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Another common difficulty was that hijackers, forced to use easy-to-conceal weaponry like pistols and grenades, tended to be under-armed.  In contrast, the forces of law and order, galvanized into action by the media and the weapons merchants, had invested in a massive array of antiterrorist gadgetry and weaponry.  The scales had never been tilted more heavily against the terrorist.  Counterterrorism had become a complete industry.

But even with the manpower and firepower issues left out of it, there still remained a key flaw in terrorist hijack tactics:  the initiative, once the initial grab had taken place, passed almost completely to the authorities.  The hijackers waited and sweated, and the authorities prevaricated and stonewalled.  The only thing the terrorists could do was kill prisoners to demonstrate intent, but even that option was counterbalanced by that unwritten but well-known rule: Once the killing starts the assault forces go in, and too damn bad about the consequences.  To make matters worse from a terrorist point of view, experience had shown that a specialist assault force could take out a hijack position with minimal casualties — most of the time.  The Egyptians were the exception to that rule.

The final problem with hijacks was that either the terrorists didn't seem to know precisely what they wanted — Kadar, professional and Harvard man that he was, found this hard to swallow, but his research showed it was often the case — or what they demanded was obviously politically unacceptable or impossible.  Often it was both.

It had to be admitted that unless you were a publicity hound — and Kadar was profit-oriented first and foremost, though he wasn't averse to a degree of media flirtation and had enjoyed his obituaries immensely — the hijack track record was not good.

"Room for improvement," as a schoolteacher would put it.

In Kadar's view, a fundamentally new approach was required — and Operation Geranium was the result.

*          *          *          *          *

Fitzduane's Castle — 1555 Hours

Fitzduane had phoned the police security detail at DrakerCollege and, for good measure, had also spoken to the acting headmaster.  His concerns had been politely received but with thinly disguised incredulity.  He didn't need to be psychic to know that he wasn't getting through.  The sun continued to blaze in a cloudless sky.  The idea of a serious threat in such an idyllic spot lacked credibility.

Sergeant Tommy Keane from the police station on the mainland had showed up on his bicycle and, after a private discussion with Fitzduane, had reluctantly agreed to stay around for the next few hours.  It was too hot for fishing anyway.  He'd try to sneak away in the evening.  Meanwhile, he might as well keep an eye on what his eccentric friend was up to — and try to keep him out of trouble.

Fitzduane's little army now numbered thirteen.  Eleven, including Fitzduane, reassembled in the great hall.  Murrough and his wife were on the fighting platform of the tower.  Armed with powerful binoculars, they could observe the bridge onto the island and much of the surrounding countryside with ease.  Visibility was generally excellent, though a thin heat haze had sprung up and obscured details in the distance.

Fitzduane spoke.  "Our first priority is to secure this castle, so I want you all to be thoroughly familiar with the physical layout, hence the guided tour.  I'll go through it again now and explain how the defenses — if required — will work."

He turned to a large plan of the castle painted on wood and resting on an easel.  It had been made nearly three hundred years earlier, and the colors were faded.  His mind wandered for a moment to the many other occasions when Fitzduanes had assembled to ward off a threat.  Most of the time they had been able to talk their way out of trouble.  Somehow he didn't think that talk would be the answer this day.

"As you can see," he said, "the castle is situated on a low outcrop of rock bordered on two sides by the sea.  The sea approach doesn't guarantee security against trained individuals, but any major assault would almost certainly have to be made from the landward side.  Even when the tide is out, the rock is steep and covered with seaweed, so maneuvering a body of men on the seaward approaches is well-nigh impossible."

"I'm going to use the term castle for the whole walled-in area, but of course, the castle actually consists of several component parts, mostly built at different times.  The cornerstone of the castle — and the part that was built first — is the sixty-foot-high square stone tower known as the keep.  On the top of the keep is what is called the fighting platform.  That is the open area protected by a parapet.  Under the fighting platform are five rooms, access to which is by the circular stone staircase.  In all the rooms and on the stairs there are observation and firing points.

"Next to the keep and connected to it at second-floor level is the long rectangular building we are in, which is known as the great house.  That was built when things were supposed to be getting more civilized around here but still with an eye on defense.  It consists of three floors under a pitched roof.  The top floor is this room and the kitchen.  Underneath are the bedrooms, and under those are stores and utility rooms.  The outside wall of the great house is part of the perimeter and is defended by the sea access and the normal fighting points, and it is overlooked by the top stories of the keep.  However, there are no battlements here, and the pitched roof is vulnerable to plunging fire.

"The rest of the castle consists of the courtyard area, called the bawn, enclosed by a twenty-foot-high perimeter wall.  Battlements run the length of the wall, and under these are the stables, bakery, smithy, and other workshops.  The weak point of the perimeter wall is, of course, the main gate, but that is defended by that small square tower, the gatehouse.  The gate itself still had a working portcullis."

"What is a portcullis?" asked Andreas von Graffenlaub's Israeli girlfriend.

Fitzduane had learned that her family had been part of Dublin's Jewish community before emigrating to Israel.  Her name was Judith Newman, and her looks were a strong argument in favor of making love and not war.  She seemed quite unfazed by what was happening.  Of course, she of all people would be used to terrorist threats.  She came from a kibbutz near the Syrian border.

"It's the iron gate that looks like a grid.  It rises and falls vertically.  The idea is that it can be dropped in a hurry if any unfriendlies show up.  There are spikes set into its base, so it's no fun if you are under it at the wrong time.  It used to be operated by a big hand winch, but now there is an electric motor."

"But you can see through it," said Judith.  "It's not solid."

"You can indeed see through it," said Fitzduane.  "Which was partly the idea.  It means you can also shoot through it.  I imagine weight was also a consideration.  A solid gate of that size would be impractical to raise and lower by hand on a routine basis."