The sciences treat of things too refinedly, after an artificial, very different from the common and natural, way. My page makes love, and understands it; but read to him Leo Hebraeus—[Leo the Jew, Ficinus, Cardinal Bembo, and Mario Equicola all wrote Treatises on Love.]— and Ficinus, where they speak of love, its thoughts and actions, he understands it not. I do not find in Aristotle most of my ordinary motions; they are there covered and disguised in another robe for the use of the schools. Good speed them! were I of the trade, I would as much naturalise art as they artificialise nature. Let us let Bembo and Equicola alone.
When I write, I can very well spare both the company and the remembrance of books, lest they should interrupt my progress; and also, in truth, the best authors too much humble and discourage me: I am very much of the painter's mind, who, having represented cocks most wretchedly ill, charged all his boys not to suffer any natural cock to come into his shop; and had rather need to give myself a little lustre, of the invention of Antigenides the musician, who, when he was asked to sing or play, took care beforehand that the auditory should, either before or after, be satiated with some other ill musicians. But I can hardly be without Plutarch; he is so universal and so full, that upon all occasions, and what extravagant subject soever you take in hand, he will still be at your elbow, and hold out to you a liberal and not to be exhausted hand of riches and embellishments. It vexes me that he is so exposed to be the spoil of those who are conversant with him: I can scarce cast an eye upon him but I purloin either a leg or a wing.
And also for this design of mine 'tis convenient for me for me to write at home, in a wild country, where I have nobody to assist or relieve me; where I hardly see a man who understands the Latin of his Paternoster, and of French a little less. I might have made it better elsewhere, but then the work would have been less my own; and its principal end and perfection is to be exactly mine. I readily correct an accidental error, of which I am full, as I run carelessly on; but for my ordinary and constant imperfections, it were a kind of treason to put them out. When another tells me, or that I say to myself, "Thou art too thick of figures: this is a word of rough Gascon: that is a dangerous phrase (I do not reject any of those that are used in the common streets of France; they who would fight custom with grammar are triflers): this is an ignorant discourse: this is a paradoxical discourse: that is going too far: thou makest thyself too merry at times: men will think thou sayest a thing in good earnest which thou only speakest in jest."—"Yes, I know, but I correct the faults of inadvertence, not those of custom. Do I not talk at the same rate throughout? Do I not represent myself to the life? 'Tis enough that I have done what I designed; all the world knows me in my book, and my book in me."
Now I have an apish, imitative quality: when I used to write verses (and I never made any but Latin), they evidently discovered the poet I had last read, and some of my first essays have a little exotic taste: I speak something another kind of language at Paris than I do at Montaigne. Whoever I steadfastly look upon easily leaves some impression of his upon me; whatever I consider I usurp, whether a foolish countenance, a disagreeable look, or a ridiculous way of speaking; and vices most of all, because they seize and stick to me, and will not leave hold without shaking. I swear more by imitation than by complexion: a murderous imitation, like that of the apes so terrible both in stature and strength, that Alexander met with in a certain country of the Indies, and which he would have had much ado any other way to have subdued; but they afforded him the means by that inclination of theirs to imitate whatever they saw done; for by that the hunters were taught to put on shoes in their sight, and to tie them fast with many knots, and to muffle up their heads in caps all composed of running nooses, and to seem to anoint their eyes with glue; so did those poor beasts employ their imitation to their own ruin they glued up their own eyes, haltered and bound themselves. The other faculty of playing the mimic, and ingeniously acting the words and gestures of another, purposely to make people merry and to raise their admiration, is no more in me than in a stock. When I swear my own oath, 'tis only, by God! of all oaths the most direct. They say that Socrates swore by the dog; Zeno had for his oath the same interjection at this time in use amongst the Italians, Cappari! Pythagoras swore By water and air. I am so apt, without thinking of it, to receive these superficial impressions, that if I have Majesty or Highness in my mouth three days together, they come out instead of Excellency and Lordship eight days after; and what I say to-day in sport and fooling I shall say the same to-morrow seriously. Wherefore, in writing, I more unwillingly undertake beaten arguments, lest I should handle them at another's expense. Every subject is equally fertile to me: a fly will serve the purpose, and 'tis well if this I have in hand has not been undertaken at the recommendation of as flighty a will. I may begin, with that which pleases me best, for the subjects are all linked to one another.
But my soul displeases me, in that it ordinarily produces its deepest and most airy conceits and which please me best, when I least expect or study for them, and which suddenly vanish, having at the instant, nothing to apply them to; on horseback, at table, and in bed: but most on horseback, where I am most given to think. My speaking is a little nicely jealous of silence and attention: if I am talking my best, whoever interrupts me, stops me. In travelling, the necessity of the way will often put a stop to discourse; besides which I, for the most part, travel without company fit for regular discourses, by which means I have all the leisure I would to entertain myself. It falls out as it does in my dreams; whilst dreaming I recommend them to my memory (for I am apt to dream that I dream), but, the next morning, I may represent to myself of what complexion they were, whether gay, or sad, or strange, but what they were, as to the rest, the more I endeavour to retrieve them, the deeper I plunge them in oblivion. So of thoughts that come accidentally into my head, I have no more but a vain image remaining in my memory; only enough to make me torment myself in their quest to no purpose.
Well, then, laying books aside, and more simply and materially speaking, I find, after all, that Love is nothing else but the thirst of enjoying the object desired, or Venus any other thing than the pleasure of discharging one's vessels, just as the pleasure nature gives in discharging other parts, that either by immoderation or indiscretion become vicious. According to Socrates, love is the appetite of generation by the mediation of beauty. And when I consider the ridiculous titillation of this pleasure, the absurd, crack-brained, wild motions with which it inspires Zeno and Cratippus, the indiscreet rage, the countenance inflamed with fury and cruelty in the sweetest effects of love, and then that austere air, so grave, severe, ecstatic, in so wanton an action; that our delights and our excrements are promiscuously shuffled together; and that the supreme pleasure brings along with it, as in pain, fainting and complaining; I believe it to be true, as Plato says, that the gods made man for their sport:
"Quaenam ista jocandi
Saevitia!"
["With a sportive cruelty" (Or:) "What an unkindness there is in
jesting!"—Claudian in Eutrop. i. 24.]
and that it was in mockery that nature has ordered the most agitative of actions and the most common, to make us equal, and to put fools and wise men, beasts and us, on a level. Even the most contemplative and prudent man, when I imagine him in this posture, I hold him an impudent fellow to pretend to be prudent and contemplative; they are the peacocks' feet that abate his pride: