Nothing about it boded well for his household.
But there was one more reason for turning aside after Aewyn: Elfwyn Aswydd had more than a compulsion on him: there was also his father’s blood in him, there was a Syrillas brother’s love, Emuin’s concern, and a Sihhë blessing on him. If there was one young lad it might be difficult for any enemy to hold, it might be this one.
He made up his mind. As much as he dared nudge a set of affairs so very precariously balanced, he sent the most delicate thought curling toward what was now an iron wall—a thought that quested after the least, most insignificant gap in the barrier, the sort a brotherly bond might make. And he intended to lay hands on that brother.
CHAPTER ELEVEN
i
COUCHES, AND CUSHIONS, AND DRAPES——THEY WERE EVERYWHERE for comfort. It was that precise green and that precise gold that had been the Aswydd heraldry, forbidden now, but everywhere about, and the monstrous fireplace, with what might have been a dragon, or a grinning devil. The harp. Defying his prison, having heard in Gran’s tales that harps could be enchanted, Elfwyn ran his bruised, cold-burned fingers over the strings and evoked a rippling of notes.
No answer came.
“Ordinary,” he said in his most stinging way. “Besides,” he said to his absent mother, in case she could hear him, “you never played this harp, did you? I would never expect you to like music.”
That drew an answer. The door never opened. But a figure appeared by the fireside—not his mother, but a young man who for all the world looked like Lord Tristen: that kind of youth that was neither young nor old; that kind of beauty that set its owner apart from blemished mankind.
That figure faded, and in its place stood a woman, a woman with long red hair. Her back was to him, her face to the fire, her hands lifted to it.
“Mother?” Elfwyn asked harshly. “Mother!”
The woman turned, and it was his mother’s face, and his mother’s cant of the head, and it held that same kind of beauty, chilling, severe, and foreign.
“Not your mother,” she said. “Your aunt. Your aunt, dear boy. I pass by any thanks for rescue. I would never expect gratitude, not from your father’s bloodline.”
“Mother!” he shouted, but the figure, like the man before it, faded before his eyes, leaving only the fire.
ii
AEWYN’S FEET HAD LONG SINCE LOST ALL FEELING, HIS LEGS BUCKLED, it was not weakness, he insisted. He was weary, but he had only stumbled this time on a bit of ice. He levered himself up, holding to the wall as he could with fingers that likewise had gone numb within his gloves… it was only the roughened leather that gripped the stones. His fingers would no longer bend.
He was in a predicament. He realized that, in a distant, determined sort of way. He might have made certain wrong choices, but if he turned back a second time, that would be three times down the same stretch of wall.
“Otter?” he called, and was utterly confused to find night settled about him, as if daylight, so newly born, had just given up in exhaustion. “Elfwyn!” He shouted that out whenever he found breath. If only there were an answer, if only they were together, they could share warmth and find a nook to shelter them from the damnable wind. Or if someone heard him, it might be one of the villagers, and he could raise a general search for his brother. He would promise the village—he would promise them whatever a prince of Ylesuin could promise: cattle, sheep, horses, a grant of land, whatever they wanted, if only they could find his brother alive.
As it was, he could only put one foot in front of another, and did that because, if he stopped, he would die, and his father would never know where he was.
“Boy,” someone said behind him. “Boy, what d’ ye want wi’ my Otter?”
He turned, blinking, as snow hit his eyes. A woman stood there, a little old woman in a shawl, then a robed woman in gray skirts, who was almost too dim to see.
“Why, ’tis Prince Aewyn, ain’t it?” the first woman said, and took off her shawl and wrapped it around him, which he protested—the old woman would freeze straightway, in her light clothing. But it warmed him where it touched, warmed his hands just as he tried to give it back to her.
“I’ve lost Otter,” he tried to say, but he stammered too much. He began to make out the other woman, like an Amefin lady, but in a faded, cobwebby gown. And he knew he should not be standing still. He had to keep moving, but he had gotten distracted and forgotten to do that.
But he was so much warmer, just where the old woman had touched his hand, and he thought he knew her. He thought it was Paisi’s gran. Otter had told him she was dead, but here she was, and he had to tell Otter that his gran was safe, when he found him. He had no idea who the other lady was, but he felt safer, and warmer, though the fog closed about him for a moment.
“Grandson,” an old man said from behind him, and he turned about and saw a tall, dignified man with a gold band about his brows, and a fine rich cloak. The old man looked right into his eyes. “Grandson. A fine lad. You have your mother’s look about you.”
“My mother is Ninévrisë, the Lady Regent of Elwynor, Queen of Ylesuin…”
“All these things,” the old man said, “ andmy daughter. A good daughter, she is. Are you a good and honest son? I think you are.”
“My mother’s father is dead,” he said, and that was two conversations with the dead in a matter of moments, which might be too many for safety. He looked about to see where Paisi’s gran was, and if she had advice for him; but she was gone, and the old man laid a hand on his shoulder, sending warmth through him.
“Tell me about yourself,” the old man said. “Tell me why you’ve come.”
“To find my brother!” he said.
“There is no one here,” the old man said.
“Then help me find him,” he said—not that he failed to know he was in dire trouble, but if he was seeing his dead grandfather, and he was dying or dead, he stuck by his mission, and by his brother. “He fell away. He must have come down somewhere. Help me!”
“Then tell me about him,” the old man said, and flung the great warmth of his cloak about him, and when it enfolded him, the warmth all but stole his breath. He fought to keep aware, and to keep awake—he knew better than to sleep in the snow, but the weight of the cloak bore him down, and down, and he rested against the old man’s knees. He felt the touch of the old man’s fingers in his hair, a caress, then something like a kiss on his temple.
“Rest,” the old man said, somewhere in his hearing, and near him a blue Line sprang into being. Blue fire ran along a wall, then branched, all in squares and rectangles, until all the space about seemed alight. They were wards, and they stretched on and on and on, burning blue and covering the very hillsides.
Safety, they informed him. Safe to sleep, safe to rest.
No, he insisted to himself. Not safe to sleep. Not while Otter’s lost.
iii
AUNT, THE WOMAN HAD CALLED HERSELF. Orien, Emuin had named his mother’s twin. Orien Aswydd. The name sent chills through Elfwyn’s bones. What have you done with my mother? he wanted to ask.
But he had no one to ask. He paced, too weary to walk, but unwilling to sink down and wait patiently in soft cushions. He thought of wreaking destruction on the place, ripping down the tapestries and shredding the cushions and making himself as ungrateful a tenant as possible—but that did nothing to win his freedom, and might put him in a worse place.
He did think to search the walls and behind the hangings for any hint of a second door or a cupboard, or something he might use as a weapon. The fireplace had no poker. There were no windows. And last of all he tried the latch of the door, in the foolish notion that, who knew? Perhaps his strong wish for a way out might make one: the world had not followed ordinary rules since Master Emuin had walked into their little cottage—or maybe not for hours before that.