Diotivede drew near to the woman, bent down over her and, using two fingers, lightly lifted one of her shoulders, which yielded softly. He did the same with one foot. Then he went over to the bedside table, delicately picked up the bottle of Asthmaben and examined it carefully, holding it close to his eyes. He looked perplexed. He wrapped his fingers round the cap and opened it.
‘Strange,’ he said.
‘What’s strange?’
‘The cap was screwed on perfectly. And rather tightly, I’d say.’
Bordelli instinctively stood up and approached the doctor, but his brain was heavy with fatigue.
‘What’s so strange about that?’
Diotivede looked at him askance.
‘You’re a policeman, aren’t you?’ he said.
‘A policeman who hasn’t slept.’
‘You’re excused, but for only that reason.’
‘That’s very kind of you.’
‘Look around,’ Diotivede began, pointing to things as he named them. ‘An upended glass on the bed, an open bottle on the floor, a book thrown on to the carpet, and yet, here we have a little bottle of Asthmaben with its cap screwed on tight. And, as you can see, the screw threads are very long. In your opinion, would somebody gasping for air take the trouble to screw a cap back on?’
Bordelli scratched the nape of his neck and sat back down.
‘Downright obvious,’ he said.
Diotivede got down on all fours and started looking for something. In the end he peered under the bed and reached for something.
‘Just as I thought.’
‘What?’
‘The cap to the water bottle. It was under the bed.’
‘You could be a policeman.’
‘That’s all I need,’ he said, sniffing the cap. Then he patiently got back to work. He dropped the bottle of Asthmaben into a transparent bag, picked up the glass from the bed and tilted it, looking inside. He poured the few drops remaining at the bottom into a sterile test tube with a hermetic seal, then put the empty glass into a bag, which he closed. He also took a water sample from the bottle, then put the cap back on and put this into a large bag. The book, too, got the same treatment. With great care he arranged everything in his case, putting the items into different internal pockets. Then he wrote something in his notebook again.
‘She must have died at least five, maybe six hours ago,’ he said.
‘Oh, really?’
‘I can tell you more precisely after the post-mortem.’
In the muggy silence they heard a car pull up, then another.
‘Here they are,’ said Bordelli, getting up from the chair with a groan of fatigue. He went down into the garden to meet the new arrivals, showing the way to two officers, Russo and Bellandi, and two ambulance attendants.
He went out on to the street for a little walk. He couldn’t wait to lie down in bed. The sky had opened and the moon was visible. He stopped in front of the gate and looked at the villa from a distance, fascinated by the decay wrought by time. It pleased him to see that things, and not only people, suffered the wear and tear of age.
All of a sudden he felt somebody watching him and turned round. A very old woman, thin as a rail, was staring at him from the balcony of the villa next door, a great house whose facade gave directly on to the street. The woman stood immobile, staring, squinting as if she couldn’t see well. She was wearing a white dressing gown and a night-bonnet.
‘Are you here to buy the villa?’ the woman shouted, pointing to the dead woman’s house. Bordelli drew closer to her balcony.
‘I was just looking,’ he said.
‘Well, it’s not for sale.’
‘It’s a beautiful house.’
‘They should give it to the nuns, I say …’
‘Why do you say that?’
‘Ooooh, don’t get me going … don’t start me talking,’ she said, waving a hand in the air.
‘Do you hear them?’ asked Bordelli.
‘How’s that?’
‘Are there ghosts?’
‘Worse. Wait, I’ll come down.’ The old woman vanished indoors, and Bordelli went to wait for her in front of the house. Moments later, the front door on the street opened, and the woman appeared, panting, on the threshold. She was unimaginably thin, her clothes hanging as though draped on a coat hanger. She had a tiny face, all puckered round a mouth swollen with boils.
‘A lot of people have been murdered in that house,’ she said in a whisper, pointing to Villa Pedretti.
‘Really?’ said Bordelli, stunned. The old woman nodded, looking around with suspicion. She gestured to Bordelli to come closer.
‘Strange things have always happened there.’
‘Strange in what way?’
‘The devil,’ she whispered.
‘The devil?’
‘Shhh, speak softly,’ she said, eyeing the dark street.
‘Sorry,’ Bordelli said in a whisper, giving her a complicit look.
‘Ah, don’t get me going,’ said the woman. Bordelli looked behind her. On the other side of that door was a world that remained trapped in past centuries: massive black furniture, portraits on the walls, suits of armour, huge candelabras, dark carpets, a blue ceramic wood-burning stove. The air wafting out of that door smelled of old fabrics and burnt wood.
‘Since apparently you’ve seen him, what does the devil look like?’ Bordelli asked.
The old woman lowered her voice even more.
‘I haven’t seen him. But you do hear all kinds of noise,’ she said slowly, in a solemn tone.
‘What kinds of noise?’
‘Do you really want to know?’
‘Of course …’
‘Wait, I’ll call my mother.’ The old woman turned round and screamed: ‘Mamma! There’s a gentleman here wants to talk to you!’ Bordelli took a step forward.
‘No, please, I don’t want to disturb anyone.’
‘Mamma! I said there’s a gentleman here!’
‘Never mind, signora.’
‘No, no, here she comes now.’ Bordelli saw a wraith flutter in the darkness of the room behind them, but at first glance she seemed not to advance an inch. It was Mamma. She took a very long time to reach the door. She was small, tiny, all bones. She stood as though hung from her neck, her voice almost inaudible.
‘Who’s here?’ she said. There was a slight whistle in her voice.
‘This gentleman, here, wanted to know about the villa next door,’ the daughter said.
‘Your daughter tells me you hear noises there,’ said Bordelli.
‘Where should I look?’ the mother asked.
‘She’s blind,’ the daughter explained. Bordelli took another step forward.
‘I’m here, signora. Pleased to meet you.’ The mother extended a tiny, skeletal hand. Bordelli held those little bones for only a moment, fearing he might break them. The old woman took three small, futile steps across a single tile, then regained her breath after that exhausting greeting.
‘What is it you wanted to know?’ she said, mouth quivering. Bordelli looked her straight in the eye. Her eyeballs were covered by white veils veined with capillaries.
‘Your daughter was telling me you hear noises next door,’ he said.
The old woman made a vague gesture, which must have corresponded to some expression of exuberance in her younger days.
‘Oh, yes, yes. Many sounds, many, many sounds.’
‘What sort of sounds, signora?’
‘Many sounds. Many, many, many, many …’
‘Mamma, do you understand? The gentleman wants to know what kind of sounds … Stop acting senile.’ Bordelli wondered how he might extricate himself. His hand in his pocket fidgeted with his car keys. The transparent old woman joined her hands together and then pulled them tightly against her breast.
‘At night, mostly. Many, many …’
‘Not when, Mamma. The gentleman would like to know what sort of sounds.’
‘Oh … all right …’
‘Tell him about the screams you heard last February.’
Bordelli pretended to be keenly interested.
‘What kind of screams?’ the daughter persisted, jabbing her mother in the shoulder with her fingertips.
‘Come on, Mamma, the gentleman is waiting.’