Cage, John, 48, 66, 73, 136, 229, 298, 302, 374, 381, 415
Capriccio for TV (Seawright), 301
Cassen, Jackie, 396-398
Catalogue (Whitney, John, Sr.), 210, 213
Castaneda, Carlos, 158, 171
Cathode-ray tubes, 194, 265-267, 302, 303
Cerebrum, 359, 364
Chinese Firedrill ( Hindle), 83, 84-91, 93-96
Chronicle of a Summer (Rouch), 80, 132-133
Cinema, historical applications of, 75, 106-108
Cinéma-vérité, 79-80, 106, 107
Citron, Jack, 215-217
City-Scape (Kamnitzer), 198, 250, 256, 416
Clarke, Arthur C., 138, 147-150, 188
Cohen, Milton, 371-374
Commercial entertainment, 42, 50, 57-58, 59-65, 66-67, 72, 88, 113, 128, 130, 323
Computer art, 189-193
Computer-generated holograms, 191, 414
Computer films, 43, 179-256
Computer Image Corporation, 200
Computer language, 185, 239-246
Computer programming, 51, 185
Computers, 51, 52, 179-256, 261, 317, 414
Computers, analogue, 183, 208, 213
Computers, digital, 179-256
Computer/video interface, 261, 317
Coney, John, 282, 293-297
Consciousness, cosmic, 43, 135-177, 222-228, 228-239, 324
Consciousness, expanded, 41, 47, 130, 157-177, 189, 222-239, 323, 349, 364, 371-374, 388-391, 392-398
Consciousness, oceanic, 92, 93, 110 121, 136
Contact: A Cybernetic Sculpture (Levine), 339-341
Coplans, John, 218-219
Csuri, Charles, 194, 203
Cybernetic Age, 41, 81, 134
Cybernetic cinema, 194-206
Cybernetics, 65, 108, 129, 131, 183-184, 226
Cybernetik 5.3 ( Stehura ), 239-246, 250
David Holzman's Diary (McBride), 79, 80, 126
Decentralization, technological, 42, 128-134
Dewey, John, 66, 116
DeWitt, Tom, 318, 324-328, 364
Dilexi Foundation, 281, 292-297
DNA/RNA, 52, 55, 110, 135
Dog Star Man ( Brakhage), 67, 82, 83, 85, 87-91, 93, 130
Drama, 42, 60, 64, 70, 85, 87, 135
Drama, the end of, 75-134
Dream Reel (Yalkut), 391-392
Dylan, Bob, 48, 68, 115, 116
Eastern philosophy, 136, 140, 159, 162-167, 222-228, 238
Ecology, 43, 50, 346-347, 416
Educational Television, 281, 298
Ehrenzweig, Anton, 84
Eisenstein, Sergei, 85, 87
Electromedia Theatre (Tambellini), 381-383
Empire of Things, The (Makanna), 281, 295-297
Entropy, 62-65, 68, 111
Existentialism and science, 142-147, 238
Expanded cinema, 41, 49, 54-56, 75, 116, 222, 417, 419
Experiments in Art and Technology, 416 417
Fetter William, 194
Fiction, the end of, 106-108, 135, 252
Fischinger, Oskar, 157, 160-162
Flesh ( Morrissey), 79-83, 117
Fourier, Charles, 112
Fuller, R. Buckminster, 15-39, 44, 45, 48, 53, 57, 63, 64, 77, 84, 109, 114, 133, 136, 137, 144, 146, 180-181, 186, 229, 347, 394
Fuses ( Schneemann), 83, 116, 119-121, 366
Future shock, 50-53
Generation gap, 46-51, 144-146
Gillette, Frank, 341-343
Godard, Jean-Luc, 49, 79, 80, 108, 112
Gombrich, E. H., 90, 109, 158
Hallucinogens, 47, 81, 144, 174, 238
Hello (Kaprow), 343-344
Hesse, Hermann, 47, 93, 129, 144, 146, 396
Hindle, Will, 83, 93-96
