Somebody asked about his wrist. He held it up and sneered at it.
"Go to the infirmary, man," one of the banderilleros said.
"Put yourself inside." Maera looked at him. He wasn't thinking about his wrist at all. He was thinking about the bull.
"He was made out of cement," he said. "F — king bull made out of cement."
Anyway he died that winter in Seville with a tube in each lung, drowned with pneumonia that came to finish off the tuberculosis. When he was delirious he rolled under the bed and fought with death under the bed dying as hard as a man can die. I thought that year he hoped for death in the ring but he would not cheat by looking for it. You would have liked him, Madame. Era muy hombre.
Old lady: Why wouldn't Belmonte pay him more money when he asked for it?
That is a strange thing about Spain, Madame. Of all things financial that I have any acquaintance with the dirtiest in regard to money is bullfighting. A man's ranking is made by the amount he receives for fighting. But in Spain a man feels that the less he pays his subordinates the more man he is and in the same way the nearer he can bring his subordinates to slaves the more man he feels he is. This is especially true of matadors who have come from the lowest ranks of the people. They are affable, generous, courteous and well liked by all who are superior to them in station and miserly slave drivers with those who must work for them.
Old lady: Is this true of all?
No, and certainly being surrounded by fawning parasites a matador could be excused any bitterness or desire to protect his earnings. But in general I say there is no man meaner about money with his inferiors than your matador.
Old lady: Was your friend Maera, then, mean about money?
He was not. He was generous, humorous, proud, bitter, foul-mouthed and a great drinker. He neither sucked after intellectuals nor married money. He loved to kill bulls and lived with much passion and enjoyment although the last six months of his life he was very bitter. He knew he had tuberculosis and took absolutely no care of himself; having no fear of death he preferred to burn out, not as an act of bravado, but from choice. He was training his younger brother and believed he would be a great matador. The younger brother, also afflicted in the lungs, turned out to be a coward. It was a great disappointment to us all.
CHAPTER NINE
Of course if you should happen to go to a bullfight and not see any of the decadent matadors there would be no need for all this explanation of the decadence of bullfighting. But if at your first bullfight you should see, instead of whatever your idea of how a matador should look, a fat, weak-faced, longeyelashed little man with great delicacy of wrist and skill with, and horror of, bulls, this requires some explanation. That is how Chicuelo looks to-day, ten years after his first appearance as a phenomenon. He still has contracts because people are always in hope that his bull, the perfect bull that he waits for, will come out of the toril and he will unroll his beautiful, pure, improved over Belmonte even, repertoire of linked passes. You may see him twenty times in a season and never see him give a complete performance once, but when he is good he is wonderful.
Of the others who dominated with their names and with the hopes they roused, but never with consistent triumphs, the period immediately after Joselito and Belmonte, Marcial Lalanda has become a masterly, dependable, skillful, able and sincere bullfighter. He can deal with any and all bulls and can do skillful and sincere work with them all. He is confident and secure. His nine years of service have ripened him and given him confidence and pleasure in his work rather than frightened him. As a complete, scientific torero he is the best there is in Spain.
Valencia II is the same as he was at the start, in ability and limitations, except that he has grown fat and prudent and a badly sewn wound at the corner of one eye has distorted his face so that he has lost his cockiness. He does beautiful work with the cape, has a few tricks with the muleta, but they are only tricks and in the main he only defends himself with it. He gives everything he has in Madrid when he is capable of nerving himself to it and in the provinces he is as cynical as ever. He is nearly through as a matador.
There are two matadors I have said nothing about because they were no part of the decadence of the fighting bull but rather individual cases. They would have been the same at any epoch. These two are Nicanor Villalta and Nino de la Palma. But first I must explain why there should be so much discussion of individuals. Individuals are interesting, Madame, but they are not all. In this case it is because, with the decadence of bullfighting, it has become altogether a matter of the individual. Some one has seen a bullfight. You ask who were the matadors. If they remember the names you know exactly what sort of bullfight they may have seen. For, now, certain matadors are only capable of certain things. They have become as much specialists as doctors. In the old days you went to a doctor and he fixed up, or tried to fix up, whatever was wrong with you. So in the old days you went to a bullfight and the matadors were matadors; they had served a real apprenticeship, knew bullfighting, performed as skillfully as their ability and courage permitted with cape, muleta, banderillas, and they killed the bulls. It is of no use to describe the state of specialization doctors have reached, nor speak of the aspects of this which are most repellent and ridiculous because every one has some contact with them sooner or later, but a person who is going to the bullfights does not know that this malady of specialization has spread to bullfighting so that there are matadors who are only good with the cape and useless at anything else. The spectators may not watch the cape work closely, it all being new and strange to their eyes, and they will then think that the rest of the performance of that particular matador is representative of bullfighting and judge it, bullfighting, accordingly, when, in reality, it is the sorriest parody of the way bulls should be fought.
What is needed in bullfighting to-day is a complete bullfighter who is at the same time an artist to save it from the specialists; the bullfighters who can do only one thing, and who do it superlatively, but who require a special, almost made-to-order bull to bring their art to its highest point or, sometimes, to be able to have any art at all. What it needs is a god to drive the half-gods out. But waiting for a messiah is a long business and you get many fake ones. There is no record in the Bible of the number of fake messiahs that came before Our Lord, but the history of the last ten years of bullfighting would record little else.
It is because you may see some of these fake messiahs in action that it is important to know about them. You do not know whether you have seen a bullfight or not until you know whether the bulls were really bulls and the matadors really bullfighters.
For instance, you might see Nicanor Villalta. If you saw him in Madrid you could think he was splendid and see something very fine because, in Madrid, he keeps his feet together when he uses the cape and muleta and thus keeps from being grotesque and he always, in Madrid, kills very valiantly. Villalta is a strange case. He has a neck three times as long as that of the average man. He is six feet tall to start with and those six feet are mostly legs and neck.