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AFTER THAT SHE phoned now and again, Irit Meyer, but it was her letters that arrived most regularly. I didn’t like them writing to each other, I never liked the letters and the conversations about the time in their homeland and the holiday resort and the past. Why didn’t I like this? When she rang, she always talked German to me, I tried to reply with the little I could muster of the language, that Simon had taught me. German is a language where it seems you can speak a whole chapter to the conclusion, sentence by sentence, without inserting periods or indicating who and what is being spoken about, until the very final syllables. The actual contents are elegantly packaged, like the yolk inside an egg, you crack it carefully on an edge and the contents run out, self-assured, sticky, but beautiful and rich, down into the bowl. One says that one has seen, one has had some thoughts about. Man hat sich Sorgen gemacht.
In the conversations with Irit they came to life again, he said they came to life for him. His parents of course, but also other relatives. The younger aunt who had lived with them for a longish period together with her little son. One of his father’s sisters. When he thought back, he was less concerned with her, she was part of the adult world. The adults he knew as snatches of conversation, good and bad weather; the grown-ups gathered around the table in the living room with cherry wine or anxiously huddled around a newspaper, heads close together as they sit looking at an article, reading about new regulations, about war brewing. But then the aunt had a son aged five or six. His cousin was more indistinct. Irit Meyer remembered some things. Fragments. The boy’s family had come to visit on some of the vacations, he liked to spend time on the beach, liked the sand, the waves, but he was shy, she thought she remembered that he collected things in his pockets, she thought it was him, but he had lived for too short a time to leave any deep impression. There were a few sketches remaining, some children’s books, she thought there might be some photographs. Simon recalled that his aunt spoke very little, that during the time they were living together, she was preoccupied with her husband who had gone under cover because of the work he had been involved in, he stayed away permanently, although the intention had been that he would come and live together with them. She altered clothes, Simon had a clear memory of that, she fixed the clothes when you were growing, he recollected the strange feeling when she measured him, the length of his legs, his arms, he stood with his arms exactly as she had instructed him, perhaps he liked her firm and at the same time careful hands. His aunt recorded the measurements in a little book, she always had a suitcase sitting there, she never unpacked properly. He remembered that suitcase. And also the contents that he glimpsed on the occasions when she opened it to fetch something or place something inside. The suitcase was important, it was always ready. Like a warning, an imperative long before anything took place. Several times he had wanted to sprint out into the street with it, put it down in some random place and leave it there.
He remembers two things: The cousin has a visual impairment, he has strong glasses it is forbidden to touch, without them he would just stumble around helplessly, and if he gets milk, something there is very little of anyway, he becomes ill. He vomits on the kitchen floor, the smell permeating the entire apartment. Simon comes into the kitchen, and there is vomit on the tablecloth and across the floor, his cousin has been taken behind a curtain to be washed. It is a curtain made of hand towels. Behind that curtain is a tub of water, and there are voices there, probably his aunt, the young mother, talking to her son. He remembers it like that. He remembers everything else so perfectly well, but not his cousin. Only these two commands. Don’t touch his glasses, don’t give him milk. That his cousin’s glasses should not be touched is something Simon has been told by his mother, probably also that he is helpless without them, for he has no memory of that, no picture in his memory of his cousin at all. He is hidden behind the curtain of towels, he only pops up in his mother’s admonitory voice about his glasses, the sight and smell of vomit, the open windows in the tiny kitchen. Simon is confused, he can’t recall anything about this boy, he searches in the photographs his second cousin sent, rummages through the words he believes he has heard.
It was as though he avoided being seen, he told me. His cousin was small, he sometimes sat by the window, his face directed out toward the street. No, that was himself. Simon sat looking out the window and down into the street, he loved to look out the window. He thinks he waited while his cousin was on the toilet, heard him in there. Does he ever come out? He goes past him in the dark passageway, the cousin looking away, they take a photograph, the cousin stoops down. But in one or two of the photographs he is visible all the same, a newborn in a blanket, a tiny speck bundled up in another lighter speck.
HE HAS MORE dreams about his cousin later. A shadow he knows must be him. He almost always dreams the same thing, Simon says. He is in the old street where he lived as a child, he has been inside the old apartment, his cousin is waiting outside. Sometimes the cousin is a child, sometimes he is grown up. When he is a child, he is sitting in the enormous tree in the yard, a tree that is much larger and sturdier in the dream than Simon remembers in reality. Simon walks by, his cousin shouts, he calls out something, but Simon does not look at him. He thinks it is a dreadful thing to do, but he will not stop. It is even worse those times when the cousin is grown up. Then he is standing in the courtyard outside, they meet and take each other by the hand, say hello, sometimes the dream starts when he is going down the stairs, Simon says, and he knows there is something he wants to avoid, he searches for opportunities to leave, but there is no opportunity, he has to go out the same door, out into the same courtyard where his cousin is standing, good day, they greet each other, his cousin takes him by the hand, walks by his side, but the cousin isn’t going anywhere. He asks Simon where he is going. And Simon is going to work, that is what he says. His cousin asks if he can accompany him. If he can come with Simon. Yes, Simon answers, because the question is like the narrow passageway, there is no other response, no other possibility, but nevertheless he knows that his cousin cannot tag along, and therefore he has to come up with a lie, and in his dream he is sweating, he is wriggling away, he has to run from his cousin, but can’t manage to do so. He awakens, lies there feeling as though his cousin has taken up residence within him. He never actually sees his cousin’s face now either, it reminds him of others, it is complex, it can’t be brought out of the dream. But then the dream or dreams change at some point in time. Now the cousin as child and adult are interchangeable, he stands there like a beggar, child, adult, old. And he always wants the same thing and Simon knows that it’s not possible, he can’t keep company with this creature, ghost, Gespenst, that is what he is. He says that. You can’t come with me. No, he says. Why not, his cousin asks. Because you are dead, Simon answers. The cousin looks at him, and appears to be just as alive as everything else Simon senses exists in this dream. You died as a child. How? his cousin asks and is so young, old enough to understand the words, but not to comprehend. He is eight or nine years old, older than he was when he disappeared. Simon cannot answer. I don’t know, he says. His cousin asks if that is why he cannot come with him, if that is how it is. Yes, Simon says. He wakes. He falls asleep again, he dreams the same thing, with only small variations, with only small changes. He has this recurrent dream for several years. It constantly torments him. Sometimes Simon thinks he sees his cousin when he is awake too, he says, sees him someplace or other, in the background, in a corner of his own field of vision, but when he tries to turn around, he is erased. This ghost, this intruder.