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A heartbeat passes.

“Give me that.” I grab the gun barrel. Greg lets it go without resistance, and that in itself is terribly wrong. I shoulder the thing, unaccustomed to its weight and heft. I’ve done a basic long-arms familiarization course out at the Village, but for the actual range time we used SA80s. It’s only by sheer chance that I once asked Harry the Horse to show me how to load one of these antiques. The equoid is expanding in front of me like an oncoming train wreck. I don’t have time to check the sights.

I let my breath out slowly and squeeze the trigger, hoping I’ll hit something. There’s a crash and a bang, and a fully laden freight train slams into my right shoulder. Through the ringing in my ears I hear a wavering inhuman scream, too long-drawn-out for human lungs. Then another freight train slams into the side of the Land Rover, and there’s a screaming of torn and twisted metal as the thrashing equoid crashes down on us and the Landy topples sideways onto the hillside.

What happens next is a confusing mess. I nearly lose the rifle. I find myself lying on the passenger door, still strapped in, with Greg lying across me. There’s blood, blood everywhere, and animal screaming from outside the Land Rover’s cabin. “Greg, move,” I say, and elbow him. More blood: he head-butts my shoulder, and I have a horrible feeling that a human neck shouldn’t, can’t, bend that way. He is, at the very least, unconscious, and possibly in spinal injury territory. Shit. More hoarse screaming. A clanging double-thud that sends a shock through the chassis of the vehicle. I find the seat belt button and try to worm my way forward, through the gap between the open windshield and the roofline, bashing myself in the face yet again with a rifle barrel.

Getting out of a toppled all-terrain vehicle in the dark while a pain-crazed monster bucks and runs around you, occasionally lashing out with its hooves at the felled Land Rover that hurt it, is easier said than done—especially when you’re covered in someone else’s blood, in need of a change of underwear, and trying to keep control of an unfamiliar weapon. It’s so much easier said than done, in fact, that I don’t succeed. Or rather, I get my head and shoulders out, along with the rifle, whose bolt I am frantically working when My Little Pony finally notices I’m still alive. It gives a larynx-shattering howl of pure rage, bares a mouthful of spikes that would give a megalodon pause, and closes in for the coup de grace.

I mentioned the rifle, didn’t I? And I mentioned that EMOCUM Units aren’t the sharpest knife in the toolbox, too? Well, what happens next is about what you’d expect: it’s messy, and extremely loud, and I nearly shoot my right ear off as Buttercup bends toward me and opens wide in an attempt to bite my skull in half. Then I have to duck backwards sharpish to avoid being crushed by a ton of falling burger meat.

(Moral of story: if you are a flesh-eating monster, do not let the chattering monkey insert a bang-stick in your mouth while you’re trying to snack down on its brains. Seriously, no good will come of this.)

More confused impressions:

I’m out of the Landy, standing in the field, frantically looking around. (Two rounds left in the magazine and one up the spout.)

The EMOCUM has collapsed in front of the toppled Land Rover. Brains and other matter show through the back of its shattered skull. I dodge fangs like daggers, and inhale a fecal smell so rich and intense I have to pause to control my stomach. I glance in the roll cage. There is moaning, audible through the ringing in my ears, and I feel dizzy. I look closer. Movement. “Lucinda?” I call. “Lucy?”

She looks up at me, one arm bent back unnaturally, still gripping the shaft of the shattered lance: I can see bone. The expression on her face is no more human than her mount’s: “Hssss…”

“Be right back,” I say hastily, stepping away. I fumble for my phone, then speed-dial the last number—the Duty Officer. “Howard here.” I briskly explain the situation. “Need medical support with exorcism kit, south field—minor with broken arm and possible demonic possession. Scratch that: probable. Oh, and it’ll take the jaws of life to get her out of the saddle.” I look around. “One probable adult fatality, cervical fracture, lots of blood.” As I feared, when Lucy hit the Landy with her pig-sticker, the impact had had the force of a light artillery shell. “One dead sterile adult Echo Romeo Sierra, one unaccounted for. I’m proceeding afoot and armed.”

I look around in the dusk. I see an indistinct hump in the field about thirty meters uphill. A buzz of flies surrounds it, but it’s no cow pat; it’s the whole damn animal, disemboweled and half-eaten. I bite back a hysterical giggle. This operation has officially fallen apart.

See, the whole idea was to discreetly secure the barn and then search the premises, on the assumption that the EMOCUM Units would be at home. But it now looks as if there’s a subtle and nasty amnesia glamor covering parts of the farm, nudging everybody to forget the existence of certain people who have softly and silently been stolen away, presumably because they have seen the boojum.

And now that I think about it, there weren’t anything like enough officers hanging around the police station, were there? Not for a mounted unit that needs eighteen riders and a bunch of civilian auxiliaries, never mind the everyday foot and car patrols. There weren’t enough folks around the farm, either, and come to think of it Greg’s veterinary practice looked half-empty…

My skin crawls. Somewhere out in the gathering twilight an EMOCUM Unit is stalking human prey. And somewhere else—if only I could work out where!—the Queen is brooding.

I’m halfway up the south field, working my way towards the farm itself, when the sky above me flashes orange, reflecting a dazzling glare from ground level. A second later there’s a hollow whump like a gas range igniting, and a hot blast of wind across my face. I go to my knees in a controlled fall, land on a cow pat, skid, swear, and faceplant. The explosion rolls up into an ascending fireball that lights up the grass in front of my nose before it dissipates.

I realize what’s happening: Alan’s men have made hard contact. There’s a rattle of small-arms fire, then another of those gas flares followed by a gut-liquefying explosion. They must be the XM-1060’s Scary was talking about, I figure. I stay down, but pull my phone up and speak: “Bob here. I’m still in the south field, and the balloon’s gone up about three hundred meters north of my current location. Can you let OCULUS Control know I’m out here?” I do not want to be a blue-on-blue casualty. I’m shivering as I speak, and feeling shaky and cold. I work my jaws and spit, trying to get the metallic taste of blood out of my mouth. I’m pretty sure it’s Greg’s blood. I feel awful about getting him into this, and about leaving him in the Landy.

“Patching you through right away,” says the DO, and there’s a click.

“Bob? Sitrep!” It’s Alan, sounding sharp as a button.

“I’m lying low in the south field about three hundred meters short of the yard. Greg’s down, the Landy is down, we nailed one target, there is an injured little girl in the wreckage.” I lick my lips, then spit: “Suspect EMOCUM Two is on the loose with a rider, either adult male or juvenile female. There’s a stealth glamor on the entire farm; you may not spot the Queen until you step on her.” A horrible thought hits me. “The woodshed.”

I put it together all at once. No sniggering now: Georgina was planning to clear the woodshed, but there’s damp rot in the roof beams. And it hasn’t been cleared. And the four-year-old is forgotten. And there’s “—Something narsty in the woodshed,” I hear myself saying aloud into the phone. “Wait for me before you go in!” I add hastily. Ada. Named for her great-great. Why should that resonate so—“Alan. Brick three. You sent them to search the outbuildings. Have you heard from them recently?”