There were no skies like this anywhere in the world, as far as I knew, except, of course, for Yorkshire; I have come across some truly spectacular skies there, most especially on the moors.
Light has always fascinated me, perhaps because I am a painter by avocation and have a tendency to look at nature through an artist's eyes. I remember the first time I ever saw a painting by Turner, one of his masterpieces hanging in the Tate Gallery in London. I stood in front of it for a full hour, totally riveted, marveling at the incandescent light that gave the picture its breathtaking beauty. But then, capturing light on canvas so brilliantly and with such uncanny precision was part of Turner's great genius.
I don't have that kind of gift, I'm afraid; I'm merely a talented amateur who paints for pleasure. Nonetheless, there are times when I wish I could re-create a Connecticut sky in one of my paintings, get it just right, just once, and this morning was one of those times. But I knew, deep down, that I would never be capable of doing it.
After lingering for a few minutes longer on the terrace outside the sunroom, I turned and walked around the house, heading for the back. Heavy dew clung to the grass, and I lifted my nightgown and robe as I walked across the lawns, not wishing to get them drenched.
The light was changing yet again. By the time I reached the ridge overlooking the valley, the sky above me was suffused with a pale, silvery radiance; the bleak, gray remnants of the night were finally obliterated.
Sitting down on the wrought-iron seat under the apple tree, I leaned back and relaxed. I love this time of day, just before the world awakens, when everything is so quiet, so still I might be the only person alive on this planet.
I closed my eyes momentarily, listening.
There was no sound of any kind; nothing stirred, not a leaf nor a blade of grass moved. The birds were silent, sleeping soundly in the trees, and the stillness around me was like a balm. As I sat there, drifting, thinking of nothing in particular, my anxiety about Andrew began slowly to slip away.
I knew with absolute certainty that everything would be all right once he arrived and we made up; it always was whenever there had been a bit of friction between us. There was no reason why this time should be different. One of the marvelous things about Andrew is his ability to put events of today and yesterday behind him, to look forward to tomorrow. It was not in his nature to harbor a grudge. He was far too big a man for that. Consequently, he quickly forgot our small, frequently silly quarrels and differences of opinion. We are much alike in that, he and I. Fortunately, we both have the ability to move forward optimistically.
I have been married to Andrew Keswick for ten years now. In fact, next week, on the twelfth of July, we will be celebrating our wedding anniversary.
We met in 1978, when I was twenty-three years old and he was thirty-one. It was one of those proverbial whirlwind romances, except that ours, fortunately, did not fizzle out as so many do. Our relationship just grew better and better as time went on. That he swept me off my feet is a gross understatement. I fell blindly, madly, irrevocably in love with him. And he with me, as I was eventually to discover.
Andrew, who is English, had been living in New York for seven years when we met. He was considered to be one of the boy wonders of Madison Avenue, one of those naturals in the advertising business who can make an agency not only fabulously successful but incredibly famous as well, attracting a flock of prestigious multinational clients. I worked in the copy department of the same agency, Blau, Ames, Braddock and Suskind, and at the time, despite my lowly position, I rather fancied myself a writer of slick but convincing advertising copy.
Andrew Keswick seemed to agree.
If his compliments about my work went to my head, then he himself went straight to my heart. Of course, I was very young then, and even though I was a graduate of Radcliffe, I think I was most probably rather naive for my educational background, age, and upbringing. I was a slow starter, I suppose.
In any event, Andrew captivated me entirely. Despite his brilliance and his standing on Madison Avenue, I soon came to realize that he was not in the least bit egotistical. Quite the opposite, in fact. He was unassuming, even modest for a man of his considerable talents; also, he had a great sense of fun and a dry humor which was often rather self-deprecating.
To me he was a dashing and sophisticated figure, and his very Englishness, as well as his mellifluous, cultivated voice set him apart. Medium of height and build, he had pleasant, clean-cut looks, dark brown hair, and candid eyes set wide apart. In fact, his eyes were his most arresting feature, of the brightest blue and thickly lashed. I don't think I've ever before seen eyes so vividly blue, nor would I ever again, except years later, in Clarissa and Jamie, our six-year-old twins.
Every young woman in the advertising agency found Andrew immensely attractive, but it was I whom he eventually singled out for special attention. We began to go out together, and at once I discovered that I was completely at ease with him; I felt comfortable, very natural in his presence. It was as though I had known him forever, yet there was so much that intrigued me about him and his life before we met, so much to learn about him.
Andrew and I had been seeing each other for only two months when he whisked me off to London for a long weekend to meet his mother. Diana Keswick and I became friends instantly, actually within the first hour of knowing each other. You could say we fell in love, and that is the way it has been between us ever since.
To some people, the term "mother-in-law" inevitably conjures up the image of an enemy, a woman who is overly possessive of her son and in competition with his wife for his attention and affection. But not Diana. She was lovely to me from the moment we met-a female Andrew. Or rather, I should say, Andrew is a male version of his mother. In a variety of different ways, she has proved to be loyal and devoted to me; I truly love, respect, and admire her. Many qualities make her unique in my eyes, not the least of which is her warm and understanding heart.
That weekend in London, which was actually my first trip to England, remains vivid in my mind to this very day. We had only been there for twenty-four hours when Andrew asked me to marry him. "I love you very much," he'd said, and taking hold of me, he had pulled me close and continued in that beautiful voice of his, "I can't imagine my life without you, Mal. Say you'll marry me, that you'll spend the rest of your life with me."
Naturally I said I would. I told him that I loved him as much as he loved me, and we celebrated our engagement by taking his mother to dinner at Claridge's on Sunday night before flying back to New York on Monday morning.
On the return journey, I kept glancing surreptitiously at the third finger of my left hand, admiring the antique sapphire ring gleaming on it. Andrew had given me the ring just before we had gone out to our celebration dinner, explaining that it had belonged first to his grandmother and then to Diana. "My mother wants you to have it now," he said, "and so do I. You'll be the third Keswick wife to wear it, Mal." He smiled in that special, very loving way of his as he slipped it on my finger. And in the next few days, every time I looked at it, an old-fashioned phrase sprang into my mind: "With this ring we pledge our troth." And indeed we had.
Twelve weeks after our first dinner date, Andrew Keswick and I were married al Saint Bartholomew's Church on Park Avenue. The only person who was not entirely overjoyed by this sudden union was my mother. Liking Andrew very much though she did and approving of him, she was nonetheless filled with disappointment about the extreme hastiness of the nuptials. "Everyone is going to think it's a shotgun wedding," she kept muttering, throwing me piercing glances as she rushed to have the invitations engraved and hurriedly planned a reception to be held at the Pierre Hotel on Fifth Avenue.
My glaring eyes and stern, obstinate mouth must have warned her off, warned her not to ask if I was pregnant, which I wasn't, by the way. But my mother deems me impractical, has for years characterized me as an artistic dreamer, a lover of poetry, books, music, and painting, with my head forever in the clouds.