There are, to be sure, a number of volumes dedicated to the agricultural policies of the different fascist regimes.[46] But agriculture’s lower cultural status, associated with misperception of its low-tech nature, has apparently inhibited the more ambitious historians of generic fascism from including it in their discussions.[47] Who wants to deal with pigs and potatoes when one can explore film, sports, and architecture? Historians of agriculture haven’t helped. Gustavo Corni and Horst Gies’s still-canonical study of the food policies of the Third Reich, for example, teaches us more about the many flaws of Nazi agricultural bureaucracy and its repeated broken promises than about the importance of food for the institutionalization and dynamics of the regime.[48] In common with many other authors, Corni and Gies emphasize the apparent contradiction between fascist praise of traditional peasant culture and modern demands for productivity, ignoring that what was at stake was a single modernist project of inventing a new organic national community. This book intends to overcome the common perception among fascist studies that talk of soil and peasantry is atavistic and in conflict with more modern sensibilities.[49] I suggest that the “ideology of the land” already present in the very first formulations of the fascist credo, and famously summarized by the Nazi dictum “Blut und Boden” (“Blood and soil”) and the slogan “Bisogna ruralizzare l’Italia” (“Italy must be ruralized”), was as modernist as the aviation craze of fascist Italy or the smooth lines of the German Autobahn.[50]
Model Organisms, Industrialized Organisms, and Fascism
The bulk of my narrative is concerned with examining the modernist nature of the fascist “back to the land” movement by following the new organisms that promised to root Italians, Portuguese, and Germans in their respective national soils and to sustain them in their imperial possessions. It emphasizes the fact that such organisms were technoscientific organisms—modern products of scientific breeding operations. The Ardito strain of wheat with which Mussolini fought his Battaglia del Grano was a new variety developed by Italian geneticists that promised Italy self-sufficiency in grain. The sheep that bolstered Heinrich Himmler’s dreams of thriving German settler communities in eastern Europe’s steppes were standardized animals coming from the Institute of Animal Breeding of the University of Halle. And the same goes for the pigs, potatoes, cotton, and coffee gathered in the text.
We already know how plant breeding thrived as scientific field in the context of the Nazi political economy and how it earned generous support from Hitler’s regime.[51] But the more significant studies on this topic either dismiss the relation between “Blut und Boden” ideology and breeders’ activities or consider modernization efforts in agriculture only as a matter of preparedness for war.[52] Taking agriculture as seriously as fascist ideologues—Nazis included—actually did, and placing it at the center of their modernist experiment of inventing a national community instead of just seeing it as a proxy for other projects, make the importance of breeders’ new organisms more obvious. Technoscientific organisms were to embody the fascist response to the major problem of how European societies should live in the new global economy of food.[53] When fascists came to power, as we shall see, breeders were happy to tailor their creations to serve fascist ideology. But before that, breeders’ organisms were already making fascist radical visions of the national body thriving on the national soil into plausible policies. Breeders’ animals and plants were not just tools of fascism; they were major elements in imagining a fascist alternative modernity.
Since the 1990s, historians of science have been exploring standardized life forms in order to understand processes of production of biological knowledge. Widespread circulation of standardized model organisms has been significantly identified with the expansion of communities of researchers built around them. Robert Kohler’s fruit flies, Karen Rader’s mice, and Angela Creager’s Tobacco Mosaic Virus are now common elements in historians’ accounts of the development of the biological sciences.[54] Hans-Jörg Rheinberger, with his “epistemology of the concrete,” has been exceptionally productive in revealing how work on model organisms has led to new epistemic things.[55] These model organisms constitute “future generating machines” whose manipulation, Rheinberger writes, “can generate insights into the constitution, functioning, development, or evolution of an entire class of organisms.”[56] Rheinberger’s work points not only at the relevance of such organisms as crucial objects for historians of the life sciences but also at a way of writing history of science as organism-centered narratives. The structure of the present book, with its chapters organized around different domesticated plants and animals, owes much to Rheinberger’s collection of model organisms.[57]
As the expanding literature on the “cultural history of heredity” has eloquently demonstrated, focusing on organisms doesn’t imply a narrowing of historians’ perspectives, having led instead to an appreciation of the “economic and social preconditions for the coming into being of genetics, such as the beginning of agro-industrial mass production of organic raw materials and foodstuffs, as well as of drugs and vaccines, toward the end of the nineteenth century.”[58] This body of scholarship suggests that the history of model organisms and that of industrialized organisms go hand in hand.[59] To illustrate this, it suffices to point out that two basic concepts of the new science of genetics at the beginning of the twentieth century, the “pure line” and the “clone,” were direct products of breeders’ practices.[60] The “pure line” will have a prominent presence throughout the present book because of its role in forming the modernist belief in the unlimited human ability to tinker with life.
