Was any of that my fault?
I had spent my whole life feeling that it was. And maybe I was responsible, in a way. Parents and children are umbili-cally attached and not only in the womb. Mysterious forces bind them. If my generation is going to spend its time denouncing our parents, then maybe we should allow our parents equal time.
“I would have been a famous artist except for you kids,” my mother said. And for a long time I believed it.
There was always, of course, the problem of her own father: an artist too and fanatically jealous of her talent. She had gone to Paris to escape him, so why did she come back to New York, move in with him, and live with him until she was forty? They shared a studio, and from time to time he painted over her canvases (only, of course, when he had no clean canvas). She had become a cubist in Paris and was on her way to developing a style of her own in some contemporary vein, but Papa, for whom painting began and ended with Rembrandt, mocked her until she gave up trying; she just kept getting pregnant.
“Damned modern smudging,” Papa said. “Phony baloney.”
Why didn’t she move out? I say this with the full weight of ambivalence behind it, knowing that then I might never have been born.
We grew up in a sprawling fourteen-room apartment on Central Park West. The roof leaked (we lived on the top floor), the fuses all blew when you pushed the toast down in the toaster, the bathtubs were claw-footed and the plumbing rusty, the stove in the kitchen looked like something out of a TV commercial for old-Grandma-something-or-other’s-pre-serves, and the window frames were so old and cruddy that the wind whistled right through them. But it was a “Stanford White building” and there were “two studios with north light” and the library had “paneled walls” and “leaded windows” and the “forty-foot ceiling” in the living room was “real gold leaf.” I remembered these real-estate phrases echoing through my childhood. Gold leaf. I imagined a maple leaf which was made of gold. But how did they stick the leaves on the ceiling? And why didn’t they look like leaves? Maybe they ground them up and made them into paint? Where, I wondered, could you pick a “real gold leaf”? Did they grow on real gold trees? On real gold boughs? (I was the sort of kid who knew words like “bough.”)
There was, in fact, a fat, darkly printed book in my parents’ library called The Golden Bough. I used to look in vain through its pages for any mention of “real gold leaf.” But there was plenty of sexy stuff in there. (Those were also the days when I used to hide Love Without Fear in my dresser drawer-beneath my undershirts.)
So we stayed with Mama and Papa for the sake of “good north light” and “real gold leaf-or at least my mother said so. And meanwhile my father traveled around the world for his tzatzka business and my mother stayed home and had babies and screamed at her mother and father. My father was designing ice buckets which looked like beer steins and beer steins which looked like ice buckets. He was designing families of ceramic animals chained together with tiny gold chains. And he was making quite a fortune at it-amazingly enough. We could easily have moved away, but obviously my mother would not or could not. A little gold chain chained my mother to her mother, and me to my mother. All our un-happiness was strung along the same (rapidly tarnishing) gold chain.
Of course my mother had a rationalization for it all-a patriarchal rationalization, the age-old rationalization of women seething with talent and ambition who keep getting knocked up.
“Women cannot possibly do both,” she said, “you’ve got to choose. Either be an artist or have children.”
With a name like Isadora Zelda it was clear what I was supposed to choose: everything my mother had been offered and had passed up.
How could I possibly take off my diaphragm and get pregnant? What other women do without half thinking was for me a great and momentous act. It was a denial of my name, my destiny, my mother.
My sisters were different. Gundra Miranda called herself “Randy” and married at eighteen. She married a Lebanese physicist at Berkeley, had four sons in California, and then moved her family to Beirut where she proceeded to have five daughters. Despite the seeming rebelliousness of a nice Jewish girl from Central Park West marrying an A-Rab, she led the most ordinary family life imaginable in Beirut. She was almost religiously in favor of Kinder, Küche, and Kirche-especially the Catholic Church which she attended in order to impress the Arabs with her non-Jewishness. Not, of course, that they liked Catholicism that much, but it was better than the other alternative. Both she and Pierre, my brother-in-law, believed in Robert Ardrey, Konrad Lorenz, and Lionel Tiger as if they were Jesus, Buddha, and Mohammed. “Instinct!” they snorted, “pure animal instinct!” They came to hate the Berkeley beatniks of their college days and to preach territoriality, the immorality of contraception and abortion, and the universality of war. At times they honestly seemed to believe in the Great Chain of Being and the Divine Right of Kings. And meanwhile, they just kept on breeding.
(“Why should people with superior genes use contraception when all the undesirables are breeding the world into extinction?”-the old refrain whenever Randy was announcing a new pregnancy.)
Lalah (the other middle daughter after me) was four years younger and had married a Negro. But as in Randy’s case, the unconventionality of the choice was misleading. Lalah went to Oberlin where she met Robert Goddard, easily the whitest white Negro in the history of the phrase. My brother-in-law Bob is actually cocoa brown, but his mind is white as a Klan member’s member. I don’t know about his member. How he got to a school like Oberlin rather perplexes me, as it perhaps perplexed him. After college, he went to medical school at Harvard and quickly decided to head where the bread was: orthopedic surgery. He now spends four days a week setting legs and pinning hips (and collecting huge fees from insurance companies). The other three days are spent jumping horses at an exclusive club in the fashionable but integrated Boston suburb where he and Lalah live.
And how they live! Surrounded by the most extensive array of electrical gadgets outside of Hammacher-Schlemmer: electronic ice crushers, wine coolers, bedside machines which make synthesized sea noises, automatic egg-decapitators, humidifiers, dehumidifiers, automatic cocktail shakers, lawn mowers which move by remote control, hedge clippers programmed to make topiary designs, whirlpools which whirl the bathwater around, bidets which swirl the toilet water around, lighted shaving mirrors which pop out of the wall, color TV sets concealed behind framed copies of the most banal modern graphics, and a bar which pops out of the wall in the foyer when the front doorbell rings. The doorbell, by the way, plays the first few bars of “When the Saints Come Marching In”-Bob’s one and only concession to negritude.
With all these gadgets and horses and three cars (one for each of them, and one for their white.South American housekeeper), we all assumed that they hadn’t time even to consider having children-to my parents’ relief, I suppose. Arab grand-children are one thing, but at least they have straight hair.
However we were wrong. Lalah was, in fact, on fertility pills for two years (as she later informed us and all the newspapers), and last year gave birth to quintuplets. The rest (as they say) is history. You may even have seen the Time Magazine article about the “Goddard Quints” in which they were described as “cute, coffee-colored, and quite an armload.”