The Howler was a nice boss, but he earned his nickname. He’d stand in the middle of his big restaurant kitchen, flapping his arms and screaming, while the help waited for him to burst. Noisy? You’d be noisy, too, if you knew what he knew!...
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Зарубежная классическая проза, Классическая проза ХX века
Orlando / Орландо. Книга для чтения на английском языке [litres]
Предлагаем вниманию читателей один из самых известных романов английской писательницы Вирджинии Вульф, ведущей фигуры модернистской...
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Зарубежная классическая проза, Классическая проза ХIX века
The Scarlet Letter / Алая буква. Книга для чтения на английском языке [litres]
Автор: Готорн Натаниель , Павлоцкий Д. В.
Серия: Classical literature (Каро)
Язык: английский
Год: 2016
Натаниель Готорн (1804–1864) – один из наиболее значительных американских писателей XIX века. Предлагаем вниманию читателей одно из самых...
When an author turns out several stories a month — and they’re all first-rate, which is unusual — you’d think, rightly, that he’d been in the game a long time. But that’s not the case with John D. MacDonald. Even though he falls into the...
I love my wife, Betty, and the children she gave me. They are my only defense against a memory that otherwise I could not possibly live...
Man on a High...
When Nietzsche called his book The Dawn of Day, he was far from giving it a merely fanciful title to attract the attention of that large section of the public which judges books by their titles rather than by their contents. The Dawn of Day...
“The right story, at the right time, if you happen to be open to it … can perhaps move you so far outside of yourself that you will not consider going back.”
“Like meeting a stranger, much of the pleasure of a story is its unknown...
The Los Angeles Dana Spiotta evokes in her bold and strangely lyrical first novel is a land of Spirit Gyms and Miracle Miles, a great centerless place where chains of reference get lost, or finally don't matter.
Mina lives with her screenwriter...
Set against the gorgeous backdrop of Rome, Tom Rachman's wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it – and themselves...