By the late nineteenth century, a growing number of breeders were rambling around farmers’ fields, identifying interesting plants, and reproducing them through self-fertilization, carefully documenting the characteristics of the progeny.[61] Through this so-called pedigree selection, breeders produced what Wilhelm Johannsen would famously call “pure lines”—alleged homozygotic stable varieties selected for some important feature such as pest resistance, early ripening, or milling properties.[62] They then combined different properties by crossing different pure lines to obtain the hybrids that made them famous in the seed market. Whereas chemists demonstrated their demiurgic power by creatively combining elements to produce new compounds, breeders promised endless innovation in the production of living things by hybridizing pure lines.[63]
46
For a review of such literature for the Nazi case, see Mark Finlay “New sources, new theses, and new organizations in the new Germany: Recent research on the history of German agriculture,”
47
David Edgerton has eloquently dealt with similar simplifications by general historians about the role of technology in history, namely their obsession with technological innovation at the expense of technologies in use. His criticism of the lack of attention given to horses in World War II is a perfect parallel to my point here about the absence of agriculture in discussions of generic fascism. David Edgerton,
48
Corni and Gies,
49
Even Roger Griffin, the champion of fascism as modernism, discards the modernist nature of Blut und Boden. See his article “Modernity, modernism, and fascism.” As Adam Tooze has emphatically declared in his reevaluation of the role of agriculture in Nazi economic history (
50
It doesn’t take much to perceive the modernist nature of the famous formulation by Maurice Barrès, one of the first ideologues of fascism, of the cult of the land and the ancestors. Revealingly enough, this earned Barrès and his followers the status of “futurists of the past.” On the notion of futurism of the past, see Hermínio Martins,
51
See Susanne Heim,
52
Susanne Heim opens her important book on plant breeding and Nazism with the following statement: “Of the three terms that form the title of this volume, ‘calories’, ‘caoutchouc’ and ‘careers’, none carries undertones of the ‘blood and soil’ ideology or the romanticized view of agriculture that are often seen as the typical characteristics of National Socialist agricultural policies. And indeed, the subject under investigation in this book is not the backward-looking ideas of men such as Richard Walther Darré, wallowing in myths of peasants inextricably linked with their native soil.” (
54
Robert E. Kohler,
55
Tim Lenoir, “Epistemology Historicized. Making Epistemic Things,” foreword to Rheinberger,
57
On the implications of model organisms for the writing of historical narratives, see Tiago Saraiva, “Oranges as model organisms for historians,”
58
Staffan Müller-Wille and Hans-Jörg Rheinberger,
59
On industrialized organisms and their importance in history of technology, see Susan R. Schrepfer and Philip Scranton, eds.,
60
On the pure line, see Nills Roll-Hansen, “Sources of Johannsen’s genotype theory,” in
61
Tiago Saraiva, “Breeding Europe: Crop diversity, gene banks, and commoners,” in
62
On the important differences between Johannsen’s concept of pure line and the varieties produced through self-fertilization by breeders in the nineteenth century, see chapter 1.
63
On the importance of the chemical metaphor for geneticists at the turn of the century, see Staffan Müller-Wille, “Leaving inheritance behind: Wilhelm Johansen and the politics of Mendelism,” in