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Kadar — she knew him by another name — was sprawled in the Charles Eames chair in front of her.  His legs were stretched out, feet up on the matching footstool.  His hands were clasped around a brandy snifter.  He lifted the glass and swirled the contents around, then sniffed the bouquet appreciatively.  He sipped some of the golden liquid and returned the glass to his lap.  He was wearing a black silk shirt open to the navel and Italian-cut white trousers of some soft material.  His feet were bare.  He looked easygoing and relaxed, the master of the house at leisure; his eyes glinted with amusement.

"I would guess," he said, "that you are about at the stage where you are wondering what's going on.  You are probably backtracking and trying to recall your most recent memories.  Nod if you agree."

She stared at him, her eyes large and beautiful above the mask of surgical tape.  Seconds passed; then she nodded.

"We were making love," he said, "or to be quite accurate, we had just finished a rather energetic soixante-neuf with a few little variations, if you remember.  You were very good, I might even say outstanding, but then you always did have a special talent for sensuality, and I believe I may say, with due modesty, that I taught you well.  Don't you agree?"

She nodded again, this time quickly, eager to please.  This was one of his bizarre sexual games, and he would not really hurt her.  She tried to believe it.  She could hear her heart pounding.

"I'm sorry about the gag," he said, "but the Swiss have this obsession about noise.  I'll tell you how I first became aware of the noise issue.  It gave me quite a shock at the time, as I'm sure you can imagine.

"Shortly after I first arrived in Bern — that was many years ago, my sweet, when you were still a chubby-cheeked little girl — one evening about midnight I decided in my innocence to have a bath.  A rather pretty young Turkish waiter who worked in the Mövenpick was the reason, as I recall, but I could be wrong.  The memory plays such tricks.

"Anyway, there I was with my loofah at hand, soaping my exhausted penis and singing the ‘Song of the Volga Boatmen,’ when there was a ring at my door.  I tried to ignore it because there is nothing worse than leaving a relaxing bath after you've settled in, but the finger on the doorbell would not desist.  I swore in several different languages and dripped across and opened the door.  Lo and behold, there stood not my pretty Turkish waiter looking for an encore but, like Tweedledum and Tweedledee, two of Bern's finest Berps.

"Some anonymous neighbor, overwhelmed with civic duty and obviously not a lover of Russian music, had called the police.  They informed me, to my shock, horror, amusement, and downright incredulity, that there is some law or other that actually forbids having a bath or shower or using a washing machine or generally doing anything noisy after ten at night or before eight in the morning.  So there you are.  It's now nearly two in the morning, so I had to gag you.  I wouldn't want you screaming and breaking the law."

Kadar drained the brandy glass.  He refilled it from a cut-glass decanter that rested nearby on a low glass-topped table.  There was a small stainless steel basin containing a folded cloth beside the decanter.

"But I was explaining what happened after our shared soupçon of sex.  Actually there is not much to tell.  You fell asleep; I dozed a bit; then, gently, I struck you on a certain special spot on the back of your head to render you unconscious — it's an Indian technique, if you're interested, from a style of fighting known as kalaripayit — and then I arranged you as you now find yourself, drank a little brandy, read a Shakespeare sonnet or two, and waited for you to recover.  It took longer than expected, and in the absence of the smelling salts so beloved by ladies of fashion in more civilized times, I had to make do with soothing your fevered brow with a damp cloth.  That seemed to do the trick.

"You might well ask why I have gone to so much trouble — and I see from your expression that that very question has crossed your mind.  Well, my dear, it's all about discipline.  You did something you shouldn't have done — doubtless for the best of motives, but I really don't care — and now you have to be punished.

"You have to see it from my point of view.  You may think my main preoccupation is our little band here in Switzerland.  You don't realize that I have a number of such interests scattered across Europe, the Middle East, the Americas, and elsewhere, and the only way I can keep them under control — given that I must be away so much — is, in the final analysis, through absolute discipline.  Discipline is the key to my running a multinational operation, and discipline has to be enforced.

"You see, I worked out my particular multinational management style, my objectives, and my strategy when I was at Harvard.  It was while studying the activities of the big soap companies like Procter & Gamble and Unilever that I got the idea.  They have different brands of soap and cleaning powder, all competing to some extent for different segments of the market.  I decided there was a major commercial opportunity to exploit in the rapidly developing phenomenon of terrorism — all that hate, frustration, idealism, and sheer raw energy waiting to be tapped and manipulated — so I decided to do much the same thing as the soap companies, except with terrorist groups instead of detergent.  Each little band had its own rules and rituals and tokens to give it a sense of esprit de corps and identity, but each little band has only one purpose, just like all the others:  to make me a profit.

"I'm very profit-oriented.  I don't give a fuck about the rights of the Palestinians, the ambitions of the Basques, the overthrow of the Swiss establishment, or whatever.  I care a great deal about cash flow, return on investment, and meeting financial targets.  It's all about the bottom line in the end."

He paused for a moment and held his cut-glass brandy snifter up to the light.  He swirled the amber liquid and watched the changing sparkle of golden light with concentration; then he turned his gaze back to the naked girl.

"Initially you were instructed to follow the Irishman and to report his movements, preferably without being detected.  Later on, when it seemed that he might be becoming aware of your interest, you were ordered to keep a discreet eye on him from a distance and even then only intermittently so there would be no risk of your being discovered.  You were ordered to do nothing more than that — nothing more!"  His voice had risen, and he was almost shouting.  He calmed himself and continued speaking.  "My dear, I'm forgetting myself and what time it is.  I certainly don't want to  upset all those sleeping burghers of Bern, and as for raising my voice in a lady's presence, I do apologize.

"The truth is I can't abide indiscipline.  I expect that's why I made my base in Switzerland; despite its many peculiarities, it's such a disciplined society.  Lack of discipline shocks me, this casual disregard of precise instructions.  In your case it was particularly shocking.  I thought you understood.  Then I come back from an important business trip to find that — on your own initiative — you and that fool Pierre have decided to exceed instructions and kill the Irishman merely because he looked alone and vulnerable on the Kirchenfeld Bridge; and you didn't even succeed, two of you, with surprise on your side."

He shook his head sadly.  "This is not proper behavior for members of my organization.  It is just as well that Pierre was killed before I could lay my hands on him.  Have you not learned already what happens to those who disobey orders?  Have you forgotten so soon the lesson of Klaus Minder?  An overtalkative boy.  I would have thought the manner of his dying would have made you painfully aware of that I expect my orders to be adhered to."  A thought occurred to him.  "Perhaps you thought the elimination of the Irishman would please me."