“Have you ever read him?” Phil asks.
“Marjorie Morningstar, in my youth. It’s an annoying hymn to virginity, but I was swept away in spite of myself. Have you?”
“I tried Youngblood Hawke, but couldn’t finish it. Still … he’s in there pitching. And he’s old enough to be our father.” He folds the paper and puts it into the picnic basket. Below them, light traffic on the turnpike runs beneath a high September sky full of fair-weather clouds. “Before we get back on the road, do you want to do swapsies? Like in the old days?”
She thinks about it, then nods. Many years have passed since she listened to someone else read one of her poems, and the experience is always a little dismaying—like having an out-of-body experience—but why not? They have the rest area to themselves. “In honor of Herman Wouk, who’s still in there pitching. My work folder’s in the front pocket of my carrybag.”
“You trust me to go through your things?”
She gives him her old slanted smile, then stretches into the sun with her eyes closed. Relishing the heat. Soon the days will turn cold, but now there is heat. “You can go through my things all you want, Philip.” She opens one eye in a reverse wink that is amusingly seductive. “Explore to your heart’s content.”
“I’ll keep that in mind,” he says, and goes back to the Cadillac he has rented for them.
Poets in a Cadillac, she thinks. The very definition of absurdity. For a moment she watches the cars rush by. Then she picks up the Arts section and looks again at the narrow, smiling face of the old scribbler. Still alive. Perhaps at this very moment looking up at the high blue September sky, with his notebook open on a patio table and a glass of Perrier (or wine, if his stomach will still stand it) near to hand.
If there is a God, Paulie Enslin thinks, she can occasionally be very generous.
She waits for Phil to come back with her work folder and one of the steno pads he favors for composition. They will play swapsies. Tonight they may play other games. Once again she tells herself, It is not out of the question.
III. SITTING BEHIND THE WHEEL OF THE CHEVY VAN, BRENDA FEELS LIKE SHE’S IN THE COCKPIT OF A JET FIGHTER.
Everything is digital. There’s a satellite radio with a GPS screen above it. When she backs up, the GPS turns into a TV monitor, so you can see what’s behind you. Everything on the dashboard shines, that new-car smell fills the interior, and why not, with only seven hundred and fifty miles on the odometer? She has never in her life been behind the wheel of a motor vehicle with such low mileage. You can push buttons on the control-stalk to show you your average speed, how many miles per gallon you’re getting, and how many gallons you’ve got left. The engine makes hardly any noise at all. The seats up front are twin buckets, upholstered in bone-white material that looks like leather. The shocks are like butter.
In back is a pop-down TV screen with a DVD player.The Little Mermaid won’t work because Truth, Jasmine’s three-year-old, spread peanut butter all over the disc at some point, but they are content with Shrek, even though all of them have seen it like a billion times. The thrill is watching it while they’re on the road! Driving! Freedom is asleep in her car seat between Freddy and Glory; Delight, Jasmine’s six-month-old, is asleep in Jasmine’s lap, but the other five cram together in the two back seats, watching, entranced. Their mouths are hanging open. Jasmine’s Eddie is picking his nose, and Eddie’s older sister, Rosellen, has got drool on her sharp little chin, but at least they are quiet and not beating away at each other for once. They are hypnotized.
Brenda should be happy, she knows she should. The kids are quiet, the road stretches ahead of her like an airport runway, she’s behind the wheel of a brand-new van, and the traffic is light, especially once they leave Portland behind. The digital speedometer reads 70, and this baby hasn’t even broken a sweat. Nonetheless, that grayness has begun to creep over her again. The van isn’t hers, after all. She’ll have to give it back. A foolish expense, really, because what’s at the far end of this trip, up in Mars Hill? Food brought in from the Round-Up Restaurant, where she used to work when she was in high school and still had a figure. Hamburgers and fries covered with plastic wrap. The kids splashing in the pool before and maybe after. At least one of them will get hurt and bawl. Maybe more. And Glory will complain that the water is too cold, even if it isn’t. Glory always complains. She will complain her whole life. Brenda hates that whining and likes to tell Glory it’s her father coming out … but the truth is, the kid gets it from both sides. Poor kid. All of them, really. All poor kids, headed into poor lives.
She looks to her right, hoping Jas will say something funny and cheer her up, and is dismayed to see that Jasmine is crying. Silent tears well up in her eyes and shine on her cheeks. In her lap, baby Delight sleeps on, sucking one of her fingers. It’s her comfort-finger, and all blistered down the inside. Once, Jas slapped her good and hard when she saw Dee sticking it in her mouth, but what good is slapping a kid that’s only six months old? Might as well slap a door. But sometimes you do it. Sometimes you can’t help it. Sometimes you don’t want to help it. Brenda has done it herself.
“What’s wrong, girl?” Brenda asks.
“Nothing. Never mind me, just watch your driving.”
Behind them, Donkey says something funny to Shrek, and some of the kids laugh. Not Glory, though; she’s nodding off.
“Come on, Jas. Tell me. I’m your friend.”
“Nothing, I said.” Jas leans over the sleeping infant. Delight’s baby seat is on the floor. Resting in it on a pile of diapers is the bottle of Allen’s they stopped for in South Portland, before hitting the turnpike. Jas has only had a couple of sips, but this time she takes two good long swallows before putting the cap back on. The tears are still running down her cheeks. “Nothing. Everything. Comes to the same either way you say it, that’s what I think.”
“Is it Tommy? Is it your bro?”
Jas laughs angrily. “They’ll never give me a cent of that money, who’m I kidding? Ma’ll blame it on Dad because that’s easier for her, but she feels the same. It’ll mostly be gone, anyway. What about you? Will your folks really give you something?”
“Sure, I think so.” Well. Yeah. Probably. Like forty dollars. A bag and a half’s worth of groceries. Two bags if she uses the coupons in Uncle Henry’s Swap or Sell It Guide. Just the thought of flipping through that raggy little cheap magazine—the poor people’s Bible—and getting the ink on her fingers causes the grayness around her to thicken. The afternoon is beautiful, more like summer than September, but a world where you have to depend on Uncle Henry’s is a gray world. Brenda thinks, How did we end up with all these kids? Wasn’t I letting Mike Higgins cop a feel of me out behind the metal shop just yesterday?
“Bully for you,” Jasmine says, and snorks back tears. “My folks, they’ll have three new gasoline toys in the dooryard and then plead poverty. And do you know what my dad’ll say about the kids? ‘Don’t let ’em touch anything,’ that’s what he’ll say.”
“Maybe he’ll be different,” Brenda says. “Better.”
“He’s never different and he’s never better,” Jasmine says, “and he never will be.”
In the backseat, Rosellen is drifting off. She tries to put her head on her brother Eddie’s shoulder and he punches her in the arm. She rubs it and begins to snivel, but pretty soon she’s watching Shrek again. The drool is still on her chin. Brenda thinks it makes her look like an idiot, which she pretty close to is.