He said to himself, They’ve got you, they’ve found you and they’ve got you and you’re finished.
He shrugged again. “You can’t do it here.”
“Can’t we?” Oscar purred.
“It’s a crowded street,” Ken said. He turned his head to look at the lazy parade of tenderloin citizens on both sides of the street. He saw the bums and the beggars, the winos and the ginheads, the yellow faces of middle-aged opium smokers and the grey faces of two-bit scufflers and hustlers.
“Don’t look at them,” Oscar said. “They can’t help you. Even if they could, they wouldn’t.”
Ken’s smile was sad and resigned. “You’re so right,” he said. His shoulders drooped and his head went down and he saw Oscar reaching into a jacket pocket and taking out the silver-handled tool that had a button on it to release a five-inch blade. He knew there would be no further talk, only action, and it would happen within the next split-second.
In that tiny fraction of time, some gears clanged to shift from low to high in Ken’s brain. His senses and reflexes, dulled from nine years in prison, were suddenly keen and acutely technical and there was no emotion on his face as he moved. He moved very fast, his arms crossing to shape an X, the left hand flat and rigid and banging against Oscar’s wrist, the right hand a fist that caught Coley in the mouth. It sent the two of them staggering backward and gave him the space he wanted and he darted through the gap, sprinting east on Race Street toward Ninth.
As he turned the corner to head north on Ninth, he glanced backward and saw them getting into the Olds. He took a deep breath and continued running up Ninth. He ran straight ahead for approximately fifteen yards and then turned again to make a dash down a narrow alley. In the middle of the alley he hopped a fence, ran across a backyard, hopped another fence, then a few more backyards with more fence-hopping, and then the opened window of a tenement cellar. He lunged at the window, went in head-first, groped for a handhold, couldn’t find any, and plunged through eight feet of blackness onto a pile of empty boxes and tin cans. He landed on his side, his thigh taking most of the impact, so that it didn’t hurt too much. He rolled over and hit the floor and lay there flat on his belly. From a few feet away a pair of green eyes stared at him and he stared back, and then he grinned as though to say, Don’t be afraid, pussy, stay here and keep me company, it’s a tough life and an evil world and us alleycats got to stick together.
But the cat wasn’t trusting any living soul. It let out a soft meow and scampered away. Ken sighed and his grin faded and he felt the pressure of the blackness and the quiet and the loneliness. His mind reached slowly for the road going backward nine years...
It was Los Angeles, and they were a small outfit operating from a first-floor apartment near Figueroa and Jefferson. Their business was armed robbery and their work-area included Beverly Hills and Bel-Air and the wealthy residential districts of Pasadena. They concentrated on expensive jewelry and wouldn’t touch any job that offered less than a ten-grand haul.
There were five of them, Ken and Oscar and Coley and Ken’s wife and the Boss. The name of the Boss was Riker and he was very kind to Ken until the face and body of Ken’s wife became a need and then a craving and finally an obsession. It showed in Riker’s eyes whenever he looked at her. She was a platinum blonde dazzler, a former burlesque dancer named Hilda. She’d been married to Ken for seven months when Riker reached the point where he couldn’t stand it any longer and during a job in Bel-Air he banged Ken’s skull with the butt end of a revolver. When the police arrived, Ken was unconscious on the floor and later in the hospital they asked him questions but he wouldn’t answer. In the courtroom he sat with his head bandaged and they asked him more questions and he wouldn’t answer. They gave him five-to-twenty and during his first month in San Quentin he learned from his lawyer that Hilda had obtained a Reno divorce and was married to Riker. He went more or less insane and couldn’t be handled and they put him in solitary.
Later they had him in the infirmary, chained to the bed, and they tried some psychology. They told him he’d regain his emotional health if he’d talk and name some names. He laughed at them. Whenever they coaxed him to talk, he laughed in their faces and presently they’d shrug and walk away.
His first few years in Quentin were spent either in solitary or the infirmary, or under special guard. Then, gradually, he quieted down. He became very quiet and in the laundry-room he worked very hard and was extremely cooperative. During the fifth year he was up for parole and they asked him about the Bel-Air job and he replied quite reasonably that he couldn’t remember, he was afraid to remember, he wanted to forget all about it and arrange a new life for himself. They told him he’d talk or he’d do the limit. He said he was sorry but he couldn’t give them the information they wanted. He explained that he was trying to get straight with himself and be clean inside and he wouldn’t feel clean if he earned his freedom that way.
So then it was nine years and they were convinced he’d finally paid his debt to the people of California. They gave him a suit of clothes and a ten-dollar bill and told him he was a free man.
In a Sacramento hash-house he worked as a dishwasher just long enough to earn the bus-fare for a trip across the country. He was thinking in terms of the town where he’d been born and raised, telling himself he’d made a wrong start in Philadelphia and the thing to do was go back there and start again and make it right this time, really legitimate. The parole board okayed the job he’d been promised. That was a healthy thought and it made the bus-trip very enjoyable. But the nicest thing about the bus was its fast engine that took him away from California, far away from certain faces he didn’t want to see.
Yet now, as he rested on the floor of the tenement cellar, he could see the faces again. The faces were worried and frightened and he saw them in his brain and heard their trembling voices. He heard Riker saying, “They’ve released him from Quentin. We’ll have to do something.” And Hilda saying, “What can we do?” And Riker replying, “We’ll get him before he gets us.”
He sat up, colliding with an empty tin can that rolled across the floor and made a clatter. For some moments there was quiet and then he heard a shuffling sound and a voice saying, “Who’s there?”
It was a female voice, sort of a cracked whisper. It had a touch of asthma in it, some alcohol, and something else that had no connection with health or happiness.
Ken didn’t say anything. He hoped she’d go away. Maybe she’d figure it was a rat that had knocked over the tin can and she wouldn’t bother to investigate.
But he heard the shuffling footsteps approaching through the blackness. He focused directly ahead and saw the silhouette coming toward him. She was on the slender side, neatly constructed. It was a very interesting silhouette. Her height was approximately five-five and he estimated her weight in the neighborhood of one-ten. He sat up straighter. He was very anxious to get a look at her face.
She came closer and there was the scratchy sound of a match against a matchbook. The match flared and he saw her face. She had medium-brown eyes that matched the color of her hair, and her nose and lips I were nicely sculptured, somewhat delicate but blending prettily with the shape of her head. He told himself she was a very pretty girl. But just then he saw the scar.
It was a wide jagged scar that started high on her forehead and crawled down the side of her face and ended less than an inch above her upper lip. The color of it was a livid purple with lateral streaks of pink and white. It was a terrible scar, really hideous.