obnoxious man from the Jaslows' party, Charles Brody.
Their music began over the public address system, and Rue had to fight to keep her face pleasant. Sean had another surprise for her. He'd switched routines. The music was "Bolero." This was their sexy number, the one they'd only performed once or twice at anniversary parties. Why had he picked that music for this night?
But as they began to twine together in the opening moves, Rue seemed to be able to feel the sensuousness in her bones. She felt the passion, the yearning, conveyed by the music.
Suddenly Sean lifted her straight up, his hands gripping her thighs, until they formed a column. She looked down at him with longing, and he looked up at her with desire. She extended her arms gracefully upward as he turned in a smooth circle. As he continued to hold her, changing his grip so she was soaring above him like a bird, her full skirt falling over his shoulders, the crowd began to applaud at their display of strength and grace. Sean let her down so gradually that her feet didn't jolt when they touched the floor. She was able to pick up her steps again smoothly. Then Sean leaned her back, back, over his arm, and put his lips to her neck. She felt her whole body come alive when she felt his touch, and she waited for the bitftwhh the faintest of smiles on her face.
But in that second, she was aware of a difference. Her partner was far tenser than he'd ever been at the finale; in fact, he was like an animal expecting attack. His body covered hers more completely than it should, as if he were protecting her. The crowd was closer than it should be, and she distinctly saw Haskell's face turn sharply to the right, his mouth opening to shout, allowing a glimpse of his shining fangs. A woman screamed.
Carver, in a tux, stepped out of the polite circle that had formed around the temporary dance floor, then he reached in his pocket and pulled out a knife. He pressed a button in the hilt and a wicked blade leaped out. In the space of a second, he'd slashed Haskell, who faltered and fell. Megan grabbed for Carver's arm next, and she might have slowed him down if Charles Brody hadn't shoved her as hard as he could, just as he'd done that night at the party. Again Megan landed on the floor, and then Carver was in the center of the circle with them.
She knew what he would do. She was sure that Sean thought Carver would try to kill her, and he might—if there wasn't anything else he could do to her—but first, she knew, he would try to kill Sean. Their just-finished dance had shown clearly that she loved the vampire, and Carver would relish killing something else she loved. Because Sean wasn't expecting it, she was able to shove him off her just as the knife descended.
Black-haired Abilene tackled Carver from the rear. Carver couldn't make a killing blow that way, but he managed to sink the knife into Rue's abdomen and pull it directly back out to strike again. Then a wounded Haskell, bloody and enraged, piled on top of Carver. With a bellow of enthusiasm, as if he were on the football field, Moose threw himself on top of them all.
The pain wasn't immediate. Unfortunately, Rue remembered all too clearly when he'd done the same thing years before, and she knew in a very short time she would hurt like hell. She made a bewildered sound as she felt the sudden wetness. Amid the screams and shouts of the crowd, Sean was trying to get Rue to her feet so he could drag her out of the melee. "He may have hired someone to help him. You have to get out of here," Sean said urgently.
But Rue watched Karl take a second to deck Charles Brody before he joined the other vampires in pinning Carver to the marble floor. The trapped man was fighting like a—well, like a madman, Rue thought, in a little detached portion of her brain. Not all the museum patrons had seen the knife, and they were bewildered and shouting. There could have been twenty assassins in the confusion of staff, patrons and servers.
"Come on, darling," Sean urged her, holding her as he helped her clear the outskirts of the gathering crowd.
"Let's get out of here." He could feel her desperation and assumed he knew the cause. His eyes were busy checking the people moving around them, trying to be sure they were unarmed. "I thought if we did 'Bolero' we might provoke him to attack when we were ready for him, but this wasn't what I had planned." He laughed, a short bark with little humor.
Rue reached her free hand under her skirt and felt the wetness soaking her petticoats. It had begun trickling down her legs. She staggered after Sean for a few feet. She put her hand against a pillar to brace herself. When she lowered it to try to walk, she saw her perfect handprint, in blood, on the marble of the pillar. "Sean," she said, because he was still turned away from her, still looking for any other assault that might be coming their way.
He turned back impatiently, and his eye was caught at once by the handprint. He stared at it, his brow puckered as if he were trying to figure it out. He finally understood the tang of blood that he'd barely registered in his zeal to get Rue to safety.
"No," he said, and looked down at her skirt If his face could become any whiter, it did.
His eyes looked like the lady's sapphire earrings, Rue thought, aware that she wasn't thinking like a rational person. But she figured that was probably a good thing. Because in just a minute the pain would start up.
"You're losing too much blood," he said.
"She's going to die," Karl said sadly. He'd materialized suddenly, pulling off his white jacket as he evaluated Rue's condition. "Even if you call an ambulance this minute, they will be too late."
"What… " For once, Sean seemed to be at a loss as to what to do.
"You have to hide her," Haskell said without hesitation, coming up to join them. The ordinarily tidy blond vampire, now disheveled and smeared with blood, was still cool-headed enough to be decisive. "If you want to save her, this is the last chance," he said.
"Find a place," Sean said. He sounded… afraid, Rue thought. She'd never heard Sean sound afraid.
Karl said, "The Egyptian room."
Sean picked Rue up like a child. Haskell and Karl followed, ready to ward off any attack from behind. But only a museum guard ran up to them, making some incoherent comment on Rue's wound. Haskell, clearly not in any mood for questions and maybe a little maddened by the scent of blood, pinched the man's neck until he slumped to the floor.
The Egyptian room had always been Rue's favorite. She loved the sarcophagi and the mummiform cases, even the mummies themselves. She'd often wondered about the ethics of exposing bodies—surely once people were buried, they deserved to stay that way—but she enjoyed looking on the long-dead features and imagining what the individual had been like in life—what she'd worn, eaten… who she'd loved.