Erast Fandorin merely gave an impatient wave of his hand, as if to say, get on with it, I have no time for such nonsense.
“Well, anyway, you stirred up an anthill. Your dead man”—Zurov nodded in the direction of the river where Porfirii Martynovich Pyzhov had found his final resting place—“came calling twice. The second time it was almost evening already.”
“You mean to say you sat there all night and all day?” Fandorin gasped. “With no food or drink?”
“Well, I can go without food for a long time, just as long as there’s drink. And there was.” Zurov slapped his hand against his flask. “Of course, I had to introduce rationing. Two sips an hour. It’s hard, but I put up with worse during the siege of Mahram—I’ll tell you about that later. To stretch my legs I got out and went to check the horse a couple of times. I’d tied her to the fence in a nearby park. I pulled her some grass and spoke to her a bit so she wouldn’t get too lonely, and then went back to the hut. Back at home people would have led off an unguarded filly like that in an instant, but the people here are a bit slow on the uptake. It never occurred to them. In the evening my dun filly came in very handy. When the dead man drove up”—Zurov nodded in the direction of the river again—“for the second time, your enemies began gathering to launch their campaign. Imagine the scene. Amalia at the head in her coach like a genuine Bonaparte, with two sturdy fellows on the box. The dead man following her in a droshky. Then a pair of servants in a carriage. And a little distance behind, concealed in the black of night there am I on my dun filly, like Denis Davidov*—just four towels moving to and fro in the dark.” Hippolyte gave a short laugh and shot a brief glance at the red strip of dawn that already lay along the river. “They drove into some dismal dump, just like the Ligovka slums: lousy little houses, warehouses, and mud. The dead man climbed into Amalia’s coach—obviously in order to hold a council of war. I tethered my filly in a gateway and watched to see what would happen next. The dead man went into a house with some kind of signboard and stayed there about half an hour. Then the climate began to deteriorate, cannonades in the sky, rain lashing down. I’m soaked, but I wait—I’m curious. The dead man appeared again and hopped up into Amalia’s coach. They’re probably holding another consultation. But the water’s pouring down my neck and my flask’s getting empty. I wanted to give them Christ appearing to the multitude, scatter the whole rotten gang of them and demand an explanation from Amalia, but suddenly the door of the coach opened and I saw such an ungodly sight…”
“A ghost?” asked Fandorin. “Glowing?”
“Precisely. Brrr. It made me shiver. I didn’t realize straightaway that it was Amalia. That made me feel curious again. She behaved strangely. First she went into the same door, then she disappeared in the next gateway, then she flitted back in the door again. Her servants followed her. A little while after that they led out a sack walking on legs. It was only later that I realized they’d nabbed you. At the time I was puzzled. After that, their army divided up: Amalia and the dead man got into the coach, the droshky followed them, and the servants with the sack—with you, that is—drove off in the opposite direction. All right, I think, the sack’s no business of mine. I have to save Amalia—she’s got herself mixed up in some dirty business or other. I ride after the carriage and the droshky, my hooves making a gentle clippety-clop, clippety-clop. They hadn’t gone very far before they stopped. I dismounted and held the dun by the muzzle, so she wouldn’t whinny. The dead man climbed out of the coach and said (it was a quiet night, you could hear things from a long way off): “Oh no, my sweetheart, I’d better go and check. I have an uneasy feeling somehow. This youth of ours is a bit too sharp altogether. If you should need me, you know where to find me.” At first I felt indignant: what kind of ‘sweetheart’ is she to you, you dratted old rogue? And then it dawned on me. Could they possibly be talking about Erasmus?” Hippolyte shook his head, clearly proud of his own shrewdness. “Well, after that it’s simple. The driver from the droshky moved across to the box of the coach. I followed the dead man. I was standing way over there behind that corner, trying to understand what you’d done to rile him. But the two of you were talking so quietly I couldn’t hear a damned thing. I hadn’t been thinking of shooting, and it was a bit dark for a good shot, but he would have killed you for sure—I could see that from his back. I have a good eye for such things, brother. What a shot! Now tell me Zurov wastes his time making holes in five-kopeck pieces! From forty paces straight into the back of the head, and you have to take the poor light into account.”
“Let us assume it wasn’t forty,” Erast Fandorin said absentmindedly, thinking of something else.
“How so not forty?” Hippolyte said, growing excited. “You try counting it!” And he actually started pacing out the distance (the paces were perhaps a little on the short side), but Fandorin stopped him.
“Where are you going to go now?”
Zurov was amazed. “How d’you mean, where? I’ll get you back into decent shape, you’ll explain to me properly what all this hullabaloo of yours is about, we’ll have some breakfast, and then I’m going to see Amalia. I’ll shoot the slippery serpent, to hell with her. Or I’ll carry her off somewhere. Just you tell me, are we two allies or rivals?”
“I’ll tell you how things are,” said Erast Fandorin, rubbing his eyes wearily. “There’s no need to help me—that’s one. I’m not going to explain anything to you—that’s two. Shooting Amalia is a good idea, but just make sure they don’t shoot you instead—that’s three. And I am no rival of yours, she turns my stomach—that’s four.”
“I expect it would be best to shoot her after all,” Zurov said thoughtfully in reply to that. “Good-bye, Erasmus. God willing, we’ll meet again.”
AFTER THE SHOCKS and upheavals of the night, for all its intensity Erast Fandorin’s day turned out strangely disjointed, as if it were composed of separate fragments poorly connected with one another. It seemed as if Fandorin was thinking and taking meaningful decisions, even putting them into action, and yet all of this was taking place in isolation, outside the general scenario. The last day of June was preserved in our hero’s memory as a sequence of vivid isolated pictures suspended against an empty void.
MORNING ON THE BANKS of the Thames in the dockland district. The weather is calm and sunny, the air fresh after the thunderstorm. Erast Fandorin sits on the tin roof of a squat warehouse, clad only in his undergarments. Laid out beside him are his wet clothes and his boots. The top of one of the boots is torn. His open passport and banknotes are drying in the sun. The thoughts of the escapee from a watery grave grow confused and wander but always return to the main channel.