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Sun or the Daily Mirror under an arm. They trust him, he feels. They trust the food for which he is ultimately responsible because from experience they know they can, and that gives him pleasure. He can’t imagine his existence now if he had remained an invoice clerk. Head of Invoices he would have become in time, but only his close associates would have known that such a title existed. There would have been no question of a place in the managerial dining-room, or the luxury of rejecting it. ‘Damp one hour, cold the next,’ a man going by grumbles. ‘You don’t know where you are with it, Mr Hilditch.’ ‘Shocking.’ Mr Hilditch smiles back. ‘But at least the days’ll be getting longer.’ ‘Enjoy your meal, Mr Hilditch.’ A woman with a tray nods pleasantly as she passes. ‘And yourself, Iris.’ It is an expression they often use, ‘enjoy your meal’: picked up from the television, he supposes. Mr Hilditch doesn’t have television himself. He hired a set once, but found he never turned it on. Sometimes, in reply to the good wishes about his meal, he says he enjoys all his meals, a little pleasantry that invariably causes amusement. In the canteen the bustle has increased. He can no longer hear the greetings and comments from the queue by the counter. Dishes and knives and forks rattle on the trays, the trays themselves noisily deposited. In the smoking area cigarettes are lit; another queue forms for cups of tea or coffee; newspapers are spread out on table-tops. Mr Hilditch likes to watch it all. Flirtations begin or continue in the canteen; girls, sometimes women, eye the young apprentices; men, known to Mr Hilditch to be married, chance their luck. Besides this kind of thing there are a couple of long-established liaisons. A man called Frank from the finishing shop, older by a few years than Mr Hilditch, sits every day with one of the Indian women; Annette from the paint shop keeps a place at the same corner table for young Kevin, to whom she could give fifteen years at least. You can’t tell what is going on or if at other times, outside the factory, these companionships continue. Everyone knows, yet Mr Hilditch reckons that no one, meeting the legal partners of these people, would divulge a thing. The factory is another world; within it, so is his canteen. He finishes his steamed pudding and queues for tea, exchanging further views on the weather with those on either side of him. He returns to the kitchens, stands for a moment in the doorway, then makes his way out of the building to his office beyond the loading bays. As he progresses on the tarmacadamed surface, taking his time while digesting, he notices a solitary figure ahead of him. It is a girl in a red coat and a headscarf, carrying two plastic bags. He notices when he is closer to her that she is round-faced, wide-eyed, and has an air of being lost. He doesn’t recognize her; she doesn’t belong. Chawke’s it says on the plastic bags, bold black letters on green. He has never heard the name before; it doesn’t belong, either. ‘I don’t know am I in the right place,’ the girl says as he is about to pass her by, and Mr Hilditch smiles in his usual way. Irish, he says to himself. ‘What place are you looking for?’ ‘The lawn-mower factory. Someone said it could be here.’ ‘We don’t make lawn-mowers, I’m afraid.’ ‘Then I’ve got it wrong.’ ‘I’m afraid you have.’ ‘D’you know the place I’m looking for?’ He shakes his head. Lawn-mowers are not manufactured anywhere near here, he says. ‘Oh.’ She stands there awkwardly, her mouth depressed at the corners, her eyes worried. Escaping from the headscarf, wisps of fair hair blow about her face; a tiny cross, on a cheap silver-coloured chain, is just visible beneath her coat. Being curious by nature, Mr Hilditch wonders what her plastic bags contain. ‘I have a friend works in the stores of a lawn-mower factory. The only thing is I’m not certain where it is.’ ‘There are definitely no lawn-mowers manufactured round here.’ The nearest to anything like that would be on the industrial estate half a mile away, where there are garden-supply showrooms. Pritchard’s on the estate do grass-cutters – Mountfield, Flymo, Japanese. ‘Haven’t you got your friend’s address?’ The girl shakes her head. She only has the name of this town, and the lawn-mower information. ‘Pritchard’s is retail, nothing manufactured there.’ ‘Maybe I got it wrong about a factory.’ ‘Try the estate anyway. It could be they’d put you in touch.’ Mr Hilditch, who is a careful man, doesn’t wish to be seen with a girl on the factory premises. No one has observed their meeting, of that he is certain. No windows overlook the tarmacadam expanse; no one is, or has been, about. He has never been seen in the company of a girl on the factory premises, nor anywhere in the immediate neighbourhood. Nothing like that on your own doorstep is the rule he has. ‘Walk out the yellow gates, the way you came in.’ He hurries the directions, hardly waiting for the nods of acknowledgement they elicit. ‘Turn right and keep on until you come to the dual carriageway. Turn left there. After that you’ll see the sign to the estate. Blackbarrow Industrial Estate it says.’ Mr Hilditch nods to himself, an indication that the encounter has reached an end. Then abruptly he turns away from the girl and continues on his way.