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Brooke, C., Jane Austen: Illusion and Reality (Woodbridge, 1999)

Butler, M., Jane Austen and the War of Ideas (Oxford, 1975; repr. with new Introduction, 1987)

Collins, Irene, Jane Austen and the Clergy (London, 1994)

Copeland, Edward, and McMaster, Juliet (eds.),The Cambridge Companion to Jane Austen (Cambridge, 1997)

De Rose, Peter, and McGuire, S. W., A Concordance to the Works of Jane Austen, 3 vols. (New York, 1982)

Duckworth, Alistair, The Improvement of the Estate: A Study of Jane Austen’s Novels (1971), rev. edn (London, 1994)

Dussinger, John, In the Pride of the Moment: Encounters in Jane Austen’s World (Columbus, OH, 1990)

Farrer, Reginald, ‘Jane Austen, ob. July 18 1817’, Quarterly Review 228 (1917), 1–30

Finch, C., and Bowen, P., ‘‘‘The Tittle-Tattle of Highbury’’: Gossip and the Free Indirect Style of Emma’, Representations 31 (1990), 1–18

Grey, J. David, The Jane Austen Handbook (London, 1986)

Halperin, J. (ed.), Jane Austen, Bicentenary Essays (Cambridge, 1975)

Harding, D. W., Regulated Hatred and Other Essays on Jane Austen, ed. Monica Lawlor (London, 1998)

Harris, Jocelyn, Jane Austen’s Art of Memory (Cambridge, 1989)

Holly, G., ‘Emmagrammatology’, Studies in Eighteenth-Century Culture 19 (1989), 39–51

Johnson, C., Jane Austen: Women, Politics and the Novel (Chicago and London, 1989)

Kirkham, M., Jane Austen: Feminism and Fiction (Brighton, 1983)

Lane, Maggie, Jane Austen’s England (London, 1986)

——, Jane Austen and Food (London and Rio Grande, 1995)

Lascelles, M., Jane Austen and Her Art (Oxford, 1939)

Litvak, Joseph, ‘Reading Characters: Self, Society, and Text, in Emma’, PMLA 100 (1985), 763–73

Loveridge, Mark, ‘Francis Hutcheson and Mr Weston’s Conundrum in Emma’, Notes and Queries, ns 228 (1983), 214–16

Lynch, Deidre (ed.), Janeites: Austen’s Disciples and Devotees (Princeton and Oxford, 2000)

MacDonagh, Oliver, Jane Austen: Real and Imagined Worlds (New Haven and London, 1991)

McMaster, Juliet, and Stovel, Bruce (eds.), Jane Austen’s Business: Her World and Her Profession (London, 1966)

Miller, D. A., Narrative and Its Discontents (Princeton, 1991)

Moler, K. L., Jane Austen’s Art of Allusion (Lincoln, Nebraska, 1968)

Monaghan, D. (ed.), Emma, New Casebook Series (London, 1992)

Mudrick, M., Jane Austen: Irony as Defense and Discovery (Princeton, 1952)

Phillipps, K. C., Jane Austen’s English (London, 1970)

Piggott, Patrick, The Innocent Diversion: Music in the Life and Writings of Jane Austen (London, 1979)

Roberts, Warren, Jane Austen and the French Revolution (London, 1979)

Rogers, Pat, ‘Caro Sposo: Mrs Elton, Burneys, Thrales, and Novels’, R.E.S., ns 45 (1994), 70–75

Rosmarin, A., ‘Misreading Emma: The Powers and Perfidies of Interpretive History’, ELH 51 (1984), 315–42

Sales, Roger, Jane Austen: Representations of Regency England (London, 1994)

Selwyn, David, Jane Austen and Leisure (London and Rio Grande, 1999)

Southam, Brian, Jane Austen: The Critical Heritage, 2 vols. (London, 1968, 1987)

——, Jane Austen and the Navy (London and New York, 2000)

Stokes, Myra, The Language of Jane Austen (London, 1991)

Stovel, Bruce, ‘Comic Symmetry in Emma’, Dalhousie Review 57 (1977), 453–64

Sulloway, A., ‘Emma Woodhouse and A Vindication of the Rights of Woman’, The Wordsworth Circle 7 (1976), 320–32

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——, ‘Apple-Blossom in June – again’, Who Betrays Elizabeth Bennet? (Oxford, 1999), pp. 28–33

Tanner, T., Jane Austen (London, 1986)

Tave, Stuart, Some Words of Jane Austen (London, 1973)

Todd, J.(ed.), Jane Austen: New Perspectives (New York, 1985)

Trilling, Lionel, ‘Emma and the Legend of Jane Austen’, Beyond Culture (London, 1966), pp. 42–61

Troost, Linda, and Greenfield, Sayre (eds.), Jane Austen in Hollywood (Kentucky, 1998)

Waldron, Mary, Jane Austen and the Fiction of Her Time (Cambridge, 1999)

Watson, Nicola, Revolution and the Form of the British Novel, 1790 –1825 (Oxford, 1994)

Wiltshire, John, Jane Austen and the Body: ‘The Picture of Health’ (Cambridge, 1992)

Note on the Text

This text is based on the first edition of ‘1816’ (actually published December 1815), the only one to be prepared in Austen’s lifetime. Typographical errors (such as missing or wrongly set letters and chapter headings) have been silently corrected, but where there is any doubt about a particular word, I have indicated the problem in the notes.

Emma presents few textual difficulties, since no manuscript survives and the second edition did not appear until 1833. I am nevertheless indebted to the work of R. W. Chapman, who isolated most of the problems of the 1816 text in his invaluable edition of the novels. I have followed Chapman’s emendations, however, only where they seem fully justified, and in some places (for example Mrs Elton’s ‘caro sposo’ / ‘cara sposa’ / ‘caro sposa’) the 1816 spellings are retained despite the apparent inconsistency, for reasons given in the notes.

Original punctuation and spelling has been retained throughout. Variations in the spelling of proper names have been ironed out to avoid confusion, and the most common usage has been adopted (for example, in Chapter 16, William Coxe (1816) becomes William Cox, in accordance with subsequent appearances; Randalls continues to appear thus, even though in the third volume of the first edition, it became ‘Randall’s’).

EMMA:

A NOVEL.

IN THREE VOLUMES.

BY THE

AUTHOR OF "PRIDE AND PREJUDICE,"

&c. &c.

VOL. I.

LONDON:

PRINTED FOR JOHN MURRAY.

1816.

TO

HIS ROYAL HIGHNESS

THE PRINCE REGENT,

THIS WORK IS,

BY HIS ROYAL HIGHNESS’S PERMISSION,

MOST RESPECTFULLY

DEDICATED,

BY HIS ROYAL HIGHNESS’S

DUTIFUL

AND OBEDIENT

HUMBLE SERVANT,

THE AUTHOR.1

Volume One