He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty four days now without taking a fish.
Our American crew has been kind and generous with us. There’s little we can do but bid them farewell and promise to change our name to Albatross Productions.
Thunder rumbles and lightning flashes out over the sea as we ride home.
Any lingering dejection is dispersed by the hero’s welcome I receive back at the hotel. Thrusting a copy of Granma into my hand, Isis and Lilian gaze at me with new respect. ‘There, Mr Michael, in the television listings!’
I look for the column. There are only four pages in today’s issue so it’s not hard to find.
‘Griaturas Feroces,’ I read, ‘con Jamie Lee Curtis y Michael Palin.’
My stock has soared. I’m no longer a common or garden Hemingway fan. I’m Jamie Lee Curtis’s co-star.
And the towel on my bed tonight is in the shape of the letter’M’.
Heavy rain in the night and, as I push open the windows of my room next to Hemingway’s, the roofs are steaming, and Hurricane George is creeping slowly towards us. With a bit of luck we’ll be out in time. George is moving out of Puerto Rico and heading for Dominica. Tomorrow we leave Cuba for the States to cover the last few Hemingway destinations.
Take a last walk around some of my favourite places. Like the Plaza de Armas, surrounded by fine colonial edifices, the most impressive of which is the grandly named Palace of The Captains General, now the City Museum. A tremendous colonnade of grey limestone walls and pillars, as massive and serious as anything in classical Europe.
The communists have been surprisingly generous with the monuments of imperialism, and the rooms of the museum are an eloquent evocation of the days when the colonialists lived well in Havana. The rooms are unbearably hot, and yet the be-wigged and overcoated grandees in the portraits appear to be dressed for a funeral in Greenland. Is this yet more evidence of global warming or did people still dress up for their portraits in those days?
For our last meal in Havana we go to the tiny Chinatown area to see if Hemingway’s favourite Chinese restaurant, El Pacifico, is still there. And it is, a monumental barn of a place, occupying several floors of a building in a narrow street in the Cayo Hueso area. They say that in the old days the restaurant occupied the ground floor and the floors above were arranged in ascending order of decadence - first: gambling, second: sex, and third: drugs. The penthouse presumably offered gambling, sex and drugs, and possibly donkeys as well.
There is no trace of dissipation in the darkened entrance where an unimpressive menu is advertised and no one on the staff seems to know or care if Hemingway used to bring his family here for Sunday lunch.
So we go across the road and eat our meal in the small back room of another Chinese establishment - not too small, however, for a six-piece band to squeeze in and supply ‘Guantanamera’ with the steamed rice.
A last round of mojitos at the Patio restaurant in the fine old Cathedral Square. Normally at this time the place is ringed with professional ladies weighing up business prospects, but tonight I’m told there has been one of the periodic police crackdowns and only the real die-hards are left.
To the airport in a vintage Chrysler. As it is precisely the same age as the black Chrysler that Hemingway used to drive, there is always a chance he swung this one round the same corners. Not always with much success.
In a letter to Maxwell Perkins from the Finca in July 1945, Hemingway describes yet another messy accident, ‘[It] was at noon and I was cold sober,’ before adding, more incriminatingly, ‘Fourth bad smash in a year. Fortunately only two got into print.’
Amazingly enough, in 1955, the most accident-prone man in the world was awarded the Order of St Christopher, for those who had driven exceptionally safely in Havana. Hemingway apparently regarded this as more precious than the Nobel Prize he’d won the year before. He passed the Nobel medal on to a church at Cobre near Santiago de Cuba. And there it resides to this day, in the Chapel of Our Lady of Miracles.
This seems typical of Hemingway’s life here. The bold, if eccentric, gesture of a man who knew that in Cuba, bold eccentric gestures were much appreciated in a man, along with any show of confident flamboyance. Hemingway hated limitation and constriction of any kind, especially social and cultural. If he had lived and worked in America, he would have been required to conform in some way to the expectations of a literary establishment. In Cuba he didn’t have to pay this price.
However, he had done himself lasting damage in the crashes in Africa, and, throughout the late fifties, his health, and the health of the island, declined rapidly. Castro’s revolution in 1959 was seen by most Cubans as a cure. For Hemingway, it was equivalent to a terminal diagnosis.
As Castro and the USA began to square off, he was forced into an agony of divided loyalties between home and homeland. On 25 July 1960, he took the ferry to Key West and sailed away from Cuba for the last time.
Thirty-eight years on, there is no ferry to Key West or anywhere else on the US coast. The country of Hemingway’s birth and the country he adopted are still squaring up, which is why I’m leaving Cuba on a Jamaican plane, heading south to the USA.
AMERICAN WEST
‘This is a cockeyed wonderful country,’ wrote Hemingway to his artist buddy Waldo Peirce, after two weeks in Wyoming in August 1928. Despite his close acquaintance with Italy, France and Spain, this was the first time the much-travelled twenty-nine-year-old had tasted the wide open spaces of his own country
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The birth of his second son two months previously had brought him back from Europe and the need to get away and finish his new novel (which became A Farewell to Arms) had sent him out to the American West in search of peace and quiet
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He returned many times to the Big Country on the eastern slopes of the Rockies. It was a safety valve, a place to hunt and shoot and fish and finish books and read proofs well away from the metropolitan literary environment he disliked so much
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He never made a home here, that is, until the winter of 1958, when he and Mary first rented and then bought a house on a hillside in Ketchum, Idaho. But by that time the West was no longer the place where he could get away from his problems. It was the place where his problems finally caught up with him
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In November 1930, when Archie MacLeish flew out to Montana to see his friend Ernest hospitalised in Billings after a serious car crash, it took him two days to get there and he called it ‘the most hair raising flight of my life’.
My first trip to Montana is not much better. Huge thunderstorms in the Mid-West empty the clouds and fill the airports, and by the time we reach Bozeman there is snow on the ground and hardly a room to be had because of parents’ weekend at the university.
I’m told that though Montana is the fourth largest state by area, it has a population of less than eight hundred thousand. This should make for wide open spaces, but tonight downtown Bozeman is like Times Square. The only difference is that they treat you better here. However hectic is the bar or the baggage-hall, no one but yourself is going to hurry you.
By the time I get to bed I haven’t seen a single wide open space but already I feel a deep and inexplicable sense of relaxation.
When he and his friend Bill Home first came out west in 1928, in a yellow Ford runabout provided for him by Pauline’s ever-generous Uncle Gus, Hemingway found it hard to settle. Though he thought it ‘damned lovely country’, he couldn’t find a dude ranch (a ranch that took paying guests) which suited him. The first one, Folly Ranch, had fifteen girls staying, which was not what he wanted at all (though Bill Home married one of them). In another he found the peace and solitude too much, and once again confided in Waldo Peirce. ‘Am lonely as a bastard, drank too much last night and feel like anything but work now.’