Dead Man's Walk

Calmly, not hurrying, Lady Carey began to sing scales, as she undressed. She let her voice rise higher and higher, moving up an octave and then another, until her high notes were higher than any that came from the Comanches. Emerald took the boa from its basket on the mule, and let it drape about her shoulders as Lady Carey undressed.

“I think, Willy, you should mount your pony,” Lady Carey said. “The rest of you walk. Matilda, would you take my clothes and carry them for me? I shall want them, of course, once we have dispersed these savages. You haven’t saddled my horse yet, Corporal Call. Please cinch him carefully, so he won’t jump—I’ve got to be a regular Lady Godiva this morning, and I don’t want any trouble from this black beast.”

Call saddled the horse and handed the reins to Matilda, along with his pistol. He had no belief that anything they could do would get them through the Comanches. Lady Carey could undress if she wanted—Buffalo Hump would kill them anyway.

He kept his eyes down, as Lady Carey undressed—so did Long Bill, and Wesley Buttons. They had come to like Lady Carey—to revere her, almost—and were determined not to offend her modesty, though they were much confused by the undressing.

Gus, though, could not resist a peep. So normal did she seem that he had almost forgotten that she was a leper, until he caught the first glimpse of black, eroded flesh as she turned to hand a garment to Matilda. Her neck and breasts were black; bags of yellowing skin hung from her shoulders. Gus was so startled that he almost lost his breakfast. He didn’t look at Lady Carey again, though he did notice that her legs, which were very white, did not seem to be affected by the disease, except for a single dark spot on one calf.

“Oh Lord,” he said—but no one else was looking, and no one heard him.

Lady Carey kept on her hat, and the three veils that hid her face. She also kept on her fine black boots. Matilda looked at Lady Carey’s body, and felt bad—the English lady had been nicer to her even than her own mother. To see her young body blackened and yellowish from disease made Matilda feel helpless. Yet, she took the garments, one by one, as Lady Carey handed them to her, and folded them carefully. Mrs. Chubb was calm, as was Emerald— neither of them had seen what Comanches could do, Matilda reflected.

When Lady Carey had disrobed she mounted the black gelding, settled herself firmly in the sidesaddle, and reached for her snake.

“All right now, keep in line,” she said. “You too, Willy—keep in line. I want you Texans in the middle, right behind Willy. Matilda, Mrs. Chubb, and Emerald will bring up the rear. Emerald, if you don’t mind, I think you might want to carry my husband’s sword.

Unsheath it, and hold the blade high—remember, it’s sharp. Don’t cut yourself.” The Negress smiled, at the thought that she might cut herself.

Call had often noticed a fine sword in the baggage, but had not known that it was Lady Carey’s husband’s. Emerald took it and unsheathed it. She went to the rear, and waited.

“All right now, front march,” Lady Carey said. “I am going to sing very loudly—after all, I’m one voice against twenty. Willy, you might want to stop your ears.”

“Oh no, Mamma,” Willy said. “You can sing loud—I won’t mind.”

Lady Carey, on the fine black gelding, started up the long ridge toward the Comanches, the boa draped over her shoulders. She was still singing her scales, but before she had gone more than a few feet she stopped the scales and began to sing, high and loud, in the Italian tongue—the tongue that had caused Quartermaster Brognoli to rouse himself briefly, and then die.

The line of Comanches was still some two hundred yards away. Lucinda Carey, watching from behind her three veils, rode toward them slowly, singing her aria. When she had closed the distance to within one hundred yards, she stretched her arms wide; Elphinstone liked to twine himself along them. She felt in good voice. The aria she was singing came from Signer Verdi’s new opera Nabucco —he had taught her the aria himself, two years ago in Milan, not long before she and her husband, Lord Carey, sailed together for Mexico.

Ahead, the line of Comanches waited. Lady Carey glanced back. Her son, the four Rangers, and the three women all walked obediently behind her. Emerald, the tall Negress, at the end of the line, had undraped one breast—she held aloft Lord Carey’s fine sword— the keen blade flashed in the early sunlight. Emerald paused, on impulse, and shrugged off her white cloak. Soon she, too, was walking naked toward the line of warriors.

As she came nearer, close enough to see the Comanche war chief’s great hump and the ochre lines of paint on hi-s face and chest, Lucinda, Lady Carey, opened her throat and sang her aria with the full power of her lungs—she let her voice rise high, and then higher still. She pretended for a moment that she was at LaScala, where she had had the honor.of meeting Signor Verdi. She filled her lungs, breathing as Signor Verdi had taught her in the few lessons she had begged of him—her high, ripe notes rang clearly in the dry Texas air. Ahead, the war chief waited, his long lance in his right hand.

KICKING WOLF GREW TIRED of listening to the war songs. He ran ahead, meaning to make the first kill. He would leave Buffalo Hump the Texan called Gun-In-The-Water, since Gun-In-The-Water had killed his son; it would not do to cheat the war chief of his vengeance. The man Kicking Wolf meant to kill was the tall one who always walked beside Gun-In-The-Water. Kicking Wolf was short; he would kill the tall one; Buffalo Hump, who was tall, could kill the short one.

So Kicking Wolf ran ahead, and squatted beside a small clump of chaparral—he had an arrow in his bow, ready to shoot. He heard a death song coming from the Texans, but because he wanted to surprise them, he did not look up once he was in his ambush place behind the chaparral. Of course, it was appropriate for the whites to sing a death song—they would all be dead very soon, unless one or two could be caught for torture. But it was a little surprising; Kicking Wolf could not remember any instances in which whites sang death songs. Once in awhile, when there was cavalry, a manmight blow a short horn, to make the soldiers fight; he had actually killed such a person once, near the San Saba, and had taken the horn home with him. But it was not a good horn; when he tried to play it, it only made a squawking sound, like a buffalo farting. He eventually threw it away.

Then Kicking Wolf realized that he was hearing no ordinary death song—the voice that he heard lifted higher toward the sky than any Comanche voice could go. The notes rose so high and were so loud that, as the singer came near him, the song seemed to fill the whole air, and even to turn off the far cliffs and come back. Astonished at the power of the death song, Kicking Wolf stood up, ready to kill the person who was singing it.

His arrow was in his bow; he could tell from the power of the song that the person was near—but what Kicking Wolf saw when he rose from his ambush place chilled his heart, and filled him with terror: there, on a black horse, was a woman with a hidden face, black breasts, and shoulders that were only yellowing flesh and white bone. Worse, this woman who poured a song from beneath the cloth that hid her face had twined around her naked arms a great snake—a snake far larger than any Kicking Wolf had ever seen. The head of the snake was extended along the horse’s neck. Its tongue flickered out, and it seemed to be looking right at Kicking Wolf.

So frightened was Kicking Wolf, that he would have immediately sung his own death song had his throat not been frozen with fear. The woman on the black horse was Death Woman, come with her black flesh and her great serpent, to kill him and his people.

Kicking Wolf let the arrow fall from his bow—then he dropped the bow itself, and turned and ran as fast as his short legs could carry him, toward the war chief. Behind him he heard the high, ringing voice of Death Woman, and could imagine the head of the great serpent coming closer and ever closer to him. In his panic, he stepped on a bad cactus; thorns went through his foot, but he did not stop running. He knew that if he slowed the slightest bit, the great snake of Death Woman would get him.