Her apartment was only twenty minutes away, and if it had been twenty-five, I think I would have made her pull over to the side of the road or risked bursting. I had her skirt above her waist now, yet she kept control of the car and leveled her eyes straight ahead, which just made me wilder for her. Once she parked, she didn’t bother to pop the trunk, and by that time I wasn’t too worried about my suitcase. I wasn’t going to need any clothes until the morning. She ran up the stairs and I followed.
The apartment building was a little shabby, and in an iffier neighborhood than I expected, but those warehouse lofts usually are in odd parts of town. She pulled me into the dark living room and locked the door behind me, throwing on the deadbolt as if I might change my mind, but there was no risk of that. I didn’t have the time or the inclination to take in my surroundings, although I did notice that the room was sparsely furnished-nothing more than a sofa, a desk with an open laptop, and this huge credenza of jars with gleaming gold tops, which looked sort of like those big things of peppers you see at some delis, although not quite the same. I couldn’t help thinking it was a project of hers, that maybe they were vases distorted by the moonlight.
“You an artist?” I asked as she backed away and began pulling her clothes off, revealing a body that was even better than I had hoped.
“I’m in business.”
“I mean, as a hobby?” I inclined my head toward the credenza, as I was trying to get my trousers off without tripping.
“I’m a pickler.”
“What?” Not that I really cared about the answer, as I had my hands on her now. She let me kiss and touch what I could reach, then sank to her knees, as if all she cared about was pleasing me. Well, she had said she was into good deeds, and I had done pretty well by her in the car.
“A pickler,” she said, her breath warm and moist. “I put up fruits and vegetables and other things as well, so I can enjoy them all winter long.” And then she stopped talking because she had-
MAUREEN STOPS, FROWNING at what she has written. Has she mastered the genre? This is her sixth letter, and while the pickups are getting easier, the prose is becoming harder. Part of the problem is that the men bring so little variation to their end of the bargain, forcing her to be ever more inventive about their lives and their missions. Even when they do tell her little pieces of their backstories, like this one, Andy, it’s so boring, so banal. Late to the airport, a missed connection, not enough money to do anything but sleep on a bench, blah, blah, blah. Ah, but she doesn’t have the luxury of picking them for material. She has to find the raw stuff and mold it to her needs.
So far, the editors of Penthouse haven’t printed any of her letters-too much buildup, she supposes, which is like too much foreplay as far as she’s concerned. Ah, but that’s the difference between men and women, the unbridgeable gap. One wants seduction, the other wants action. It’s why her scripts never sell, either. Too much buildup, too much narrative. And, frankly, she knows her sex scenes suck. Part of the problem is that in real life Maureen almost never completes the act she’s trying to describe in her fiction; she’s too eager to get to her favorite part. So, yes, she has her own foreplay issues.
No, there are definitely voice problems in this piece. Would a young man remember that whistling sound that braces make, or is she simply giving too much away about her own awkward years? Would a twenty-three-year-old man recognize an expensive purse? Or use the word “preternaturally”? Also, she probably should be careful about being too factual. The $2 parking fee-a more astute person, someone who didn’t have his hand up a woman’s skirt, fumbling around as if he’s looking for spare change beneath a sofa cushion, might wonder why someone returning from a business trip paid for only an hour of parking. She should recast her apartment as well, make it more glamorous, the same way she upgraded her Nissan Sentra to a gleaming black BMW. Speaking of which, she needs to get the car to Wax Works, just in case, and change Andy’s name in the subsequent drafts. She doesn’t worry that homicide detectives read Penthouse Forum for clues to open cases, but they almost certainly read it. Meanwhile, his suitcase is gone, tossed in a Dumpster behind the Sleep Inn near the airport, and Andy’s long gone, too.
Well-she looks up at the row of gleaming jars, which she needs to lock away again behind the credenza’s cupboards, but they’re so pretty in the moonlight, almost like homemade lava lamps. Well, she reminds herself. Most of Andy is long gone.
THE BABYSITTER’S CODE
The rules, the real ones, have seldom been written down, yet every girl knows them. (The boys who babysit don’t, by the way. They eat too much, they leave messes, they break vases while roughhousing with the kids, but the children adore the boys who babysit, so they still get invited back.) The rules are intuitive, as are most things governing the behavior of teenage girls. Your boyfriend may visit unless it’s explicitly forbidden, but the master bedroom is always off-limits, just as it would be in your own house. Eat what you like, but never break the seal on any bag or box. Whatever you do, try to erase any evidence of your presence in the house by evening’s end. The only visible proof of your existence should be a small dent on a sofa cushion, preferably at the far end, as if you were too polite to stretch across its entire length. Finally, be careful about how much food you consume. No parent should come home and peer into the Pringles can-or the Snackwell’s box or the glass jar of the children’s rationed Halloween candy-and marvel at your capacity. There is nothing ruder than a few crumbs of chips at the bottom of a bag, rolled and fastened with one of those plastic clips, or a single Mint Milano resting in the last paper cup.
Terri Snyder, perhaps the most in-demand babysitter in all of River Run, knew and followed all these rules. Once when she was at the Morrows’ house, she discovered a four-pound can of pistachio nuts and got a little carried away. And while the canister was so large that it provided cover for her gluttony, the shells in the trash can left no doubt as to how much she had eaten. To conceal the grossness of her appetite, she packed those shells in her knapsack and the pockets of her ski jacket. Riding home in the front seat of Ed Morrow’s Jeep Cherokee, she realized she was rattling softly, but Mr. Morrow seemed to think it was the car’s heater. The next time she babysat for the Morrows, she found another canister of pistachios, a sure sign of trust.
But then, the Morrows were among the most generous clients in Terri’s circle. Most families, even the rich ones, hid what they considered precious-not just liquor, which interested Terri not at all, but also expensive chocolates and macadamia nuts and the asiago cheese dip from Cross Street Wine amp; Cheese in Baltimore. The last was especially dear, a souvenir from the parents’ hip, carefree lives, when they lived where they wanted, with no worries about school districts, much less backyards and soccer leagues. The asiago dip was like the tiny little treasures that pioneer families kept in their sod houses-a single silver spoon, a pair of diamond earrings, a china-head doll. Almost laughable, yet touching somehow, a symbol of a foreign land from which they had chosen to exile themselves for some vague dream of betterment.
Terri always found these forbidden snacks but left them undisturbed, obeying another unwritten rule: you may snoop all you like, but you must not move or in any way tamper with the secrets of the houses left in your care. Read the dirty books and magazines by all means, catalog the couple’s birth control (or lack thereof), poke through medicine cabinets and those mother lodes known as night-stands, but make sure everything and everyone is tucked in its respective bed before the parents return home.