Höglund, Sven, 331-334
Holographic cinema, 43, 399-414
Labyrinthe, 352-354
Holograms, computer-generated, 191,
Lapis (Whitney, James), 177, 210,
414
213, 222-228, 250
Holography, 41, 400-403, 416-417
Laser, 399-414, 417
Homosexuality, 113-121
Leap, The (Dewitt), 324-328
Howard, Brice, 282-285
Levine, Les, 78, 337, 339-341
HPSCIHD (Cage), 374-381
Logic, bistable, 81
Hummingbird ( Csuri), 199, 203
Logic, the end of, 140-141
Logic, triadic, 81
IBM, 51, 196, 215, 216, 217, 242, 246
Image-exchange, 49, 114, 128-134
Makanna, Philip, 281, 295-297
Information, experiential, 62-65, 71
Mallary, Robert, 191, 193
Information theory, 62-65
Marker, Chris, 80, 105
Interferometry, laser, 41, 191, 400-403
Maslow, A. H., 113
Intermedia, 43, 345-398
McHale, John, 44, 51, 54, 57, 68, 110,
Intermedia network, 41, 53, 54-58,
143, 146, 180, 181
66, 112, 128-134
McLuhan, Marshall, 44, 55, 77, 137,
Intermedia Theatre, 365-386
139, 144, 179
Iris ( Levine), 339-341
Mechanical plotter, 194-203
Metanomen (Bartlett), 318
Microfilm plotter, 194-203
Jacobs, Henry, 388-391
Minimal cinema, 119, 122-127
Jacobson, Alex, 404-414
Momentum ( Belson), 174-177
Jung, C. G., 147, 163, 167, 226, 233
Mondrian, Piet, 82, 127, 157
Montage, 76, 85, 86, 87
Monument ( Höglund-Weck-Sjölan-
Kamnitzer, Peter, 198, 250-256
der), 331-334
Kaprow, Allan, 281, 299, 343-344
Moon (Bartlett), 275, 321-324
Kinaesthetic cinema, 83, 97, 110, 157
Morrissey, Paul, 79, 83, 117
158
Multiple projection, 371-374, 387,
Kinescope, 275, 317-324, 328
398
Kinetic empathy, 83-97
Music With Balls (Riley), 281, 293-
Kinetic Theatre (Schneemann), 366-
295
371
Mythopoeia, 106-108, 111, 252
Klee, Paul, 85
Knowlton, Kenneth, 199, 246-249
Krishnamurti, J., 52, 61, 62
Nameth, Ronald, 83, 102-105, 374-
Kroitor, Roman, 352-354
381
KQED-TV, 281, 297, 298
National Center for Experiments in
Kubrick, Stanley, 43, 139-156, 229
Television 81-292
430 Index
Negentropy, 62-65
Reality, extra-objective, 79, 83, 122-
New Nostalgia, 43, 142-147
127
New Romantic Age, 146-147
Reality, nonordinary, 158, 159, 348-
Noll, A. Michael, 189, 192, 193, 239
349, 352
Noosphere, 57-58, 78-79, 260
Reality, post-stylized, 106-108
Reality, prestylized, 106-108
Re-Entry (Belson), 162-167
OFFON (Bartlett), 275, 318-321,
Riley, Terry, 281, 293-295
324, 326, 328
Rouch, Jean, 80, 132-133
Once Group, 371-374
O'Neill, Patrick, 83, 97-100, 122, 242
Samadhi (Belson), 169-174, 175
Schlossberg, Edwin, 44, 257, 293
Paik, Nam June, 137, 193, 281, 282,
Schneemann, Carolee, 83, 92, 116,
302-308, 328-330, 391-392
119-121, 366-371
Paikpieces (Yalkut-Paik), 328-330,
Schneider, Ira, 341-343
391-392
Schofill, John, 83, 100-102
Paleocybernetic Age, 41, 50, 55,57,
Schum, Gerry, 292
66, 77, 78, 81, 137, 246, 348
Sears, Loren, 279-280, 281, 282, 291-
Panofsky, Erwin, 106
292
Pauwels, Louis, 52, 135, 136, 159