“Ian. Ian.” She was breathless. And he knew immediately what news she had brought him, and he looked at her gravely.
She said, “Yes.” And then she smiled, and leant forward to embrace him.
“When?” he asked, stuffing the notebook back into his pocket.
“Right away,” she said. “Now. Right now. They’ll take you down there straightaway.”
They began to walk back along the path, away from the stone. He had been warned not to run, and could not, as he would rapidly become breathless. But he could walk quite fast on the flat, and they were soon back at the gate to the kirk, where the black taxi was waiting, ready to take them.
“Whatever happens,” he said as they climbed into the taxi,
“come back to this place for me. It’s the one thing I do every year. On this day.”
“You’ll be back next year,” she said, reaching out to take his hand.
F R I E N D S, L OV E R S, C H O C O L AT E
7
O N T H E OT H E R S I D E of Edinburgh, in another season, Cat, an attractive young woman in her mid-twenties, stood at Isabel Dalhousie’s front door, her finger poised over the bell. She gazed at the stonework. She noticed that in parts the discoloration was becoming more pronounced. Above the triangular gable of her aunt’s bedroom window, the stone was flaking slightly, and a patch had fallen off here and there, like a ripened scab, exposing fresh skin below. This slow decline had its own charms; a house, like anything else, should not be denied the dignity of natural ageing—within reason, of course.
For the most part, the house was in good order; a discreet and sympathetic house, in spite of its size. And it was known, too, for its hospitality. Everyone who called there—irrespective of their mission—would be courteously received and offered, if the time was appropriate, a glass of dry white wine in spring and summer and red in autumn and winter. They would then be listened to, again with courtesy, for Isabel believed in giving moral attention to everyone. This made her profoundly egalitarian, though not in the non-discriminating sense of many contemporary egalitarians, who sometimes ignore the real moral differences between people (good and evil are not the same, Isabel would say). She felt uncomfortable with moral relativists and their penchant for non-judgementalism. But of course we must be judgemental, she said, when there is something to be judged.
Isabel had studied philosophy and had a part-time job as general editor of the Review of Applied Ethics. It was not a demanding job in terms of the time it required, and it was badly 8
A l e x a n d e r M c C a l l S m i t h paid; in fact, at Isabel’s own suggestion, rising production costs had been partly offset by a cut in her own salary. Not that payment mattered; her share of the Louisiana and Gulf Land Company, left to her by her mother— her sainted American mother, as she called her—provided more than she could possibly need.
Isabel was, in fact, wealthy, although that was a word that she did not like to use, especially of herself. She was indifferent to material wealth, although she was attentive to what she described, with characteristic modesty, as her minor projects of giving (which were actually very generous).
“And what are these projects?” Cat had once asked.
Isabel looked embarrassed. “Charitable ones, I suppose. Or eleemosynary if you prefer long words. Nice word that—
eleemosynary . . . But I don’t normally talk about it.”
Cat frowned. There were things about her aunt that puzzled her. If one gave to charity, then why not mention it?
“One must be discreet,” Isabel continued. She was not one for circumlocution, but she believed that one should never refer to one’s own good works. A good work, once drawn attention to by its author, inevitably became an exercise in self-congratulation. That was what was wrong with the lists of names of donors in the opera programmes. Would they have given if their generosity was not going to be recorded in the programme? Isabel thought that in many cases they would not. Of course, if the only way one could raise money for the arts was through appealing to vanity, then it was probably worth doing.
But her own name never appeared in such lists, a fact which had not gone unnoticed in Edinburgh.
“She’s mean,” whispered some. “She gives nothing away.”
They were wrong, of course, as the uncharitable so often F R I E N D S, L OV E R S, C H O C O L AT E
9
are. In one year, Isabel, unrecorded by name in any programme and amongst numerous other donations, had given eight thousand pounds to Scottish Opera: three thousand towards a production of Hansel and Gretel, and five thousand to help secure a fine Italian tenor for a Cavalleria Rusticana performed in the ill-fitting costumes of nineteen-thirties Italy, complete with brown-shirted Fascisti in the chorus.
“Such fine singing from your Fascisti,” Isabel had remarked at the party which followed the production.
“They love to dress up as fascists,” the chorus master had responded. “Something to do with only being in the chorus, I suspect.”
This remark had been greeted with silence. Some of the Fascisti had overheard it.
“Only in the most attenuated way,” the chorus master had added, looking into his glass of wine. “But then again, perhaps not. Perhaps not.”
“ M O N E Y,” said Cat. “That’s the problem. Money.”
Isabel handed Cat a glass of wine. “It invariably is,” she said.
“Yes,” Cat went on. “I suppose that if I were prepared to offer enough, I would be able to get somebody suitable to stand in for me. But I can’t. I have to run it as a business, and I can’t make a loss.”
Isabel nodded. Cat owned a delicatessen just a few streets away, in Bruntsfield, and although it was successful, she knew that the line between profitability and failure was a narrow one.
As it was, she had one full-time employee to pay, Eddie, a young man who seemed to be on the verge of tears much of the time, 1 0
A l e x a n d e r M c C a l l S m i t h haunted, thought Isabel, by something which Cat could not, or would not, speak about. Eddie could be left in control for short periods, but not for a week it seemed.
“He panics,” said Cat. “It gets too much for him and he panics.”
Cat explained to Isabel that she had been invited to a wedding in Italy and wanted to go with a party of friends. They would attend the wedding in Messina and then move north to a house which they had rented for a week in Umbria. The time of year was ideal; the weather would be perfect.
“I have to go,” said Cat. “I just have to.”
Isabel smiled. Cat would never ask outright for a favour, but her intention was transparent. “I suppose . . . ,” she began. “I suppose I could do it again. I rather enjoyed it last time. And if you remember, I made more than you usually do. The takings went up.”
This amused Cat. “You probably overcharged,” she said.
And then a pause, before she continued: “I didn’t raise the issue to get you to . . . I wouldn’t want to force you.”
“Of course not,” said Isabel.
“But it would make all the difference,” Cat went on quickly.
“You know how everything works. And Eddie likes you.”
Isabel was surprised. Did Eddie have a view on her? He hardly ever spoke to her, and certainly never smiled. But the thought that he liked her made her warm towards him. Perhaps he might confide in her, as he had confided in Cat, and she would be able to help him in some way. Or she could put him in touch with somebody: there were people who could help in such circumstances; she could pay for it if necessary.