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When they saw him, the things opened their mouths and widened their nostrils, catching his scent. It was too late to get away. He couldn’t run, didn’t think he would even be able to stand up much longer. He stumbled forward and gave himself to them.

The little group closed around Suko, keeping him on his feet, supporting him as best they could. Gouged Eyeball caught him and steadied him. Slash Wound mouthed his shoulder as if in comfort, but did not bite. Lesions nudged him, urged him on. Suko realized they were herding him. They recognized him as one of their own, separated from the flock somehow. They were welcoming him back in.

Miserably, Suko wondered what would happen when they met someone alive.

Then the hunger flared in his belly, and he knew.

* * *

Poppy Z. Brite has worked as an artist’s model, a mouse caretaker, a stripper and, since 1991, a full-time writer. Her three novels are Lost Souls, Drawing Blood and Exquisite Corpse. Short stories and articles have been published in numerous markets, including Rage, Swamp, The Village Voice, Revelations (aka Millennium) and The Best New Horror series. She is the editor of the vampire anthologies Love In Vein and Love in Vein II and her major biography, Courtney Love: The Real Story, was recently published. ‘The greatest horror of “Self-Made Man”,’ reveals the author, ‘is that it was written for Book of the Dead 3, an anthology that went through a series of delays, scandals, intrigues and near-lawsuits before sinking under the weight of editorial and publishing idiocy. As for the story itself, it was written when I was midway through my novel Exquisite Corpse, and I just had to get some of the Jeffrey Dahmer-mania out of my system before I could go on. Readers have said my characters in the novel are too influenced by Dahmer — wait ‘til they get a load of this baby.’

The Price

NEIL GAIMAN

Tramps and vagabonds have marks they make on gateposts and trees and doors, letting others of their kind know a little about the people who live at the houses and farms they pass on their travels. I think cats must leave similar signs; how else to explain the cats who turn up at our door through the year, hungry and flea-ridden and abandoned?

We take them in. We get rid of the fleas and the ticks, feed them and take them to the vet. We pay for them to get their shots, and, indignity upon indignity, we have them neutered or spayed.

And they stay with us, for a few months, or for a year, or for ever.

Most of them arrive in summer. We live in the country, just the right distance out of town for the city-dwellers to abandon their cats near us.

We never seem to have more than eight cats, rarely have less than three. The cat population of my house is currently as follows: Hermione and Pod, tabby and black respectively, the mad sisters who live in my attic office, and do not mingle; Princess, the blue-eyed long-haired white cat, who lived wild in the woods for years before she gave up her wild ways for soft sofas and beds; and, last but largest, Furball, Princess’s cushion-like calico long-haired daughter, orange and black and white, whom I discovered as a tiny kitten in our garage one day, strangled and almost dead, her head poked through an old badminton net, and who surprised us all by not dying but instead growing up to be the best-natured cat I have ever encountered.

And then there is the black cat. Who has no other name than the Black Cat, and who turned up almost a month ago. We did not realize he was going to be living here at first: he looked too well-fed to be a stray, too old and jaunty to have been abandoned. He looked like a small panther, and he moved like a patch of night.

One day, in the summer, he was lurking about our ramshackle porch: eight or nine years old, at a guess, male, greenish-yellow of eye, very friendly, quite unperturbable. I assumed he belonged to a neighbouring farmer or household.

I went away for a few weeks, to finish writing a book, and when I came home he was still on our porch, living in an old cat-bed one of the children had found for him. He was, however, almost unrecognizable. Patches of fur had gone, and there were deep scratches on his grey skin. The tip of one ear was chewed away. There was a gash beneath one eye, a slice gone from one lip. He looked tired and thin.

We took the Black Cat to the vet, where we got him some antibiotics, which we fed him each night, along with soft cat food.

We wondered who he was fighting. Princess, our white, beautiful, near-feral queen? Raccoons? A rat-tailed, fanged possum?

Each night the scratches would be worse — one night his side would be chewed-up; the next, it would be his underbelly, raked with claw marks and bloody to the touch.

When it got to that point, I took him down to the basement to recover, beside the furnace and the piles of boxes. He was surprisingly heavy, the Black Cat, and I picked him up and carried him down there, with a cat-basket, and a litter bin, and some food and water. I closed the door behind me. I had to wash the blood from my hands when I left the basement.

He stayed down there for four days. At first he seemed too weak to feed himself: a cut beneath one socket had rendered him almost one-eyed, and he limped and lolled weakly, thick yellow pus oozing from the cut in his lip.

I went down there every morning and every night, and I fed him, and gave him antibiotics, which I mixed with his canned food, and I dabbed at the worst of the cuts, and spoke to him. He had diarrhoea, and, although I changed his litter daily, the basement stank evilly.

The four days that the Black Cat lived in the basement were a bad four days in my house: the baby slipped in the bath, and banged her head, and might have drowned; I learned that a project I had set my heart on — adapting Hope Mirrlees’ novel Lud in the Mist for the BBC — was no longer going to happen, and I realized that I did not have the energy to begin again from scratch, pitching it to other networks, or to other media; my daughter left for Summer Camp, and immediately began to send home a plethora of heart-tearing letters and cards, five or six each day, imploring us to take her away; my son had some kind of fight with his best friend, to the point that they were no longer on speaking terms; and returning home one night, my wife hit a deer, which ran out in front of the car. The deer was killed, the car was left undriveable, and my wife sustained a small cut over one eye.

By the fourth day, the cat was prowling the basement, walking haltingly but impatiently between the stacks of books and comics, the boxes of mail and cassettes, of pictures and of gifts and of stuff. He mewed at me to let him out and, reluctantly, I did so.

He went back on to the porch, and slept there for the rest of the day.

The next morning there were deep, new gashes in his flanks, and clumps of black cat-hair — his — covered the wooden boards of the porch.

Letters arrived that day from my daughter, telling us that Camp was going better, and she thought she could survive a few days; my son and his friend sorted out their problem, although what the argument was about — trading cards, computer games, Star Wars or A Girl — I would never learn. The BBC Executive who had vetoed Lud in the Mist was discovered to have been taking bribes (well, ‘questionable loans’) from an independent production company, and was sent home on permanent leave: his successor, I was delighted to learn, when she faxed me, was the woman who had initially proposed the project to me before leaving the BBC.