Now, when Anthony was near his fiftieth year, there fell on him a heaviness of spirit which daily increased upon him. He began to question of his end and what lay beyond. He had always made pretence to mock at religion, and had grown to believe that in death the soul was extinguished like a burnt-out flame. He began, too, to question of his life and what he had done. He had made a few toys, he had filled vacant hours, and he had gained an ugly kind of fame—and this was all. Was he so certain, he began to think, after all, that death was the end? Were there not, perhaps, in the vast house of God, rooms and chambers beyond that in which he was set for awhile to pace to and fro? About this time he began to read in a Bible that had lain dusty and unopened on a shelf. It was his mother’s book, and he found therein many little tokens of her presence. Here was a verse underlined; at some gracious passages the page was much fingered and worn; in one place there were stains that looked like the mark of tears; then again, in one page, there was a small tress of hair, golden hair, tied in paper with a name across it, that seemed to be the name of a little sister of his mother’s that died a child; and again there were a few withered flowers, like little sad ghosts, stuck through a paper on which was written his father’s name—the name of the sad, harsh, silent man whom Anthony had feared with all his heart. Had those two, indeed, on some day of summer, walked to and fro, or sate in some woodland corner, whispering sweet words of love together? Anthony felt a sudden hunger of the heart for a woman’s love, for tender words to soothe his sadness, for the laughter and kisses of children—and he began to ransack his mind for memories of his mother; he could remember being pressed to her heart one morning when she lay abed, with her fragrant hair falling about him. The worst was that he must bear his sorrow alone, for there were none to whom he could talk of such things. The doctor was as dry as an old bunch of herbs, and as for the priest, Anthony was ashamed to show anything but contempt and pride in his presence.
For relief he began to turn to a branch of his studies that he had long disused; this was a fearful commerce with the unseen spirits. Anthony could remember having practised some experiments of this kind with the old Italian doctor; but he remembered them with a kind of disgust, for they seemed to him but a sort of deadly juggling; and such dark things as he had seen seemed like a dangerous sport with unclean and coltish beings, more brute-like than human. Yet now he read in his curious books with care, and studied the tales of necromancers, who had indeed seemed to have some power over the souls of men departed. But the old books gave him but little faith, and a kind of angry disgust at the things attempted. And he began to think that the horror in which such men as made these books abode, was not more than the dark shadow cast on the mirror of the soul by their own desperate imaginings and timorous excursions.
One day, a Sunday, he was strangely sad and heavy; he could settle to nothing, but threw book after book aside, and when he turned to some work of construction, his hand seemed to have lost its cunning. It was a grey and sullen day in October; a warm wet wind came buffeting up from the West, and roared in the chimneys and eaves of the old house. The shrubs in the garden plucked themselves hither and thither as though in pain. Anthony walked to and fro after his midday meal, which he had eaten hastily and without savour; at last, as though with a sudden resolution, he went to a secret cabinet and got out a key; and with it he went to the door of the little room that was ever locked.
He stopped at the threshold for a while, looking hither and thither; and then he suddenly unlocked it and went in, closing and locking it behind him. The room was as dark as night, but Anthony going softly, his hands before him, went to a corner and got a tinder-box which lay there, and made a flame.
A small dark room appeared, hung with a black tapestry; the window was heavily shuttered and curtained; in the centre of the room stood what looked like a small altar, painted black; the floor was all bare, but with white marks upon it, half effaced. Anthony looked about the room, glancing sidelong, as though in some kind of doubt; his breath went and came quickly, and he looked paler than was his wont.
Presently, as though reassured by the silence and calm of the place, he went to a tall press that stood in a corner, which he opened, and took from it certain things—a dish of metal, some small leathern bags, a large lump of chalk, and a book. He laid all but the chalk down on the altar, and then opening the book, read in it a little; and then he went with the chalk and drew certain marks upon the floor, first making a circle, which he went over again and again with anxious care; at times he went back and peeped into the book as though uncertain. Then he opened the bags, which seemed to hold certain kinds of powder, this dusty, that in grains; he ran them through his hands, and then poured a little of each into his dish, and mixed them with his hands. Then he stopped and looked about him. Then he walked to a place in the wall on the further side of the altar from the door, and drew the arras carefully aside, disclosing a little alcove in the wall; into this he looked fearfully, as though he was afraid of what he might see.
In the alcove, which was all in black, appeared a small shelf, that stood but a little way out from the wall. Upon it, gleaming very white against the black, stood the skull of a man, and on either side of the skull were the bones of a man’s hand. It looked to him, as he gazed on it with a sort of curious disgust, as though a dead man had come up to the surface of a black tide, and was preparing presently to leap out. On either side stood two long silver candlesticks, very dark with disuse; but instead of holding candles, they were fitted at the top with flat metal dishes; and in these he poured some of his powders, mixing them as before with his fingers. Between the candlesticks and behind the skull was an old and dark picture, at which he gazed for a time, holding his taper on high. The picture represented a man fleeing in a kind of furious haste from a wood, his hands spread wide, and his eyes staring out of the picture; behind him everywhere was the wood, above which was a star in the sky—and out of the wood leaned a strange pale horned thing, very dim. The horror in the man’s face was skilfully painted, and Anthony felt a shudder pass through his veins. He knew now what the picture meant; it had been given to him by the old Italian, who had smiled a wicked smile when he gave it, and told him that it had a very great virtue. When Anthony had asked him of the subject of the picture, the old Italian had said, ‘Oh, it is as appears; he hath been where he ought not, and he hath seen somewhat he doth not like.’ When Anthony would fain have known more, and especially what the thing was that leaned out of the wood, the old Italian had smiled cruelly and said, ‘Know you not? Well, you will know some day when you have seen him;’ and never a word more would he say.
When Anthony had put all things in order, he opened the book at a certain place, and laid it upon the altar; and then it seemed as though his courage failed him, for he drew the curtain again over the alcove, unlocked the door, set the tinder-box and the candle back in their place, and softly left the room.