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“I’m not dying but other people are.” I was adamant on the phone with him. “I’ve seen enough death. I just saw more of it than anyone ever should. I don’t know what the hell is wrong with people.”

“I’m coming home. A few days early and it’s not going to matter. You can trust me on that. Things are bad here, Kay.”

“A mother has a son with severe developmental problems so she teaches him how to use a damn Bushmaster assault rifle, for God’s sake?”

“You need me with you and I need to come home.”

“Then maybe he can massacre an entire elementary school so he feels powerful for a moment before he takes his own life.”

“I can understand how angry you must feel.”

“Anger doesn’t do any damn good at all.”

“I’ll catch a plane or Lucy can pick me up.”

I told him that the top priority was for him and his colleagues at the BAU to catch a killer the media has dubbed the Capital Murderer. “Stop the infamia bastardo before he kills someone else,” I said. “I’m okay. I can manage. I have the flu, Benton.” I brushed it off. “I won’t be pleasant to be around and I don’t want you or anyone else catching what I’ve got. Don’t come home.”

“It’s not going well here, from bad to worse,” he said. “I’m worried he’s gone somewhere else and is killing again or will be soon, and everyone at the BAU disagrees with me about everything.”

“You’re still convinced he’s not local to the D.C. area.”

“I believe he’s in and out, which would explain why there were no murders between April and Thanksgiving. Seven months of silence and then two in a row. This is someone intimately familiar with certain geographic areas because he has a job that requires travel.”

What he’s told me makes sense but what doesn’t is why he’s being ignored. Benton has always gotten the respect he deserves but not now in the Washington cases, and I know he’s fed up and aggravated as hell but what he can’t do is worry about me. I know he’s had his fill of sitting around with a group of criminal investigative analysts, what people still call profilers, and listening to theories and psychological interpretations that are being run from Boston and not the BAU. Ed Granby has his fingerprints all over this case and that’s the biggest problem, and Benton needs to deal with all that and not his wife.

Sock follows me into the bathroom and I squint in the overhead light, old subway tile shiny and bright. White bath sheets folded on top of a hamper near the tub remind me of the dead body wrapped in white at MIT.

Then I think again about the victims in Washington, D.C., and my review of their cases last month after two more women were murdered one week apart. I deliberate whether I should e-mail the MIT photograph to Benton but it’s not for me to do. It’s for Marino to do and it’s premature, and it’s also not up to me to divulge details to him about Benton’s cases. In fact, I can’t possibly.

I wash my face, freshening up, as I remind myself what he said about repetitive behavior that goes beyond the killing, the bags, the duct tape, each victim wearing the previous victim’s underwear except in the first case, Klara Hembree. She was originally from Cambridge and that’s bothering me, too.

In the midst of an acrimonious divorce from her wealthy real estate developer husband, she moved to D.C. last spring to be near her family and barely a month later was abducted and dead. DNA on the panties she was wearing came back to an unknown female of European descent, and Benton feels strongly this indicates there are other victims.

But there’s no opportunity for cases to be compared or connected because the FBI has been miserly about releasing information. Nothing about the bags or the duct tape has made it into the news. There’s not even been a mention of the white cloths or sheets, certainly not about the bags, clear plastic with the hologram of an octopus, an iridescent oblong head and tentacles that shimmer in rainbow hues depending on the angle of light.

Klara Hembree was murdered last April, and then this past month before Thanksgiving there were two more — Sally Carson, a professor, and Julianne Goulet, a concert pianist. Each of the women, like the first one, is believed to have been suffocated with a plastic bag from the D.C. spa store called Octopus that was burglarized about a year ago, cases of the customized bags and other inventory stolen from the loading dock. Benton is certain the killer is escalating out of control but the FBI’s not listening to him or his repeated suggestion that certain details of the crimes should be released publicly.

Maybe some police department somewhere has had a similar crime but Benton’s argument continues to be overruled by his boss Ed Granby. He’s ordered that there can be absolutely no sharing of investigative information about former Cambridge resident Klara Hembree and that means there can’t be information released about the other two recent cases. Details will get leaked and might inspire a copycat and Granby’s not going to budge from that opinion. While he’s got a valid point, he’s ground the investigation to a halt, according to Benton.

Since Granby took over the Boston division last summer Benton has felt increasingly ostracized and marginalized, and I’ve continued to remind him that some people are jealous, controlling, and competitive. It’s an ugly fact of life. By now the two of them cordially despise each other and this is probably a hidden reason why my husband wanted to come home. It wasn’t just about my being sick or that his birthday is tomorrow or that the holidays are here. He was extremely unhappy when I talked to him last and I’ve been halfway expecting him any minute, or that might be wishful thinking. He left for D.C. almost a month ago and I miss him terribly.

I walk back into the bedroom with Sock on my heels, and Marino’s just going to have to wait a minute or two longer. Retrieving my iPad from the bed, I log on to my office database and find what Benton scanned to me last month, quickly scrolling through the files. The three homicides play out in my mind as if they’re happening before my eyes and the details are just as perplexing as when I first looked at them. I envision what I’ve envisioned before, reconstructing the way I know biology works or doesn’t, and I watch them die as I’ve watched them die before. I see it.

A woman with a clear plastic bag over her head and duct tape around her neck, a designer duct tape with a black lacy pattern, and clear plastic rapidly sucks in and out, her eyes panicked as her face turns a deep blue-red. Pressure builds, causing a light scattering of petechial hemorrhages across the cheeks and eyelids, tiny pinpricks blooming bright red as vessels rupture. Fighting to stay alive but restrained somehow and then all goes silent and still, and the final act, a bow fashioned from the same designer duct tape is attached under her chin, the killer wrapping his gift to inhumanity.

Yet the physical findings don’t add up to what I would expect. They tell a truth that seems a lie. The victims would have struggled violently. They would have frantically fought to breathe when they were being suffocated but there’s no evidence they did. As Benton put it, they seemed to comply as if they wanted to die and I know damn well they didn’t.

These aren’t suicides. They’re sadistic murders and I believe the killer is restraining them, possibly with a ligature that leaves no mark. But I can’t figure out what that might be. Even the softest material will leave a bruise or abrasion if someone is tightly bound with it and panics and fights. I can’t fathom why the duct tape left no injury. How do you suffocate someone and leave virtually no sign of it?