WE SHARED A BEDROOM, MARKING time till graduation, until we could leave without drawing suspicion. All of our parents had been accommodating; in the days after Nikki, no one liked the idea of a girl living on the streets. We slept side by side. We smelled of the same conditioner and toothpaste; we wore each other’s clothes. We couldn’t stand the sight of each other, but we had to stay in sight. We had to make sure our secrets would stay locked up, which meant watching each other, always. We dreamed with our eyes open, remembering the noise she’d made as the blood was spilling out of her, the whale song of pain.
We still drove, in those endless days. Never toward something. Always away. We would drive into emptiness, then set out a blanket, lie down in the middle of a dead sunflower field. A yellowing void we could scan from horizon to horizon, wizened stalks swaying in the breeze.
The buzz and chitter of insects. Our goose-bumped skin. Spring on its way, all too slowly. Seconds ticking by, measured and loud. Life inside a grandfather clock.
We talked about the devil, and whether there was such a thing. Once we had speculated that God and the devil were the same, that they were contained in the holy sound of Kurt’s voice, but we didn’t need them anymore, our god or our devil. We understood now what we were meant to be, a church of two, worshipping only each other.
WHEN THE TIME WAS RIGHT, we left. Exactly as we’d planned, in the dark of night, bags piled into the trunk, car pointed west. We didn’t go to Seattle. Seattle wasn’t ours anymore. But we paid attention, and we saw what became of it.
Seattle was a commercial. Seattle was a movie set and a Gap ad. Grunge was ascendant; the revolution was televised. Seattle took over the world, all its possibility and promise made manifest, and didn’t survive it.
Neither did Kurt. We didn’t cry. We wondered, for a moment, at the rumors about Courtney, because we knew how easy it was to make one thing look like another, to take a cold hand and curl it around a gun. But deep down, we knew: It was Kurt. His finger. His trigger. He owned his death, and it turned out the death of a god was like any other. It was not rage or sorrow or love; it was neither beautiful nor deep. It was the one thing Kurt had never been: pointless noise, pointless silence.
THERE WAS NO PLACE TO go but LA, where you could live on the surface and get lost beneath it, all at once. We found an apartment in the shadow of a freeway and jobs that made our feet hurt and our hair smell of smoke; we paid rent and taught ourselves to surf, trying to pretend we were having fun.
This is what we wanted, we told ourselves, and also, we will be okay, and also, I still love you.
We liked how we looked with platinum hair, and even more we liked how we looked like everyone else. Sometimes we even liked how much we looked like each other, like sisters, people said for the first time. LA was a place to lose yourself and be reborn. It was as far as we could get from Battle Creek without drowning ourselves in the Pacific, and we waited, we wait, for the tide to carry Nikki into the past.
LA doesn’t believe in the past any more than it believes in the future, and so neither do we. We pretend away the days to come, when our skin will loosen, our breasts will sag, our eyes will be rimmed by lines and hollows that makeup can’t disguise, when we will no longer be girls who’ve done something terrible but women atoning for the sins of the strangers they used to be. We will never go back; we will search for ourselves on milk cartons and miss the home we were so desperate to escape. We will be waitresses and receptionists and the chirpy voice on the end of the line thanking you for your time and telling you have a nice day. We will worship the girls we used to be. We will never have children; we will never have daughters. Someday, maybe, one of us will walk into the sea, and the other will finally be alone.
Not yet. We refuse the future. We hang onto our moment, freeze ourselves in this time, when we are still girls, when we still know pain and its pleasures. We walk in the ocean and dig our toes into sand that comes from far away, from ages past. We scan the horizon for pirate ships and glass bottles, for unlikely miracles washing to shore. We have no secrets from each other; we are two parts of a whole. We have everything we wanted; we have only each other, and we can only trust the girls we used to be, who whisper to us from the past and promise that will be enough.
Acknowledgments
THANKS TO THE DREAM TEAM: Meredith Kaffel Simonoff understood what this story wanted to be and somehow bamboozled me into believing I could write it. Cal Morgan’s wisdom, insight, persistence, and refusal to let a single semi-colon pass without careful consideration and occasional debate made the revision process a terrifying joy. There’s not enough gourmet chocolate in the world to repay my debt to either of them, but I’m working on it. I also owe a substantial amount of chocolate — and maybe some tea scones — to Clare Smith, for her transatlantic encouragement, support, and razor-sharp editorial insight.
Thanks also to Jennifer Barth for the extroardinary enthusiasm with which she guided this book into the world, and to the wonderful Jonathan Burnham, Robin Bilardello, Stephanie Cooper, Lydia Weaver, Katherine Beitner, Laura Brown, Erin Wicks, and everyone at HarperCollins; to the indefatigable Poppy Stimpson, Rachel Wilkie, and everyone at Little Brown UK; and to all the amazing cheerleaders at DeFiore and Company, especially Colin Farstad.
Leigh Bardugo, Holly Black, Sarah Rees Brennan, Erin Downing, Barry Goldblatt, Erin Downing, Jo Knowles, E. Lockhart, Ilana Manaster, Mark Sundeen, and Adam Wilson all took the time and effort to read stacks of pages, helping me figure out which ones not to light on fire. They, and so many others, kept me afloat while I was kicking and flailing my way through this book: Dan Dine, Brendan Duffy, Leslie Jamison, Anica Rissi, Lynn Weingarten — thank you, a million times over, for keeping me well stocked in ideas, motivation, ambition, love, hope, and baked goods.
Finally, thank you to the MacDowell Colony, for giving me such a beautiful space in which to finish this book — and to the Park Slope coffee shop where, one rainy morning in a different life, I began it.
About the Author
ROBIN WASSERMAN IS A GRADUATE of Harvard University and the author of several successful novels for young adults. Her writing has appeared in the Los Angeles Review of Books, Tin House, the New York Times, on TheAtlantic.com, and elsewhere. A recent recipient of a MacDowell fellowship, she lives in Brooklyn, New York. Girls on Fire is her first novel for adults.
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