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Basko hit the bucket and started snouting; I yelled “No!” and chased. The boogies grabbed my beloved comrade and tossed him in the back seat of their car. The car took off — just as I made a last leap and hit the pavement memorizing plate numbers, a partial read: P-L-blank-0016. BASKO BASKO BASKO NO NO—

The next hour went by in a delirium. I called Liz Trent, had her shake down an ex-cop boyfriend for a DMV runthrough on the plate and got a total of fourteen possible combinations. None of the cars were reported stolen; eleven were registered to Caucasians, three to southside blacks. I got a list of addresses, drove to Hollywood and bought a .45 automatic off a fruit hustler known to deal good iron — then hit darktown with a vengeance.

My first two addresses were losers: staid sedans that couldn’t have been the kidnap car. Adrenaline scorched my blood vessels; I kept seeing Basko maimed, Basko’s beady browns gazing at me. I pulled up to the last address seeing double: silhouettes in the pistol range of my mind. My trigger finger itched to dispense .45 caliber justice.

I saw the address, then smelled it: a wood-framed shack in the shadow of a freeway embankment, a big rear yard, the whole package reeking of dog. I parked and sneaked back to the driveway gun first.

Snarls, growls, howls, barks, yips — floodlights on the yard and two pit bulls circling each other in a ring enclosed by fence pickets. Spectators yipping, yelling, howling, growling and laying down bets — and off to the side of the action my beloved Basko being primed for battle.

Two burly shvartzes were fitting black leather gloves fitted with razor blades to his paws; Basko was wearing a muzzle embroidered with swastikas. I padded back and got ready to kill; Basko sniffed the air and leaped at his closest defiler. A hot second for the gutting: Basko lashed out with his paws and disemboweled him clean. The other punk screamed; I ran up and bashed his face in with the butt of my roscoe. Basko applied the coup de grace: left-right paw shots that severed his throat down to the windpipe. Punk number two managed a death gurgle; the spectators by the ring heard the hubbub and ran over. I grabbed Basko and hauled ass.

We made it to my sled and peeled rubber; out of nowhere a car broadsided us, fender to fender. I saw a white face behind the wheel, down-shifted, brodied, fishtailed and hit the freeway doing eighty. The attack car was gone — back to the nowhere it came from. I whipped off Basko’s muzzle and paw weapons and threw them out the window; Basko licked my face all the way to Beverly Hills.

More destruction greeted us: the Bendish/Klein/Basko pad had been ransacked, the downstairs thoroughly trashed: shelves overturned, sections of the satellite dish ripped loose, flocked velvet Elvis paintings torn from the walls. I grabbed Basko again; we hotfooted it to Gail Curtiz’s crib.

Lights were burning inside; the Lab was lounging on the lawn chomping on a nylabone. She noticed Basko and started demurely wagging her tail; I sensed romance in the air and unhooked my sidekick’s leash. Basko ran to the Lab; the scene dissolved into horizontal nuzzling. I gave the lovebirds some privacy, sneaked around to the rear of the house and started peeping.

Va Va Va Voom through a back window. Gail Curtiz, nude, was writhing with another woman on a tigerskin rug. The gorgeous brunette seemed reluctant: her face spelled shame and you could tell the perversity was getting to her. My beady eyes almost popped out of my skull; in the distance I could hear Basko and the Lab rutting like cougars. The brunette faked an orgasm and made her hips buckle — I could tell she was faking from twenty feet away. The window was cracked at the bottom; I put an ear to the sill and listened.

Gail got up and lit a cigarette; the brunette said, “Could you turn off the lights, please?” — a dead giveaway — you could tell she wanted to blot out the dyke’s nudity. Basko and the Lab, looking sated, trotted up and fell asleep at my feet. The room inside went black; I listened extra hard.

Smutty endearments from Gail; two cigarette tips glowing. The brunette, quietly persistent: “But I don’t understand why you spend your life savings renting such an extravagant house. You never spell things out for me, even though we’re... And just who is this rich man who died?”

Gail, laughing. “My daddy, sweetie. Blood test validated. Momma was a car hop who died of a broken heart. Daddy stiffed her on the paternity suit, among many other stiffs, but he promised to take care of me — three million on my twenty-fifth birthday or his death, whichever came first. Now, dear, would you care to hear the absurdist punch line? Daddy left the bulk of his fortune to his dog, to be overseen by a sharpie lawyer and this creep who looks after the dog. But — there has to be some money hidden somewhere. Daddy’s estate was valued at twenty-five million, while the newspapers placed it as much higher. Oh, shit, isn’t it all absurd?”

A pause, then the brunette. “You know what you said when we got back a little while ago? Remember, you had this feeling the house had been searched?”

Gaiclass="underline" “Yes. What are you getting at?”

“Well, maybe it was just your imagination, or maybe one of the other paternity suit kids has got the same idea, maybe that explains it.”

“Linda, honey, I can’t think of that just now. Right now I’ve got you on my mind.”

Small talk was over — eclipsed by Gail’s ardor, Linda’s phony moans. I hitched Basko to his leash, drove us to a motel safe house and slept the sleep of the righteously pissed.

In the morning I did some brainwork. My conclusions: Gail Curtiz wanted to sink my gravy train and relegate Basko to a real dog’s life. Paternity suit intrigue was at the root of the Bendish house trashing and the “searching” of Gail’s place. The car that tried to broadside me was driven by a white man — a strange anomaly. Linda, in my eyes a nondyke, seemed to be stringing the lust-blinded Gail along — could she also be a paternity suit kid out for Basko’s swag? Sleazy Miller Waxman was Sol Bendish’s lawyer and a scam artist bent from the crib — how did he fit in? Were the shvoogies who tried to break into Gail’s crib the ones who later searched it — and trashed my place? Were they in the employ of one of the paternity kids? What was going on?

I rented a suite at the Bel-Air Hotel and ensconced Basko there, leaving a grand deposit and detailed instructions on his care and feeding. Next I hit the Beverly Hills Library and re-read Sol Bendish’s clippings. I glommed the names of his paternity suit complainants, called Liz Trent and had her give me DMV addresses. Two of Sol’s playmates were dead; one was address unknown, two — Marguerita Montgomery and Jane Hawkshaw — were alive and living in Los Angeles. The Montgomery woman was out as a lead: a clipping I’d scanned two weeks ago quoted her on the occasion of Sol Bendish’s death — she mentioned that the son he fathered had died in Vietnam. I already knew that Gail Curtiz’s mother had died — and since none of the complainants bore the name Curtiz, I knew Gail was using it as an alias. That left Jane Hawkshaw: last known address 8902 Saticoy Street in Van Nuys.

I knocked on her door an hour later. An old woman holding a stack of Watchtowers opened up. She had the look of religious crackpots everywhere: bad skin, spaced-out eyes. She might have been hot stuff once — around the time man discovered the wheel. I said, “I’m Brother Klein. I’ve been dispatched by the Church to ease your conscience in the Sol Bendish matter.”

The old girl pointed me inside and started babbling repentance. My eyes hit a framed photograph above the fireplace — two familiar faces smiling out. I walked over and squinted.